Catalog: Antiques: Regional Art (345)

Fine early example of a Jomon Period Dogu Clay Figure, the earliest known Japanese figures. The Dogu acted as effigies of people. They manifested some kind of sympathetic magic. For example, it may have been believed that illnesses could be transferred into the Dogu, and then destroyed, clearing the illness, or any other misfortune. Because of the ritual destruction of Dogu, they are quite rare. This primitive abstract fertility figure has a futuristic look. There are fun theories that state that the Dogu may be linked to extra-terrestrial Ancient Astronauts. The figures resemble 'space suits' complete with rivets and a helmet/face mask and goggles. The large eyes are also reminiscent of the traditional grey alien. Many Dogu exhibitions have appeared recently: Tokyo National Museum, British Museum of Art, Miki Gallery New York. This one was on exhibit at the Arts of Pacific Asia Show NYC 2010, a vetted venue. 6 inches, 15.5 cm.

Edo Period (circa 1820) Japanese Daki Ningyô (Hugging Doll) standing at the unusual height of 27.5 inches (70 cm), making him a very rare and striking figure. It is most uncommon to see this type of Ningyô outside of Japan, for they are highly prized by the Japanese. A widely held theory has it that these dolls were commissioned by patrons of Geisha as presentation gifts. This one is outstanding in every way. It has a wonderfully expressive face and conveys a very happy spirit. He wears a spectacular kimono with many layers of beautiful textiles and chirimen silk done in shabori motif. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.

Very Large 19th Century Meiji Period Japanese Ningyo pair of an Oiran Bijin, the highest ranking Kyoto courtesan bijin and her Kamuro (attendant), an elaborately attired pair of the finest quality. The Oiran and her attendant are wearing the most gorgeous, sumptuous brocades and textiles, all hand woven and painted chirimen silk crepe of beautiful shabori designs. The faces are exquisitely carved and covered with many layers of gofun (white oyster shell lacquer). Their expressions are just wonderful. Their fantastic hairstyles have an array of decorative ornaments. Her draping outer kimono (uchigake) is done in a beautiful floral pattern kinran design with a thick padded hem. There are endless exquisite details creating this masterwork. Mounted on a black lacquered stand. Oiran: 28 inches (71cm), Attendant: 20 inches (51 cm).

Late Edo Period (1850-1868) Japanese Musha Ningyô (Boys Day Doll) wearing an Eboshi, a court hat and robes with crests. He is seated in a court position and has a handsomely caved face. His silk fiber hairs are tied in a top knot. This is a well executed example. 11 inches (28cm) tall. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.

16th Century Japanese Momoyama Period Wood Sculpture of Nyoirin Kannon, widely worshiped by those who hoped to gain riches and fulfill requests, seated on a lotus flower on rocks. Nyoirin's pose was appealing to devotees: his relaxed pose is inviting and the hand raised against his leaning head, which signifies a meditative state, adds a human touch. The bodhisattva's pose, in fact, indicates that he is resting in his personal paradise on Mt. Potalaka, which traditionally is said to be located in the sea south of India. This remarkable sculpture is exceptional for its age and beauty, and is adorned with a necklace of jewels and has a beautiful patina, retaining much of its gold lacquer. 7.5 inches (19 cm) tall, 5 inches (13 cm) wide, 3.75 inches (9.5 cm) deep. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.

Japanese Antique Walking Stick of Bamboo and Bamboo Root with a wonderfully carved Shangri-la scene depicting a goddess' arms extending to reach the Heavenly Peaches of Immortality. A fun and delightful work of Japanese art that you can take with you anywhere you go. 35.5 inches (90cm).

A 19th Century Isho Ningyo set of two Geisha entertainers, one a Koto Player, the other the highest ranking Orian singing. They are of the finest quality. They have beautifully carved faces and hands, and wear gorgeous, sumptuous brocades with fantastic embroidery. The Orian has fine embroidery of a carp ascending a waterfall, a crane, and turtles on waves. The Koto Player has embroidery of cherry blossoms and patterns of gold threads. The Koto is made of paloma wood, teak, and ivory. Geisha means 'woman of art'. The art may be shamisen playing, singing, dancing, and of course, the arts of conversation and tea ceremony hostess. Sizes: Orian 11.75 inches (30cm) high; Koto Player 7.75 inches (20cm) high; Koto 12 inches (30.5cm) wide.

A unique early Edo Period 17th Century rectangular Lacquer Incense Box, with high relief and decorated with Gold Takamakie technique on thick Nashiji ground. Takamakie is a kind of relief combined with the Hiramakie technique. The base of the relief is made with charcoal powder. Hiramakie is　sprinkling metal powder or grains, sticking them onto the surface, using the adhesive ability of urushi tree sap. For sprinkling metal powders puffy raw silk threads are used while for grains a thin bamboo cylinder filter is used. The makie parts are whetted or polished after drying. Makie technique is indigenous to Japan. This fine box has an image of a tied pouch and thickly raised objects and flowers on a Nashiji (pear skin) sprinkled gold lacquer ground with details of kana-gai (pieces of gold or foil embedded in the lacquer). A magnificent work of art. It is rare to find such early lacquer in such excellent condition. 6.5w x 3.25d x 2h inches, 16.5w x 8d x 5h cm.

Rare and Spectacular Edo Period Musha Ningyo of Toyotomi Hideyoshi (circa 1780). A musha ningyo (Warrior doll or Boy's Day doll) modeled after the seated Toyotomi Hideyoshi in armor with an eboshi winged hat and a sword, holding a gunbai-uchiwa (military fan). This is the first one found by the same maker as the Hideyoshi in the famed Ayervais collection (cf. "Ningyo, the Art of the Human Figurine " Japan Society 1995 page 34, and "Ningyo, the Art of the Japanese Doll" by Alan Pate published by Tuttle. Exhibitions: Japan Society 1995, Metropolitan Museum 2001, Mingei Museum 2005.) This Musha Ningyo of Toyotomi Hideyoshi is considered the finest quality example from the Edo Period, and is in fine condition. Incredibly carved face covered in many layers of varnished gofun. Wearing sumptuous silk brocades. Toyotomi Hideyoshi (1537-1598) unified Japan after the Muromachi government lost control. The period of his rule, Momoyama is named after Hideyoshi's castle. 14h x 15w inches, 35.5h x 38w cm.

Very fine and extremely rare Japanese Haniwa sculpture of a farmer with a charming expression, pointed hat, large hoop ear jewelry below a butterfly hairstyle, arms held to the front, 3rd Century AD (Kofun Period) created for a rice farmer to represent wealth. Rice farmers were among the most prosperous of Japanese society in the Kofun period. Provenance: Property formerly owned by the Honolulu Academy of Art. Collection Number is on the bottom of the piece. A similar example, a National Treasure, belongs to the Tokyo National Museum and was published in Haniwa by Fumio Miki, published by Weatherhill (seen in the second photo here). 15.25 inches (38.75cm). Well preserved on a presentation display pedestal.

Fine example of a Jomon Period (13,000-300BC) Dogu, the earliest known Japanese figure. This figure was purchased at a Parke Bernet auction by a renowned author on and collector of Asian art. The Dogu acted as effigies of people. They manifested some kind of sympathetic magic. For example, it may have been believed that illnesses could be transferred into the Dogu, then destroyed, clearing the illness, or any other misfortune. Because of the ritual destruction of Dogu, they are quite rare. This primitive abstract fertility figure has a futuristic look. There are fun theories that state that the Dogu may be linked to extra-terrestrial Ancient Astronauts. The figures resemble 'space suits' complete with rivets and a helmet/face mask and goggles. The large eyes are also reminiscent of the traditional gray alien. 4.75 inches, 12 cm tall. Very Good Condition.

Yoshitoshi Tsukioka's Very Scarce (only about a dozen known copies) Book with Six Full Oban Size Prints, The Flowers of Japan and the Art of Floral Arrangement (First Edition). This is the best known existing copy of this book. Because the prints are in a book, they have been exposed to almost no light, so the colors are more vivid than anything you will ever see. Because there is no color loss, this is a unique opportunity to see what antique Japanese woodblock prints must have looked like when they were new. All but one of the prints are pristine (one has a small spot and a smudge in the margin). Even the text pages are remarkably white, indicating that very high quality, low-acidity paper was used, and the book has been well conserved. Besides Yoshitoshi's 6 oban size (10.5 x14 inches) prints, there are also 4 beautiful prints of Japanese interiors by Kawanabe Kiosui, daughter of Kiosai (or Kyosai), and 54 more full page plates depicting flower arrangements. In addition to these gorgeous and exceedingly rare prints, you get the much reprinted and still authoritative English text on the art of traditional Japanese floral arrangement. The one other copy of this book that is available on the market today is a water stained copy with an asking price of $1475.00. One of the silk ties is missing from the binding of our copy, but the book is still very solid and stable. The cloth at the head of the spine is slightly worn, and there is wear to the cover, a dark line across the corner of one b & w plate, and a 2 inch tear in the fore edge of the title page, otherwise the contents are fine and tight. A beautiful volume and a major monograph addressing the methods of flower arranging, seasonal arrangements, festive arrangements, flower vessels, ceremonies, etiquette, manipulation of cuttings, how to preserve flowers, practical examples, glossary of Japanese terms, selection of material, the history & theory of flower arrangement, and prohibited flowers. The most important and first flower arrangement monograph done in English in the 19th Century. The front and back covers are also by Yoshitoshi!

Fine example of a Jomon Period (13,000-300BC) Dogu Head, the earliest known Japanese figure. This figure was purchased in Japan in 1962 by a renowned author on and collector of Asian art. The Dogu acted as effigies of people. They manifested some kind of sympathetic magic. For example, it may have been believed that illnesses could be transferred into the Dogu, then destroyed, clearing the illness, or any other misfortune. Because of the ritual destruction of Dogu, they are quite rare. This primitive abstract fertility figure has a futuristic look. There are fun theories that state that the Dogu may be linked to extra-terrestrial Ancient Astronauts. The figures resemble 'space suits' complete with rivets and a helmet/face mask and goggles. The large eyes are also reminiscent of the traditional grey alien. 3 x 2.25 inches, 7.5 x 5.75 cm. Very Good Condition.

Huge (36 inches, 91.5 cm across!) Japanese Meiji Period (1868-1912) Cloisonné Charger with Flower and Bird motif. This is one of the most fantastic 19th Century Japanese Cloisonné works we have ever seen. The colors are magnificent and most vivid on a Robin Egg Blue field framed with a gorgeous pattern. The size is amazing and with the stunningly rendered flowers and birds, it makes for a rare, breathtaking exhibitor work of art that will be a spectacular center piece for any home or office. Excellent Condition.

Sessho was a student of the legendary Tani Buncho. His paintings were collected and much appreciated by Emperor Meiji. He painted this gorgeous flower painting in a deliberately straightforward manner in order to take focus away from his superior technique and have you consider only the beauty of the subject. Silk Canvas and Mount. Mount: 72 x 25 inches, 182.5 x 63 cm. Painting: 44 x 20 inches, 112 x 50.5 cm. cf. C.H. Mitchell's The Illustrated Books of the Nanga, Maruyama, Shijo, and other Related Schools of Japan: A Bibliography, Los Angeles: Dawson's Book Shop, 1972; and Laurence P. Roberts' A Dictionary of Japanese Artists, New York, Weatherhill, 1976.

Meiji Period (circa 1890) Japanese Hago-ita (Battledore or Badminton) Paddle in its original display case. It is very rare to find one from this time period, especially with its original case. A deluxe example that is enhanced with three dimensional objects. We have never seen such a wonderful and elaborate Hago-ita. 26 inches 66 cm) tall with case. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.

A wonderful large Edo Period Gosho Ningyo of Urashimataro. A delightful, playful rendering of this timeless theme. These type of Palace Dolls are usually smaller. This charming example is a unique, wonderful form from all angles. He is wearing an embroidered cap and bib and has a highly burnished finished gofun pigment. 12h x 11w inches, 30.h x 28w cm. Excellent Condition.

Fine Large Edo Period Japanese Tobacco Pipe (Kiseru) from the collection of a renowned author on and collector of Asian art. This imposing, oversized pipe of bamboo and bronze with its striking phoenix would have been smoked by a man of prestige, and the effect would have been quite intimidating. Acquired in Kyoto in 1985 by a renowned author on and collector of Asian art. 9 5/8 inches, 24.5 cm long. Very Good Condition.