Catalog: Antiques: Regional Art: Asian (342)

Genuine 17th Century Early Edo Period (possibly Momoyama Period) Japanese Floral Rimpa Painting made from Pigments, Silver and Gold. This is not a print or reproduction. Authenticity is absolutely guaranteed. Custom mounted for display. Painting: 17.5 x 12 inches, 44 x 30.5 cm, Mounting: 21.5 x 16.25 inches, 55 x 41 cm.

17th Century Japanese Standing Buddha. A rare and fine example from the early Edo Period. Carved of Poloma wood with a rich dark patina. Complete with Stand and Mandala. It has a spiritual presence and a beautiful face to contemplate. 15 inches, 38 cm tall. From a prominent and widely exhibited collection.

Japanese Buddhist Temple Carving of a Stylized Cloud Formation. This very early 16th to 17th Century carving is the oldest one we have seen, possibly from the Momoyama Period. Carved of poloma wood. A rare early work of art. 40 inches (101.5 cm) long x 12 inches (30.5 cm) high. Fine Condition. From a prominent and widely exhibited collection.

Next to the Kabuto (Helmet), one of the most expressive parts of the Samurai's Armor is the Face Mask. This Middle Edo Period metal "armor for the face" is known by many names: mengu, menpo, mempo, men yoroi, katchu men. Menpo means "face and cheek" and is generally used for masks with nose pieces. This menpo is covered with a high quality gold lacquer. The inside is a negoro-like finish of red lacquer. Sporting a fantastic horse hair mustache. Obviously constructed by a highly skilled craftsman. 7w x 5.5h inches, 18 x 14 cm.

Genuine 17th Century Early Edo Period (possibly Momoyama Period) Japanese Floral Rimpa Painting made from Pigments, Silver and Gold. This is not a print or reproduction. Authenticity is absolutely guaranteed. Custom mounted for display. Painting: 12.75 x 2.25 inches, 32.5 x 6 cm, Mounting: 17 x 6.5 inches, 43 x 16.5 cm.

Fine Edo Period Sho Bosatsu Kannon in Rare Excellent Condition, gilded wood sculpture seated on a lotus and holding a lotus in the left hand. The Bodhisattva of Compassion has never been more beautifully rendered. Height: 27 inches (68.5 cm), Width: 14 inches (35.5 cm).

Genuine 17th Century Early Edo Period (possibly Momoyama Period) Japanese Floral Rimpa Painting made from Pigments, Silver and Gold. This is not a print or reproduction. Authenticity is absolutely guaranteed. Custom mounted for display. Painting: 9.75 x 4.25 inches, 25 x 11 cm, Mounting: 14 x 8.5 inches, 35.5 x 21.5 cm.

Genuine 17th Century Early Edo Period (possibly Momoyama Period) Japanese Floral Rimpa Painting made from Pigments, Silver and Gold. This is not a print or reproduction. Authenticity is absolutely guaranteed. Custom mounted for display. Painting: 6.5 x 4.75 inches, 16.5 x 12 cm, Mounting: 10.75 x 9 inches, 27.5 x 23 cm.

A unique early Edo Period 17th Century rectangular Lacquer Incense Box, with high relief and decorated with Gold Takamakie technique on thick Nashiji ground. Takamakie is a kind of relief combined with the Hiramakie technique. The base of the relief is made with charcoal powder. Hiramakie is　sprinkling metal powder or grains, sticking them onto the surface, using the adhesive ability of urushi tree sap. For sprinkling metal powders puffy raw silk threads are used while for grains a thin bamboo cylinder filter is used. The makie parts are whetted or polished after drying. Makie technique is indigenous to Japan. This fine box has an image of a tied pouch and thickly raised objects and flowers on a Nashiji (pear skin) sprinkled gold lacquer ground with details of kana-gai (pieces of gold or foil embedded in the lacquer). A magnificent work of art. It is rare to find such early lacquer in such excellent condition. 6.5w x 3.25d x 2h inches, 16.5w x 8d x 5h cm.

Genuine 17th Century Early Edo Period (possibly Momoyama Period) Japanese Floral Rimpa Painting made from Pigments, Silver and Gold. This is not a print or reproduction. Authenticity is absolutely guaranteed. Custom mounted for display. Painting: 9.5 x 3 inches, 24 x 7.5 cm, Mounting: 13.75 x 7.25 inches, 35 x 18.5 cm.

Genuine 17th Century Early Edo Period (possibly Momoyama Period) Japanese Floral Rimpa Painting made from Pigments, Silver and Gold. This is not a print or reproduction. Authenticity is absolutely guaranteed. Custom mounted for display. Painting: 9 x 8 inches, 22.5 x 20 cm, Mounting: 13 x 12.25 inches, 33 x 31 cm.

Genuine 17th Century Early Edo Period (possibly Momoyama Period) Japanese Floral Rimpa Painting made from Pigments, Silver and Gold. This is not a print or reproduction. Authenticity is absolutely guaranteed. Custom mounted for display. Painting: 9.5 x 8 inches, 24 x 20 cm, Mounting: 13.75 x 12.25 inches, 35 x 31 cm.

17th Century Early Edo Period Spectacular Japanese Temple Sculpture of Baku, a mythical beast loosely representing an Elephant with a combination of other animals, creating an original form. The Baku is the "Dream Catcher" of ancient Japanese Shinto mythology. It is inserted in the ceiling to watch over the temple. This Baku is a masterpiece sculpture of magnificent presence. It will surely be the focal point in any environment. It is carved entirely from solid Keyaki (Zelkova) wood, one the finest woods of Japan, and it takes two men just to lift it. Mounted on a lacquered stand, it rotates easily on the stand. 36 inches (91.5 cm) long x 25 inches (63.5 cm) tall. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.

Japanese Carved Wood Seated Figure of an Ascetic (fasting Buddha). This early Edo Period 17th Century piece is a magnificent work of sculpture with dry lacquer surface and some color with gold lacquer on the stand. He presents a haunting spiritual aura and has the desired sheen for carvings of this age. We are proud to offer this important museum quality masterpiece. 9.5h x 7w x 5d inches, 24h x 18w x 13d cm.

Genuine 17th Century Early Edo Period (possibly Momoyama Period) Japanese Floral Rimpa Painting made from Pigments, Silver and Gold. This is not a print or reproduction. Authenticity is absolutely guaranteed. Custom mounted for display. Painting: 11.5 x 5.75 inches, 29 x 14.5 cm, Mounting: 15.75 x 10 inches, 40 x 25 cm.

15th Century Japanese Gilt Wood Amida Nyorai Buddha. His hands are held in the vitarka mudra, the gesture of discussion and transmission of Buddhist teaching. Amida is captured here in his welcoming descent from Heaven to greet the soul of a faithful devotee at death. Images of his descent to earth illustrate the nineteenth of forty-eight vows made by Amida in a previous life, in which he promises to appear at the moment of death to all beings who devoutly desire rebirth in his paradise. Painted and sculpted versions of this theme first became popularized in Japan during the 11th century and were placed near the deathbed of a devotee so that he or she could see it. 30 inches, 76 cm.

A sublime and very rare 10th-12th century Heian Period Japanese Jizō Bosatsu wood sculpture. 8 inches (20cm) high x 6 (15cm) inches wide.

Rare Kamakura Period Sculpture of a of a Nio Guardian King exhibiting power and fierceness. According to Japanese tradition, they traveled with the historical Buddha to protect him. Within the generally pacifist traditions of Buddhism, stories of Niō guardians like Kongōrikishi justified the use of physical force to protect cherished values and beliefs against evil. It is rare to find such an early example. Carved wood and lacquer with some imperfection and losses, as with most works of art surviving the period. 20 inches, 51 cm.