Catalog: Antiques: Regional Art: Asian: Japanese (331)

Spectacular 19th Century Japanese Bamboo Ikebana Basket. A real masterpiece. 39.5 inches (100cm) tall, 11 inches (28cm) wide.

Finely Carved Wood Iki Mask with Japanese Collection Label on Back. A wonderful example featuring a dynamic human presence. Detailed with glass eyes and human hair, and a burnished gofun lacquer finish. 6.25 x 6 inches, 16 x 15 cm.

19th Century Japanese Ningyô of Fukurokuju, one of the Seven Lucky Gods. He is the God of Wisdom, Wealth and Longevity. 11 x 7 inches, 28 x 18 cm. Excellent Condition.

Yoshitoshi Tsukioka's Very Scarce (only about a dozen known copies) Book with Six Full Oban Size Prints, The Flowers of Japan and the Art of Floral Arrangement (First Edition). This is the best known existing copy of this book. Because the prints are in a book, they have been exposed to almost no light, so the colors are more vivid than anything you will ever see. Because there is no color loss, this is a unique opportunity to see what antique Japanese woodblock prints must have looked like when they were new. All but one of the prints are pristine (one has a small spot and a smudge in the margin). Even the text pages are remarkably white, indicating that very high quality, low-acidity paper was used, and the book has been well conserved. Besides Yoshitoshi's 6 oban size (10.5 x14 inches) prints, there are also 4 beautiful prints of Japanese interiors by Kawanabe Kiosui, daughter of Kiosai (or Kyosai), and 54 more full page plates depicting flower arrangements. In addition to these gorgeous and exceedingly rare prints, you get the much reprinted and still authoritative English text on the art of traditional Japanese floral arrangement. The one other copy of this book that is available on the market today is a water stained copy with an asking price of $1475.00. One of the silk ties is missing from the binding of our copy, but the book is still very solid and stable. The cloth at the head of the spine is slightly worn, and there is wear to the cover, a dark line across the corner of one b & w plate, and a 2 inch tear in the fore edge of the title page, otherwise the contents are fine and tight. A beautiful volume and a major monograph addressing the methods of flower arranging, seasonal arrangements, festive arrangements, flower vessels, ceremonies, etiquette, manipulation of cuttings, how to preserve flowers, practical examples, glossary of Japanese terms, selection of material, the history & theory of flower arrangement, and prohibited flowers. The most important and first flower arrangement monograph done in English in the 19th Century. The front and back covers are also by Yoshitoshi!

Rare Meiji Period Japanese Court Lady Ningyo with chin-biki dog. Beautifully rendered with gorgeous hand crafted embroidery. The details are incredible, including that of the dog in red cape. This rare Ningyo is featured in 'Japanese Dolls, The Fascinating World Of Ningyô' by Alan Scott Pate. Height: 10 inches, 25.5 cm.

An exceptional Edo Period Ikebana flower arranging basket. A wonderful addition for the collector of important baskets. This work of art features a monumental handle and wonderful shape. 33 inches (84 cm)h x 23.5 inches (60 cm)w. Excellent Condition. From a prominent and widely exhibited collection.

Late Edo Period Japanese Bronze Turtle. A fascinating, finely casted bronze turtle, it has a wonderful attitude. The beautifully rendered form shares the feelings of the turtle with the viewer. 14.5 inches (37cm) long, 7.5 inches (19cm) across, and 5.5 inches (14cm) high.

A wonderful and rare late Edo Period Musha Ningyo (Warrior doll or Boy's Day doll) of a seated Empress Warrior Jingu. She has an unusual and striking presence. She is seated (most are standing), and she has all her accessories, wearing sumptuous silk brocade textiles. She has a beautifully carved face and hands of varnished gofun. 20 inches (51cm) high and 16 inches (40.5 cm) wide.

Antique Japanese Carpenter Reel, Sumi Tsubo, Ink Line. 8.25 x 3.5 inches, 21 x 9 cm. It is rare to see sumi tsubo (Japanese carpenter's reel or inkline used for layout) fully intact with all its parts, including line and original stick pin, like this one. The Japanese word for tools is Dogu, which was originally the word for an itinerant monk's belongings. It alludes to the spiritual value which craftsmen put on their tools. Japanese antique carpenter tools are now artifacts with history and beauty and lots of personality, and of course now make great decorative objects. In the West, there were no carpentry tools in which the ink well, marking thread, winding wheel, and stickpin were united into one piece. This tool played a pivotal role in the development of Japanese architecture. They are beautiful hand carved sculpture and works of art in their own right. From the collection of Irwin Hersey, renowned author on Asian and primitive art, and publisher of the Primitive Art Newsletter in the 1970s. Irwin Hersey was an advisor to museums and prominent collectors, and vetted pieces for many of the international tribal art fairs and Asian art fairs.

Late 19th Century Japanese signed Noh theater Mask of Okame, the Goddess of Mirth, a very popular image in Japanese culture. A beautiful example of this type of mask done by a master carver, using Cypress wood (Hinoki) and many layers of Gofun, crushed oyster shell lacquer. A very charming and well rendered image. 8.25 inches (21cm) high x 5.25 inches (13.5) wide.

Edo Period (circa 1850) Japanese Noh Mask of Shojo, representing a happy, merry soul. He has a reddish complexion from drinking sake. This mask has a wonderful, happy presence. Beautifully carved to create a compelling expression. Lacquer over Paloma wood. 8.5 x 5 inches, 21.5 x 13 cm. Excellent Condition. From a prominent and widely exhibited collection.

Japanese Clay Figure of a Sino-Japanese War General on a White Horse. This would have been displayed in a Boys' Day festival in the late Meiji Period. Wonderfully painted with fine details. Height: 7.5 inches, 19 cm.

19th Century Meiji Period Japanese Black Lacquered Box with River, Bamboo, Flowers, and Fireflies. A gem of high quality with gorgeous fine details. 9.25 x 6.75 x 1.5 inches, 23.5 x 17 x 4 cm. Excellent Condition.

Fine Meiji Period (circa 1870) Bunraku Puppet of a Sambaso Dancer. This rare puppet is operated by three Puppet Masters, who make it come to life to present a magical theatrical experience. He is carved of wood and covered with Gofun. He wears a rich blue and red robe with white under robe, and his head is adorned with a gold and black velvet hat. An embroidery Crane graces his back. The bells on his feet sound when he dances. 35 inches (89cm) height.

Late 19th Century Japanese Kazari-Uma (Battle Horse). This deluxe extraordinary example is attributed to Marurei, one of the most important Ningyô artists. He now has Japanese National Treasure status. This handsomely adorned military horse is displayed on a Boys Day stand. The body hair is done by a technique called Ke-Ue-Saiku "fine work of fur planting" in which silk hairs are pasted on. It has gorgeous silk and lacquer trappings. It is positioned on a fine lacquered stand. This wonderful piece is of the finest quality. 28 inches (71cm) tall x 6 inches (15.5cm) wide x 20 inches (51cm) long. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.

In keeping with our tradition of bringing you Rare and Fine Japanese Antiques that you can't find elsewhere, we present this 19th Century Elm Wood Japanese Rice Mill, a striking conversation piece for any home or office. 51.5 x 70 x 29 inches (131 x 178 x 74 cm). Excellent Condition.

Rare, Spectacular late Edo Period Musha Ningyo of Toyotomi Hideyoshi. A musha ningyo (Boy's Day Ningyo) representing Toyotomi Hideyoshi in sumptuous gold court robes and armor, wearing an Eboshi winged hat and a fantastic sword, holding a gunbai-uchiwa (military fan). This Musha Ningyo of Toyotomi Hideyoshi is the finest quality example from the late Edo Period. Incredibly carved face covered in many layers of gofun (oyster shell lacquer). Seated on a lacquered platform. Placed in front of a screen as part of the presentation. The screen may be original to the piece. Toyotomi Hideyoshi (1537-1598) unified Japan after the Muromachi government lost control. The period of his rule, Momoyama is named after Hideyoshi's castle. 15h x 22w inches, 38h x 56w cm.

A Japanese Ikebana bleached willow wood flower arranging vase from the Meiji Period. This wonderful natural sculpture has a presence to offset the most traditional Ikebana arrangements. 21 inches (53 cm) high, 33 inches (84 cm) diameter.