Catalog: Antiques: Regional Art: Asian: Japanese (331)

Japanese Meiji Period Musha Ningyo (Boys' Day Doll) depicting the legendary Emperor Ojin, seated in court attire and wearing dramatic cream brocades and lacquered armor, a fan in his right hand and wearing a classic gold eboshi cap. His face is finely carved with a regal expression. A rare and fine example. 18.5h x 20w inches, 47h x 51w cm.

Late Edo Period (1850-1868) Japanese Musha Ningyô (Boys Day Doll) wearing an Eboshi, a court hat and robes with crests. He is seated in a court position and has a handsomely caved face. His silk fiber hairs are tied in a top knot. This is a well executed example. 11 inches (28cm) tall. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.

Japanese Musha Ningyo of Old Minister Takenouchi, Meiji Period, late 19th Century. 12.5 inches (31.75 cm) height.

Japanese Ningyo of a Mother and Child or Mary and Child. 13.25 inches (33.5 cm) height.

Japanese Oshi-e Ningyô of a High-Ranking Oiran Geisha. 12 x 8.75 inches, 30.5 x 22.25 cm. These were very popular during the Meiji Period; over 400 million dollars in sales (in current currency) was recorded in 1888. The characteristics of Matsumoto Oshi-e Ningyô are that the design is stuffed heavily with cotton and the faces are painted in Ukiyo-e (the floating world of Edo period) style. It is very rare to find old Oshi-e Ningyô in this quality and size today. The popularity of Oshi-e Ningyô declined when steam engines spread throughout Japan and made more goods (Hina Ningyô in this case) accessible to the local regions. The production of Matsumoto Oshi-e ended in the late Meiji period (1868-1912).

Meiji Period Japanese Safe with Drawers and Handsome Butterfly and Floral Metalwork. 13.5h x 12.5w x 12.5d inches, 34h x 32w x 32d cm.

Japanese Satsuma Phoenix Vase by Kinkozan V, an important and renowned Satsuma artist. It features stylized figures and flowers in under glaze red, yellow, green and blue on a rich black ground. This kind of design was very influential on Art Deco. 9 inches, 23 cm.

Japanese Satsuma Phoenix Vase by Kinkozan V, an important and renowned Satsuma artist. It features a stylized phoenix of under glaze red, yellow, green, and blue on a rich black ground. This kind of design was very influential on Art Deco. 9 inches, 23 cm.

Japanese Satsuma Porcelain of a Baby Boy in a Beautiful Bib Holding a Whistle Bird. A charming sculpture with a wonderful presence. 8 inches, 20.5 cm.

Japanese Standing Female Isho Ningyo of a Bijin, Meiji Period. 15.75 inches (40 cm).

Taisho Period Japanese Ceramic Rabbit Figure, with original artist signed box. A charming studio work of art with wonderful glazes creating a striking image. 6 inches, 15cm.

This signed Meiji Period (circa 1880) Japanese Theater Mask of Tengu by the artist, Kogyo is an extraordinary example of the character, with its dramatic and spectacular face. The most fabulous one we have seen. This mask represents the mischievous Forest God seen in Kyogen plays performed between Noh Dramas. It is for the most discerning collector. Lacquer over wood with silk hair. 9 inches (23 cm)h x 6.5 inches (16.5 cm)w, 21 inches (53.5 cm)h with beard. Excellent Condition. From a prominent and widely exhibited collection.

Fine early example of a Jomon Period Dogu Clay Figure, the earliest known Japanese figures. The Dogu acted as effigies of people. They manifested some kind of sympathetic magic. For example, it may have been believed that illnesses could be transferred into the Dogu, and then destroyed, clearing the illness, or any other misfortune. Because of the ritual destruction of Dogu, they are quite rare. This primitive abstract fertility figure has a futuristic look. There are fun theories that state that the Dogu may be linked to extra-terrestrial Ancient Astronauts. The figures resemble 'space suits' complete with rivets and a helmet/face mask and goggles. The large eyes are also reminiscent of the traditional grey alien. Many Dogu exhibitions have appeared recently: Tokyo National Museum, British Museum of Art, Miki Gallery New York. This one was on exhibit at the Arts of Pacific Asia Show NYC 2010, a vetted venue. 6 inches, 15.5 cm.

Very Rare Japanese Jomon Period (13,000-300BC) Terracotta torso (broken off at waist) in the form of a female figure with a bird head. Overall incised decoration. Accompanied by a small terracotta disc found in the same grave lot. Figure: 4.5 x 4 inches, 11.5 x 10 cm; Disc: 2.25 x 1.5 inches, 5.75 x 4 cm. Very Good Condition.

Magnificent 18th Century Japanese Edo Period Kakiemon Porcelain Incense Burner with Daruma, the founder of Zen Buddhism. Delicately painted designs in vivid and varied colors. A wonderfully rendered Daruma adorns the cover where the smoke magically appears out of his mouth when incense is burned. A very rare and remarkable piece in very fine condition. 5.5w x 4.5h x 4d, 14w x 11.5h x 10 cm.

Rare Kamakura Period Sculpture of a of a Nio Guardian King exhibiting power and fierceness. According to Japanese tradition, they traveled with the historical Buddha to protect him. Within the generally pacifist traditions of Buddhism, stories of Niō guardians like Kongōrikishi justified the use of physical force to protect cherished values and beliefs against evil. It is rare to find such an early example. Carved wood and lacquer with some imperfection and losses, as with most works of art surviving the period. 20 inches, 51 cm.

Japanese Keto Kyomasa Iki Ningyo. 21 inches (with helmet; 27 inches with staff and stand.

Kimikomi Ningyo by Jinku-ru. 9.25 inches, 23.5 cm.