Catalog: Antiques: Regional Art: Asian (342)

Exquisitely Hand-Carved 19th Century Large Wall Panel Sculpture of Singha, from the Toba Batak People of Northern Sumatra. Singha is a supernatural creature who protects the home. He is a composite of a lion, serpent, buffalo, lizard, and human. This piece does have one repair, but it is clearly a native repair, that is, it was done by the original and native users of this piece. From the collection of Dutch collector Herman DaSilva. Good Condition. h20.5"(52cm), w19.5"(49cm), d4"(10cm)

Fine example of a Jomon Period (13,000-300BC) Dogu, the earliest known Japanese figure. This figure was purchased at a Parke Bernet auction by a renowned author on and collector of Asian art. The Dogu acted as effigies of people. They manifested some kind of sympathetic magic. For example, it may have been believed that illnesses could be transferred into the Dogu, then destroyed, clearing the illness, or any other misfortune. Because of the ritual destruction of Dogu, they are quite rare. This primitive abstract fertility figure has a futuristic look. There are fun theories that state that the Dogu may be linked to extra-terrestrial Ancient Astronauts. The figures resemble 'space suits' complete with rivets and a helmet/face mask and goggles. The large eyes are also reminiscent of the traditional grey alien. 4.75 inches, 12 cm tall. Very Good Condition.

Japanese Antique Ajiro Kago (Bamboo Fishing Basket) with an elegant form and design, signed by Kazuhiro. 18 inches (46cm) high x 6 inches (15cm) wide.

An especially fine Meiji Period (1868 - 1912) Gilded and Red and Black Lacquered Butsudan (Japanese Buddhist Altar) with an endless variety of luxuriously designed details, hidden drawers within secret compartments behind hidden panels, marvelously rendered images and elaborately carved sculpture. All other butsudan pale in comparison with this rare, museum quality showcase piece. This piece would have taken the maker close to 2 years to complete. 65 x 44 x 27 inches (166 x 112 x 69 cm). Excellent Condition.

Rooster and Hen Sculpture, wonderfully and finely detailed bronze over white metal with accents of red lacquer. This Art Nouveau pair is from a London collection. Japanese Art Nouvaeu flourished in Europe in the late 19th and early 20th Century. The Rooster and Hen is a popular subject in Japanese art. Symbolic of Yin and Yang, male and female. Rooster: 8 inches, 20.5 cm tall. Hen: 4.5 inches, 11.5 cm tall. Excellent Condition. From a prominent and widely exhibited collection.

Very Old Edo Period (circa 1720) Extremely Rare Set of Three Female Musicians for Hina Matsuri (Girls Day Festival) Almost all musician dolls were male, making this group highly unusual, especially from the 18th century. They have the most wonderful features painted on carved wood covered with burnished gofun (oyster shell lacquer). The textiles are chirimen silk. 8.75 inches (22.5 cm) tall. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.

A unique early Edo Period 17th Century rectangular Lacquer Incense Box, with high relief and decorated with Gold Takamakie technique on thick Nashiji ground. Takamakie is a kind of relief combined with the Hiramakie technique. The base of the relief is made with charcoal powder. Hiramakie is　sprinkling metal powder or grains, sticking them onto the surface, using the adhesive ability of urushi tree sap. For sprinkling metal powders puffy raw silk threads are used while for grains a thin bamboo cylinder filter is used. The makie parts are whetted or polished after drying. Makie technique is indigenous to Japan. This fine box has an image of a tied pouch and thickly raised objects and flowers on a Nashiji (pear skin) sprinkled gold lacquer ground with details of kana-gai (pieces of gold or foil embedded in the lacquer). A magnificent work of art. It is rare to find such early lacquer in such excellent condition. 6.5w x 3.25d x 2h inches, 16.5w x 8d x 5h cm.

17th Century Early Edo Period Spectacular Japanese Temple Sculpture of Baku, a mythical beast loosely representing an Elephant with a combination of other animals, creating an original form. The Baku is the "Dream Catcher" of ancient Japanese Shinto mythology. It is inserted in the ceiling to watch over the temple. This Baku is a masterpiece sculpture of magnificent presence. It will surely be the focal point in any environment. It is carved entirely from solid Keyaki (Zelkova) wood, one the finest woods of Japan, and it takes two men just to lift it. Mounted on a lacquered stand, it rotates easily on the stand. 36 inches (91.5 cm) long x 25 inches (63.5 cm) tall. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.

Okutani Shuseki (1871-1936) was born in Osaka and lived in Kyoto for most of his life. His artistic lineage is among the very best. He, along with Yamamoto Shunkyo and others, studied under Mori Kansai, who was the pupil and adopted son-in-law of Mori Tetsuzan, who was one of Maruyama Okyo's best pupils. Like all painters of the Mori family school, Shuseki's nature paintings are remarkable for their unsentimental naturalism, showing his keen interest in the essence of nature. He won prizes at numerous exhibitions and founded his own art school. 22 x 8.5 inches, 56 x 21.5 cm. cf. Ekkehard May and Daniel McKee's Haiku & Haiga, Amsterdam, Hotei, 2006.

19th Century Nepalese Shaman Sculpture with traces of yellow and red pigment and an incredible, dense, dark patina. So thick and dark is the amazing patina that the necklace that covers the chest and back, and the carvings on the skirt, are barely visible. The hole on the bottom indicates that this was likely the handle of a dagger or staff. The old customs seal is also on the bottom. 8 inches, 20 cm. Very Good Condition.

Late Edo Period (1850 - 1868) Japanese signed Noh theater Mask of Okame, the Goddess of Mirth, a very popular image in Japanese culture. A beautiful example of the type of mask done by a master carver, using Cypress wood (Hinoki) and many layers of Gofun, crushed oyster shell lacquer. A very charming and well rendered image. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.

Meiji Period Japanese Safe with Drawers and Handsome Butterfly and Floral Metalwork. 13.5h x 12.5w x 12.5d inches, 34h x 32w x 32d cm.

Exceptional 19th Century Kyodai (Japanese Mirror Chest) beautifully constructed of very fine elm root. Japanese artisans ceased use of this expensive wood many years ago. Japanese antique mirror boxes like these are honestly undervalued and underpriced. They are the last bargains in the Japanese antique world, relative to their true worth and rare beauty. We strongly suggest buying one now, as we really don't expect this to be the case for too much longer. 31.5 x 16.5 x 9 inches, 80 x 42 x 22.5 cm. Excellent Condition.

Edo Period (circa 1850) Japanese Noh Mask of Shojo, representing a happy, merry soul. He has a reddish complexion from drinking sake. This mask has a wonderful, happy presence. Beautifully carved to create a compelling expression. Lacquer over Paloma wood. 8.5 x 5 inches, 21.5 x 13 cm. Excellent Condition. From a prominent and widely exhibited collection.

Okutani Shuseki (1871-1936) was born in Osaka and lived in Kyoto for most of his life. His artistic lineage is among the very best. He, along with Yamamoto Shunkyo and others, studied under Mori Kansai, who was the pupil and adopted son-in-law of Mori Tetsuzan, who was one of Maruyama Okyo's best pupils. Like all painters of the Mori family school, Shuseki's nature paintings are remarkable for their unsentimental naturalism, showing his keen interest in the essence of nature. He won prizes at numerous exhibitions and founded his own art school. 21 x 8.5 inches, 53 x 21.5 cm. cf. Ekkehard May and Daniel McKee's Haiku & Haiga, Amsterdam, Hotei, 2006.

18th Century Japanese Two Panel Painted Screen. All four seasons are represented here, with the background representing Winter and the kimono patterns representing Spring, Summer, and Fall. This is an unusual and creative take on the tagasode (whose sleeves?) genre of screen painting that usually depicts interiors. The pair of kimono poetically speak of a romantic liaison. The colors are breathtaking and the painting technique is pure master work. 68 inches (173 cm)w x 60 inches (152.5 cm)h. Excellent Condition. From a prominent and widely exhibited collection.

Extremely Rare 18th Century Japanese Musha Ningyô (Boys Day) Dolls, Samurai Set. Ningyô this early almost never appear for sale, much less with all of its original accessories, as we have here with this very fine, scarce, museum quality pair. We are very proud to offer this set. They have finely carved faces, and are lacquered with many coats of Gofun (Oyster Shell). They are adorned with sumptuous silk brocades and silk armor, indicative of mid Edo Period Ningyô artists. This set is a treasure of great importance for the most discriminating collector. 24 inches (61cm). From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.

Antique Japanese Ikebana flower arranging basket made of bamboo with an unusual sculptural image. It features large pieces of bamboo joined together to create the container, with a wonderful handle. 19.5 (50 cm) tall. Excellent Condition. From a prominent and widely exhibited collection.