Catalog: Antiques: Regional Art: Asian (342)

Late Edo Period Musha Ningyo of Ushiwaka- maru, a brave boy who grew up to be the great warrior Minamoto Yoshitsune. This is a Ningyo of the finest quality. He has a wonderfully carved face and hands and sports a fantastic hair style and has a beautiful costume of sumptuous brocades. 8h x 6.75w inches, 20.5 x 17 cm.

Japanese Kamakurabori Lacquered Box by Kasen, with a design of Peony and Shishi, Buddha's Guardian Protector. Gorgeous rich red lacquer intricately carved in high relief. A superb example that is rare for its size, quality, and superior technique. Meiji Period, circa 1890. 13 inches x (33cm) long x 11 inches (28cm) wide x 6 inches (15cm) deep. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.

Rare, Early Japanese Satsuma Censer. A fine example of Satsuma ware with beautiful complex underglazes of gold, red, blue, green and white, and featuring auspicious Crane and Floral motifs, creating a beautiful design on a gorgeous shape with stunning handles and cast silver top of raised flowers. A great find for the Satsuma collector. Late 18th Century Edo Period. 3 inches (7.5cm)h, 4 inches (10cm)w. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society. Pristine Condition.

Late Edo Period Musha Ningyo of Minamoto no Yoshitsune. This wonderful example of high quality has an extraordinary presence, sumptuous brocades, gold lacquered armor, a spectacular helmet, and many other fine details. His face is gorgeously and masterfully carved with finely burnished gofun. Figure height: 20 inches (51cm), with arrows: 25 inches (63.5 cm). Excellent Condition.

A unique early Edo Period 17th Century rectangular Lacquer Incense Box, with high relief and decorated with Gold Takamakie technique on thick Nashiji ground. Takamakie is a kind of relief combined with the Hiramakie technique. The base of the relief is made with charcoal powder. Hiramakie is　sprinkling metal powder or grains, sticking them onto the surface, using the adhesive ability of urushi tree sap. For sprinkling metal powders puffy raw silk threads are used while for grains a thin bamboo cylinder filter is used. The makie parts are whetted or polished after drying. Makie technique is indigenous to Japan. This fine box has an image of a tied pouch and thickly raised objects and flowers on a Nashiji (pear skin) sprinkled gold lacquer ground with details of kana-gai (pieces of gold or foil embedded in the lacquer). A magnificent work of art. It is rare to find such early lacquer in such excellent condition. 6.5w x 3.25d x 2h inches, 16.5w x 8d x 5h cm.

Edo Period (circa 1820) Japanese Daki Ningyô (Hugging Doll) standing at the unusual height of 27.5 inches (70 cm), making him a very rare and striking figure. It is most uncommon to see this type of Ningyô outside of Japan, for they are highly prized by the Japanese. A widely held theory has it that these dolls were commissioned by patrons of Geisha as presentation gifts. This one is outstanding in every way. It has a wonderfully expressive face and conveys a very happy spirit. He wears a spectacular kimono with many layers of beautiful textiles and chirimen silk done in shabori motif. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.

Museum Quality Early 18th Century Edo Period (circa 1700) Gilded Japanese Sculpture of Amida Nyorai Buddha. Seated cross-legged in the lotus posture, hands joined in the mudra of contemplation, eyes all but closed in meditation, we are gazing upon the sculptor's vision of Amida enthroned in paradise. The elaborately carved lotus upon which he sits is itself a symbol of the attributes of the Amida Buddha: gentleness, openness, and purity. This is a large, rare and exquisite example, fabulously carved in every aspect, from the nimbus, the lotus, and the multiple stands, to the Buddha himself, all sumptuously lacquered in beautiful gold. The Buddha's hair is arranged in snail-like curls, and a sacred jewel adorns his forehead. The robes are enhanced with gorgeous black lacquered designs. This Buddha is imbued with all of the gentle idealism one associates with Japanese Buddhist sculpture. We are proud to offer this masterwork. 32.5 inches (82.5cm) tall x 21 inches (53.5cm) wide. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.

19th Century Kyodai (Japanese Mirror Chests) of this size are rare. Well constructed of a very fine mulberry and pine. Japanese antique mirror boxes like these are honestly undervalued and underpriced. They are the last bargains in the Japanese antique world, relative to their true worth and rare beauty. We strongly suggest buying one now, as we really don't expect this to be the case for too much longer. 38 x 19 x 10 inches, 96 x 48 x 25 cm. Excellent Condition.

One of a collection of three fantastic and rare, large Edo Period Iki masks, de-accessioned from the Musée Archéologique in Strasbourg, France during the mid-20th Century. These three are rare for their large size. They have never before been offered on the art market. The other two masks are posted on this site. Carved Poloma wood with gofun (oyster shell lacquer), glass eyes and human hair. 7.5 inches (19 cm) high x 7 inches (18 cm) wide.

16th Century Japanese Momoyama Period Wood Sculpture of Nyoirin Kannon, widely worshiped by those who hoped to gain riches and fulfill requests, seated on a lotus flower on rocks. Nyoirin's pose was appealing to devotees: his relaxed pose is inviting and the hand raised against his leaning head, which signifies a meditative state, adds a human touch. The bodhisattva's pose, in fact, indicates that he is resting in his personal paradise on Mt. Potalaka, which traditionally is said to be located in the sea south of India. This remarkable sculpture is exceptional for its age and beauty, and is adorned with a necklace of jewels and has a beautiful patina, retaining much of its gold lacquer. 7.5 inches (19 cm) tall, 5 inches (13 cm) wide, 3.75 inches (9.5 cm) deep. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.

Japanese Boys Day Horse. This white horse is of the highest quality and artistry. Carved of palomar wood and lacquered 30 to 40 times with gofun (oyster shell lacquer) to create a naturalistic effect. It is completed with the most fabulous trappings, a fine saddle, bells, and a ponga Buddhist symbol on his back. Presented on a lacquered stand with fine gold. The high quality makes it most likely that this fine piece was made for the Daimyo class, and may have been presented to a shrine. Height: 16 inches, 41 cm.

Japanese Antique Walking Stick of Bamboo and Bamboo Root with a wonderfully carved Shangri-la scene depicting a goddess' arms extending to reach the Heavenly Peaches of Immortality. A fun and delightful work of Japanese art that you can take with you anywhere you go. 35.5 inches (90cm).

Meiji Period (circa 1890) Japanese Hago-ita (Battledore or Badminton) Paddle in its original display case. It is very rare to find one from this time period, especially with its original case. A deluxe example that is enhanced with three dimensional objects. We have never seen such a wonderful and elaborate Hago-ita. 26 inches 66 cm) tall with case. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.

Yoshitoshi Tsukioka's Very Scarce (only about a dozen known copies) Book with Six Full Oban Size Prints, The Flowers of Japan and the Art of Floral Arrangement (First Edition). This is the best known existing copy of this book. Because the prints are in a book, they have been exposed to almost no light, so the colors are more vivid than anything you will ever see. Because there is no color loss, this is a unique opportunity to see what antique Japanese woodblock prints must have looked like when they were new. All but one of the prints are pristine (one has a small spot and a smudge in the margin). Even the text pages are remarkably white, indicating that very high quality, low-acidity paper was used, and the book has been well conserved. Besides Yoshitoshi's 6 oban size (10.5 x14 inches) prints, there are also 4 beautiful prints of Japanese interiors by Kawanabe Kiosui, daughter of Kiosai (or Kyosai), and 54 more full page plates depicting flower arrangements. In addition to these gorgeous and exceedingly rare prints, you get the much reprinted and still authoritative English text on the art of traditional Japanese floral arrangement. The one other copy of this book that is available on the market today is a water stained copy with an asking price of $1475.00. One of the silk ties is missing from the binding of our copy, but the book is still very solid and stable. The cloth at the head of the spine is slightly worn, and there is wear to the cover, a dark line across the corner of one b & w plate, and a 2 inch tear in the fore edge of the title page, otherwise the contents are fine and tight. A beautiful volume and a major monograph addressing the methods of flower arranging, seasonal arrangements, festive arrangements, flower vessels, ceremonies, etiquette, manipulation of cuttings, how to preserve flowers, practical examples, glossary of Japanese terms, selection of material, the history & theory of flower arrangement, and prohibited flowers. The most important and first flower arrangement monograph done in English in the 19th Century. The front and back covers are also by Yoshitoshi!

17th Century Early Edo Period Spectacular Japanese Temple Sculpture of Baku, a mythical beast loosely representing an Elephant with a combination of other animals, creating an original form. The Baku is the "Dream Catcher" of ancient Japanese Shinto mythology. It is inserted in the ceiling to watch over the temple. This Baku is a masterpiece sculpture of magnificent presence. It will surely be the focal point in any environment. It is carved entirely from solid Keyaki (Zelkova) wood, one the finest woods of Japan, and it takes two men just to lift it. Mounted on a lacquered stand, it rotates easily on the stand. 36 inches (91.5 cm) long x 25 inches (63.5 cm) tall. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.

Sessho was a student of the legendary Tani Buncho. His paintings were collected and much appreciated by Emperor Meiji. He painted this gorgeous flower painting in a deliberately straightforward manner in order to take focus away from his superior technique and have you consider only the beauty of the subject. Silk Canvas and Mount. Mount: 72 x 25 inches, 182.5 x 63 cm. Painting: 44 x 20 inches, 112 x 50.5 cm. cf. C.H. Mitchell's The Illustrated Books of the Nanga, Maruyama, Shijo, and other Related Schools of Japan: A Bibliography, Los Angeles: Dawson's Book Shop, 1972; and Laurence P. Roberts' A Dictionary of Japanese Artists, New York, Weatherhill, 1976.

Rare and Spectacular Edo Period Musha Ningyo of Toyotomi Hideyoshi (circa 1780). A musha ningyo (Warrior doll or Boy's Day doll) modeled after the seated Toyotomi Hideyoshi in armor with an eboshi winged hat and a sword, holding a gunbai-uchiwa (military fan). This is the first one found by the same maker as the Hideyoshi in the famed Ayervais collection (cf. "Ningyo, the Art of the Human Figurine " Japan Society 1995 page 34, and "Ningyo, the Art of the Japanese Doll" by Alan Pate published by Tuttle. Exhibitions: Japan Society 1995, Metropolitan Museum 2001, Mingei Museum 2005.) This Musha Ningyo of Toyotomi Hideyoshi is considered the finest quality example from the Edo Period, and is in fine condition. Incredibly carved face covered in many layers of varnished gofun. Wearing sumptuous silk brocades. Toyotomi Hideyoshi (1537-1598) unified Japan after the Muromachi government lost control. The period of his rule, Momoyama is named after Hideyoshi's castle. 14h x 15w inches, 35.5h x 38w cm.

Japanese Bronze Incense Burner of a Monkey. A wonderful stylized casting of a hanging monkey. A special work of art. 10.5 inches, 26.5 cm.