Catalog: Antiques: Regional Art: Asian: Japanese (331)

Pair of Inari Foxes of sculptured and fired clay with luminescent powered white glaze. In traditional Japanese art, a pair of foxes typically flank the deity Inari’s shrine image. But in modern times, images of Inari have all but disappeared, replaced instead by images of Oinari’s messenger, the magical shape-shifting fox (kitsune 狐). Here the symbolism is two-fold. First, rice is sacred in Japan, closely associated with fertility (the pregnant earth) and with sustaining life. Inari and Inari’s foxes must therefore be placated -- otherwise it would be disastrous to the livelihood of the nation’s farmers and people. One fox has a jewel (houju) in his mouth, and the other carries in his mouth a letter (makimono), fulfilling his role as a messenger. These striking sculptures will transcend any room with their beauty, charm and elegance. 22 inches, 56cm tall.

Massive Pair of Japanese Cloisonne enamel baluster vases, Meiji Period, each decorated in brightly colored enamels with butterflies hovering above various types of flowering chrysanthemum bushes, all silhouetted against a mirror black ground, stylized floral bands encircling the shoulder, waisted at the neck and above the flaring foot, and wide abstract foliate bands at the rim and foot (slight damage to the foot). Provenance: Former collection of Mettie C Jones, Long Beach, CA; items reputed to have been purchased at the Twentieth Century Fox studio auctions in 1935, and later MGM studio auctions. height: 47 inches, 120 cm.

A Splendid Meiji Period Kyo Satsuma Vase with overglaze enamel decoration by the very well known potter, Taizan Yohei IX, and one of the Meiji Period's foremost painters, Kono Bairei. cf. Meiji Ceramics by Giesela Jahn, page 157, figure 81. Taizan was a renowned Kyoto potter who exhibited and won prizes at a number of international events, including the 1893 Chicago World Expo. This is a very good example from a great potter of the Meiji Period, with auspicious symbols of Sparrows, Foliage, and Gourds beautifully composed on a yellow orca field with raised gold accents, the choice of colors and wireless technique enhancing its mystical feeling. 10.5 inches (27cm)h. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.

Meiji Period Japanese Bronze Sculpture of Senju Kannon, the 1,000 armed Bosatsu of Compassion, the deity of pure bounty, omniscient and omnipresent. This divine sculpture holds its foremost hands in the Anjali mudra (hand position), universally used by people in Asia for salutation, it evokes an offering (of one's good feelings, of one's person, of art, etc.). This is a fantastic, masterfully rendered find for the Buddhist art collector. 13.5 inches, 34 cm. Excellent Condition.

An amazing and rare Daki Ningyo of the Imperial class, with a specatularly carved face, wearing the finest silk textiles of brocades, featuring a highly prized shibori collar, wearing tobi socks and a wonderful hat, all original. Height: 30 inches, 76 cm.

A rare wonderful Daki Ningyo with the most artistic style and a beautiful hypnotic face, wearing a gorgeous painted silk kimono of Imperial purple. Made for the Imperial class. Late 19th Century. 27 inches, 68.5 cm.

A Group of Japanese Meiji Period Gold Lacquered Wood Lotus Blossoms. They were displayed on the altar of a Buddhist temple and represent rebirth and the cycle of life. Each flower is depicted in a different state of maturity. Late 19th Century. Height of the tallest flower: 30 inches (76cm).

Japanese Early Meiji Period Gosho Ningyo (Palace Doll) depicted with a gift box with Daruma and featuring a crane. He is wearing a fitted silk crepe haragake bib tied at the neck and waist. He has a delightfully rendered face with a bright expression, slightly open mouth, and painted features. His forehead has a painted auspicious mizuhiki (presentation ribbon). He is covered overall in a fine white gofun (oyster shell lacquer). 4.5h x 4.5w inches, 11.5h x 11.5w cm.

Japanese Early Meiji Period Kneeling Gosho Ningyo (Palace Doll) depicted with a gift box offering, wearing a fitted silk crepe haragake bib with a cherry blossoms design, tied at the neck and waist. He has a delightfully rendered face with a bright expression, slightly open mouth, and painted features. His forehead has a painted auspicious mizuhiki (presentation ribbon). He is covered overall in a fine white gofun (oyster shell lacquer). 4h x 4w inches, 10h x 10w cm.

19th Century Meiji Period Japanese Hai Hai Ningyô lying on a beautiful Shibori silk pillow. The Hai Hai is the rarest of the Gosho form. They are presented in the upper class as a birth presentation gift to protect against bad spirits. This charming example has a Chomusubi (gift ribbon) on his head. 7.5 inches (19cm) long x 4 inches (10cm) high. Excellent Condition.

Meiji Period Koransha Porcelain Dragon Vase, in ovoid form with gray Dragon and Clouds with under glaze charcoal. It is an accomplished work of fine Porcelain. Height: 4.5 inches, 11.5 cm.

Early Meiji Maneki Neko (Beckoning Cat), believed to bring wealth and good luck, from the collection of a renowned author on and collector of Asian art. The fur is white with random black and orange patches. This tri-coloring is considered especially lucky. This belief may be related to the rarity of this coloring in the Japanese bobtail cats, after which the Maneki Neko is modeled. This coloring is called Mi-ke in Japanese, meaning three-fur. 10 inches, 25.5 cm tall.

Japanese Meiji Period Musha Ningyo (Boys' Day Doll) depicting Emperor Jimmu Tenno, the first Emperor of Japan, in an unusual seated position. A fine and rare Ningyo, wonderfully well-executed face with strong features, covered overall in a fine tinted gofun (oyster shell lacquer), with a spectacular silk fiber hairstyle, sumptuous silk brocades, and a sword at his hip while holding a fabulous polearm weapon. 10.5 inches, 26.5 cm.

A beautifully painted Meiji Period Japanese Namban screen depicting a Portuguese Caravel ship. Japanese screens featuring Portuguese are rare. 60h x 56w inches, 152h x 142w cm.

Very Large 19th Century Meiji Period Japanese Ningyo pair of an Oiran Bijin, the highest ranking Kyoto courtesan bijin and her Kamuro (attendant), an elaborately attired pair of the finest quality. The Oiran and her attendant are wearing the most gorgeous, sumptuous brocades and textiles, all hand woven and painted chirimen silk crepe of beautiful shabori designs. The faces are exquisitely carved and covered with many layers of gofun (white oyster shell lacquer). Their expressions are just wonderful. Their fantastic hairstyles have an array of decorative ornaments. Her draping outer kimono (uchigake) is done in a beautiful floral pattern kinran design with a thick padded hem. There are endless exquisite details creating this masterwork. Mounted on a black lacquered stand. Oiran: 28 inches (71cm), Attendant: 20 inches (51 cm).

19th Century Cloisonne Vase by the most famous Japanese cloisonne artist, Ando Jubei. Decorated with a band of flowers on a pigeon blood foil ground. Height: 9 inches, 23 cm.

Musha Ningyo of Minamoto no Yoshitsune dressed for the Imperial Court. He is wearing a fantastic brocade robe and a spectacular court hat. This wonderful rare example of high quality has a great presence, sumptuous brocades, gold lacquered armor, and many other fine details. His face is gorgeously and masterfully carved with finely burnished gofun (white clam shell lacquer). An extraordinary example. Height: 22.5 inches, 57 cm.

Munga Ningyo of a Samurai in Court Attire by Toyotomi Hideyoshi. Late Edo Period. Height: 10 inches, 25.5 cm.