Catalog: Antiques: Regional Art: Asian (342)

Japanese Needle Work Rozashi Technique Embroidery of the Interior of Asakusa Temple. Rozashi is embroidery using silk canvas and silk thread. A picture is created and outlined on the canvas and comes alive with the thread and stitching. The difference between Rozashi and other forms of embroidery is the use of the silk canvas called "Ro". The "Ro" is a special, uniquely woven fabric. Common embroidery stitching technique utilizes threading through holes but Rozashi stitching must always be straight and can never be diagonal. This is an amazing masterwork, inspired by an Eisho Narazaki (1864-1936) wood block print. Frame: 22 x 17 inches, 56 x 43 cm; Embroidered Panel: 17.5 x 12.75 inches, 44.5 x 32.5 cm.

Very rare and extremely large Japanese Blue and White Kutani Porcelain Sculpture of Kannon, the Goddess of Mercy and Compassion. High quality porcelain with beautiful blue glazing. It has very dynamically painted phoenix and other images beautifully painted as part of a fine composition. She is presented in a spiritual and graceful pose. Her face has a beautiful serenity filled with compassion. A beautiful work of art from all angles. Excellent condition with no chips, cracks, hairlines, or flaws. The mark on the bottom reads 'Kutani Kikusenon'. Height: 22 inches, 56 cm.

Old Nepalese Boar Mask. Purchased 40 years ago in Kathmandu by a well-known and widely published collector. 6.5h x 5w x 6d inches, 16.5h x 12.5w x 15d cm.

Taisho Period Japanese Bronze Tear Drop Vase with original box. A classic shape with a gorgeous caramel patina. 8 inches (20.5cm) tall. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.

Japanese Late Meiji Period Two Panel Owl Screen featuring a solitary owl perched on a wind blown bamboo, entwined by vines with clusters of red berries. Signed by Kouro. Nihonga School - ink and color on paper painting in tarashikomi, a technique that achieves shading through pooling successive layers of partially dried pigment. 68.5 inches (174 cm)h x 67 inches (170 cm)w. Very Good Condition. Minor Repairs. From a prominent and widely exhibited collection.

Marvelous and Rare Sakura Porcelain Head Doll of a an American Baby Girl, with Bisque arms and legs. Her clothes are all original. An absolute must for the serious doll collector. She has a wonderful presence and a beautiful face. Sakura dolls were the first attempt by Japanese doll companies to imitate western porcelain doll making techniques, mainly for export purpose. Shinoda and Morimura are the most famous manufacturing companies. This doll is very distinctive, with big black eyes and black straight bobbed hair. They were nick-named 'Sakura Bisque' or 'Sakura Doll' for the cherry blossoms (the national flower of Japan) and were a great hit all over the world. This doll is very distinctive, with big black eyes and black straight bobbed hair. Height: 10 inches, 25.5 cm.

Taisho Period Japanese Ceramic Rabbit Figure, with original artist signed box. A charming studio work of art with wonderful glazes creating a striking image. 6 inches, 15cm.

Okutani Shuseki (1871-1936) was born in Osaka and lived in Kyoto for most of his life. His artistic lineage is among the very best. He, along with Yamamoto Shunkyo and others, studied under Mori Kansai, who was the pupil and adopted son-in-law of Mori Tetsuzan, who was one of Maruyama Okyo's best pupils. Like all painters of the Mori family school, Shuseki's nature paintings are remarkable for their unsentimental naturalism, showing his keen interest in the essence of nature. He won prizes at numerous exhibitions and founded his own art school. 21 x 8.5 inches, 53 x 21.5 cm. cf. Ekkehard May and Daniel McKee's Haiku & Haiga, Amsterdam, Hotei, 2006.

Museum Quality Japanese Basket by Kosuge Chikudo. The highly regarded master Chikudo's baskets are in museums in Japan. This very fine, masterful example of his work is a rare find for the serious Japanese basket collector. 17 inches (43cm) high x 9 inches (23cm) wide.

Okutani Shuseki (1871-1936) was born in Osaka and lived in Kyoto for most of his life. His artistic lineage is among the very best. He, along with Yamamoto Shunkyo and others, studied under Mori Kansai, who was the pupil and adopted son-in-law of Mori Tetsuzan, who was one of Maruyama Okyo's best pupils. Like all painters of the Mori family school, Shuseki's nature paintings are remarkable for their unsentimental naturalism, showing his keen interest in the essence of nature. He won prizes at numerous exhibitions and founded his own art school. 22 x 8.5 inches, 56 x 21.5 cm. cf. Ekkehard May and Daniel McKee's Haiku & Haiga, Amsterdam, Hotei, 2006.

The phurba is one of the most important of the shaman's implements, and this particular phurba is an exceptional example of the great effort and tremendous creativity that goes into the making of this magical tool. It has an upper section with 3 faces, one smiling, one wrathful, and one peaceful. The middle section is a vajra (symbol of lightning) whose twin tips rest on knots of eternity. The lower section represents Makara, the water divinity, who holds in his mouth the the triangular blade around which snakes are entwined. This phurba has a further uncommon touch, an animal rests atop it. Really a very fine example of Nepalese religious art. 8 inches, 20 cm. Very Good Condition.

Japanese Fukusa Panel Depicting Two Kabuki Actors Performing the Lion Dance. Polychrome and Gilt Threads. A fantastic painting with wonderful movement and lush color on chirimen silk. 26w x 24.5h inches, 66 x 62.25 cm. Framed.

Japanese Keto Kyomasa Iki Ningyo. 21 inches (with helmet; 27 inches with staff and stand.

Japanese Oshi-e Ningyô of a High-Ranking Oiran Geisha. 12 x 8.75 inches, 30.5 x 22.25 cm. These were very popular during the Meiji Period; over 400 million dollars in sales (in current currency) was recorded in 1888. The characteristics of Matsumoto Oshi-e Ningyô are that the design is stuffed heavily with cotton and the faces are painted in Ukiyo-e (the floating world of Edo period) style. It is very rare to find old Oshi-e Ningyô in this quality and size today. The popularity of Oshi-e Ningyô declined when steam engines spread throughout Japan and made more goods (Hina Ningyô in this case) accessible to the local regions. The production of Matsumoto Oshi-e ended in the late Meiji period (1868-1912).

Extremely Rare Japanese Set of Five Military Band Musicians from the Russo-Japanese War of 1904-5. We knew of this one-of-a-kind complete set 15 years ago, and have finally just now been allowed to purchase it. These rare sets were produced only during the Russo-Japanese War, and you will likely never see another being offered. Japan used these Ningyo for the Boys Day Festival during this time in history. Heights range from 10.5 to 11.5 inches, 26.5 to 29 cm. Excellent Condition.

Japanese Cloisonne Vase with elaborate flowers on silver wire over red enamel with foil design. A striking, elaborate work of art and a treasure of exquisite beauty and excellent detail. Height: 12.5 inches, 32 cm.

Ningyo of Young Lady Looming Textile. 15 inches (38cm) wide x 10 inches (25.5cm) high.

Japanese Oshi-e Ningyô of Two Kabuki Actors. 12 x 8.75 inches each, 30.5 x 22.25 cm each. These were very popular during the Meiji Period; over 400 million dollars in sales (in current currency) was recorded in 1888. The characteristics of Matsumoto Oshi-e Ningyô are that the design is stuffed heavily with cotton and the faces are painted in Ukiyo-e (the floating world of Edo period) style. It is very rare to find old Oshi-e Ningyô in this quality and size today. The popularity of Oshi-e Ningyô declined when steam engines spread throughout Japan and made more goods (Hina Ningyô in this case) accessible to the local regions. The production of Matsumoto Oshi-e ended in the late Meiji period (1868-1912).