Catalog: Antiques: Regional Art: Asian (343)

Late Meiji Period (circa 1900) Japanese Signed Okimono Sculpture of a pair of Mandarin Ducks, symbols of life long faithfulness and one of Japan's most beautiful birds. Original artist signed box is included. Beautifully carved of Poloma wood, one of the finest woods used in Japanese sculpture, and gorgeously painted with vivid colors. They can be exhibited in an endless variety of positions and make a wonderful object of art. 3.5 x 8 inches, 9 x 20 cm. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.

The phurba is one of the most important of the shaman's implements, and this particular phurba is an exceptional example of the great effort and tremendous creativity that goes into the making of this magical tool. It has an upper section with 3 faces, one smiling, one wrathful, and one peaceful. The middle section is a vajra (symbol of lightning) whose twin tips rest on knots of eternity. The lower section represents Makara, the water divinity, who holds in his mouth the the triangular blade around which snakes are entwined. This phurba has a further uncommon touch, an animal rests atop it. Really a very fine example of Nepalese religious art. 8 inches, 20 cm. Very Good Condition.

Exceedingly Rare 18th Century Japanese Karakuri-Ningyo (Mechanical Doll) of a whimsical figure from the early Edo Period, classic in its form. This figure is moved by strings and pulleys operated by three men hidden out of site. This one was part of a festival float, possibly for the Gion (New Year) Festival. This Ningyo has a fantastic face of the period. He is wearing a gorgeous costume of the finest textiles and sumptuous brocades. He stands on top of a beautiful silver lacquered stand featuring high relief flowers and leaves. Height: 23 inches, 58.5 cm.

19th Century Japanese Cloisonné Vase of the highest quality in the style of Ando (one of the most famous Cloisonné masters whose works fetch the heights prices). This vase is a masterwork, set in silver wire featuring multicolored flowers, foliage, branches, and birds. On a rich dark emerald green glaze with foil inlay in a design of bamboo trees. This exceptional Cloisonné is a gorgeous addition for the finest collection. 12.5 inches (32 cm) tall. Excellent Condition. From a prominent and widely exhibited collection.

Extremely Rare Edo Period late 18th/early 19th Century Buraku Theater Puppet. This very large puppet was operated by three puppet masters, with an operator manipulating the head and face to create a wide variety of expressions. We think this puppet was used to portray Benkie, the 13th century warrior monk of Hieizan and trusted adviser to Yoshitsune. He wears a black velvet robe and sumptuous textiles and fiercely brandishes his nagitana weapon. It is very unusual for a Bunraku puppet of this quality, age, and size to come up for sale. Height: 48 inches, 122 cm.

Rare and Spectacular Edo Period Musha Ningyo of Toyotomi Hideyoshi (circa 1780). A musha ningyo (Warrior doll or Boy's Day doll) modeled after the seated Toyotomi Hideyoshi in armor with an eboshi winged hat and a sword, holding a gunbai-uchiwa (military fan). This is the first one found by the same maker as the Hideyoshi in the famed Ayervais collection (cf. "Ningyo, the Art of the Human Figurine " Japan Society 1995 page 34, and "Ningyo, the Art of the Japanese Doll" by Alan Pate published by Tuttle. Exhibitions: Japan Society 1995, Metropolitan Museum 2001, Mingei Museum 2005.) This Musha Ningyo of Toyotomi Hideyoshi is considered the finest quality example from the Edo Period, and is in fine condition. Incredibly carved face covered in many layers of varnished gofun. Wearing sumptuous silk brocades. Toyotomi Hideyoshi (1537-1598) unified Japan after the Muromachi government lost control. The period of his rule, Momoyama is named after Hideyoshi's castle. 14h x 15w inches, 35.5h x 38w cm.

18th Century Japanese Two Panel Painted Screen. All four seasons are represented here, with the background representing Winter and the kimono patterns representing Spring, Summer, and Fall. This is an unusual and creative take on the tagasode (whose sleeves?) genre of screen painting that usually depicts interiors. The pair of kimono poetically speak of a romantic liaison. The colors are breathtaking and the painting technique is pure master work. 68 inches (173 cm)w x 60 inches (152.5 cm)h. Excellent Condition. From a prominent and widely exhibited collection.

Getzuzan inherited from his renowned father an effortlessness with the brush, shown here in the easy curves of the robe and face of the 12th Century Zen master, Taikobo, and the gentle washes that are used to compose the soft landscape that is the lovely place where he meditates and fishes. Gekko had several students who achieved fame, but he always favored his son. Getsuzan paintings that are available for sale are very rare. 45.5 x18 inches, 115.5 x 45.5 cm, unmounted

Very fine and extremely rare Japanese Haniwa sculpture of a farmer with a charming expression, pointed hat, large hoop ear jewelry below a butterfly hairstyle, arms held to the front, 3rd Century AD (Kofun Period) created for a rice farmer to represent wealth. Rice farmers were among the most prosperous of Japanese society in the Kofun period. Provenance: Property formerly owned by the Honolulu Academy of Art. Collection Number is on the bottom of the piece. A similar example, a National Treasure, belongs to the Tokyo National Museum and was published in Haniwa by Fumio Miki, published by Weatherhill (seen in the second photo here). 15.25 inches (38.75cm). Well preserved on a presentation display pedestal.

Exquisitely Hand-Carved 19th Century Large Wall Panel Sculpture of Singha, from the Toba Batak People of Northern Sumatra. Singha is a supernatural creature who protects the home. He is a composite of a lion, serpent, buffalo, lizard, and human. This piece does have one repair, but it is clearly a native repair, that is, it was done by the original and native users of this piece. From the collection of Dutch collector Herman DaSilva. Good Condition. h20.5"(52cm), w19.5"(49cm), d4"(10cm)

Edo Period Sagemono Tobacco Pipe Set from the collection of a renowned author on and collector of Asian art. Kiseruzutsu (pipe case) of woven straw; kiseru (pipe) of silver, copper and bamboo with painted decorations; tobacco pouch of leather with a bronze dragon lock and a green glass Ojime (sliding button). Pipe and Case: 8 inches, 20 cm long; Pouch: 5 1/2 x 3 5/8 inches, 14 x 8.25 cm. Excellent Condition.

Antique Japanese Ikebana flower arranging basket made of bamboo with an unusual sculptural image. It features large pieces of bamboo joined together to create the container, with a wonderful handle. 19.5 (50 cm) tall. Excellent Condition. From a prominent and widely exhibited collection.

Edo Period late 18th/early 19th Century Japanese Ningyo of Yamauba, the Forest Goddess, half woman and half spirit. She found Kintaro abandoned in the forest by his father, and saved his life. She raised him, and he became the Hercules of Japan. For sure one of the rarest of all Ningyo. Also the rarest of female images. Only a few of these may actually exist. She bares her breasts to nurse Kintaro, as seen in Japanese woodblock prints as a popular subject by artists such as Utamaro. She is holding a wild peach branch and Kintaro is in a sumptuous silk textile matching her Obi. She is wearing gorgeous textiles and beautiful tied hair of silk. Her face and bust are of the highest quality burnished gofun, creating her beautiful spirit face. She is sitting on a peach silk pillow. Displayed on a fine black velvet display stand. Overall dimensions: 11.5 x 8 x 8 inches, 29 x 20.5 x 20.5 cm; Yumauba: 10 x 7 inches, 25.5 x 18 cm. Fine Condition.

Fine example of a Jomon Period (13,000-300BC) Dogu Head, the earliest known Japanese figure. This figure was purchased in Japan in 1962 by a renowned author on and collector of Asian art. The Dogu acted as effigies of people. They manifested some kind of sympathetic magic. For example, it may have been believed that illnesses could be transferred into the Dogu, then destroyed, clearing the illness, or any other misfortune. Because of the ritual destruction of Dogu, they are quite rare. This primitive abstract fertility figure has a futuristic look. There are fun theories that state that the Dogu may be linked to extra-terrestrial Ancient Astronauts. The figures resemble 'space suits' complete with rivets and a helmet/face mask and goggles. The large eyes are also reminiscent of the traditional grey alien. 3 x 2.25 inches, 7.5 x 5.75 cm. Very Good Condition.

Fine Meiji Period (circa 1870) Bunraku Puppet of a Sambaso Dancer. This rare puppet is operated by three Puppet Masters, who make it come to life to present a magical theatrical experience. He is carved of wood and covered with Gofun. He wears a rich blue and red robe with white under robe, and his head is adorned with a gold and black velvet hat. An embroidery Crane graces his back. The bells on his feet sound when he dances. 35 inches (89cm) height.

Late Edo Period (1850 - 1868) Bronze Incense Burner Sculpture of a Duck, Japanese symbol of faithfulness and light. An exquisite expression of Japanese bronze craftsmanship of the finest quality. It exhibits a rich dark patina. A Japanese bronze classic. An important acquisition for a bronze collector. 13.75 inches, (35cm) tall. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.

Pair of Inari Foxes of sculptured and fired clay with luminescent powered white glaze. In traditional Japanese art, a pair of foxes typically flank the deity Inari’s shrine image. But in modern times, images of Inari have all but disappeared, replaced instead by images of Oinari’s messenger, the magical shape-shifting fox (kitsune 狐). Here the symbolism is two-fold. First, rice is sacred in Japan, closely associated with fertility (the pregnant earth) and with sustaining life. Inari and Inari’s foxes must therefore be placated -- otherwise it would be disastrous to the livelihood of the nation’s farmers and people. One fox has a jewel (houju) in his mouth, and the other carries in his mouth a letter (makimono), fulfilling his role as a messenger. These striking sculptures will transcend any room with their beauty, charm and elegance. 22 inches, 56cm tall.

An exceptional Edo Period Ikebana flower arranging basket. A wonderful addition for the collector of important baskets. This work of art features a monumental handle and wonderful shape. 33 inches (84 cm)h x 23.5 inches (60 cm)w. Excellent Condition. From a prominent and widely exhibited collection.