Catalog: Antiques: Regional Art: Asian (342)

Important pair of very large Late Edo Period (19th Century) Japanese Carved Lacquered Panels. This work of art is of the highest museum quality. Works like these are usefully found in only in major museums and prominent private art collections. We are proud to offer this spectacular masterpiece. They feature four mythological and historical figures in relief, lacquered in the most amazing techniques. Framed with beautiful red lacquer that is part of the panel. 41.5 inches (105.5 cm)h x 33 inches (84 cm)w. Excellent Condition. From a prominent and widely exhibited collection.

Sessho was a student of the legendary Tani Buncho. His paintings were collected and much appreciated by Emperor Meiji. He painted this gorgeous flower painting in a deliberately straightforward manner in order to take focus away from his superior technique and have you consider only the beauty of the subject. Silk Canvas and Mount. Mount: 72 x 25 inches, 182.5 x 63 cm. Painting: 44 x 20 inches, 112 x 50.5 cm. cf. C.H. Mitchell's The Illustrated Books of the Nanga, Maruyama, Shijo, and other Related Schools of Japan: A Bibliography, Los Angeles: Dawson's Book Shop, 1972; and Laurence P. Roberts' A Dictionary of Japanese Artists, New York, Weatherhill, 1976.

Pair of Inari Foxes of sculptured and fired clay with luminescent powered white glaze. In traditional Japanese art, a pair of foxes typically flank the deity Inari’s shrine image. But in modern times, images of Inari have all but disappeared, replaced instead by images of Oinari’s messenger, the magical shape-shifting fox (kitsune 狐). Here the symbolism is two-fold. First, rice is sacred in Japan, closely associated with fertility (the pregnant earth) and with sustaining life. Inari and Inari’s foxes must therefore be placated -- otherwise it would be disastrous to the livelihood of the nation’s farmers and people. One fox has a jewel (houju) in his mouth, and the other carries in his mouth a letter (makimono), fulfilling his role as a messenger. These striking sculptures will transcend any room with their beauty, charm and elegance. 22 inches, 56cm tall.

A spectacular early 19th Century Edo Period Takeda Ningyo in superb condition, a rare find in this condition. It is of the most elegant, for sure. He is an actor portraying a young Samurai. He has a beautifully carved face and wears sumptuous brocades. He has all of his original accessories, including a suit of armor on his back. He is positioned an a black lacquered stand on four legs. Total height is 20 inches. Figure height is 14 inches. Excellent Condition.

A unique early Edo Period 17th Century rectangular Lacquer Incense Box, with high relief and decorated with Gold Takamakie technique on thick Nashiji ground. Takamakie is a kind of relief combined with the Hiramakie technique. The base of the relief is made with charcoal powder. Hiramakie is　sprinkling metal powder or grains, sticking them onto the surface, using the adhesive ability of urushi tree sap. For sprinkling metal powders puffy raw silk threads are used while for grains a thin bamboo cylinder filter is used. The makie parts are whetted or polished after drying. Makie technique is indigenous to Japan. This fine box has an image of a tied pouch and thickly raised objects and flowers on a Nashiji (pear skin) sprinkled gold lacquer ground with details of kana-gai (pieces of gold or foil embedded in the lacquer). A magnificent work of art. It is rare to find such early lacquer in such excellent condition. 6.5w x 3.25d x 2h inches, 16.5w x 8d x 5h cm.

Yoshitoshi Tsukioka's Very Scarce (only about a dozen known copies) Book with Six Full Oban Size Prints, The Flowers of Japan and the Art of Floral Arrangement (First Edition). This is the best known existing copy of this book. Because the prints are in a book, they have been exposed to almost no light, so the colors are more vivid than anything you will ever see. Because there is no color loss, this is a unique opportunity to see what antique Japanese woodblock prints must have looked like when they were new. All but one of the prints are pristine (one has a small spot and a smudge in the margin). Even the text pages are remarkably white, indicating that very high quality, low-acidity paper was used, and the book has been well conserved. Besides Yoshitoshi's 6 oban size (10.5 x14 inches) prints, there are also 4 beautiful prints of Japanese interiors by Kawanabe Kiosui, daughter of Kiosai (or Kyosai), and 54 more full page plates depicting flower arrangements. In addition to these gorgeous and exceedingly rare prints, you get the much reprinted and still authoritative English text on the art of traditional Japanese floral arrangement. The one other copy of this book that is available on the market today is a water stained copy with an asking price of $1475.00. One of the silk ties is missing from the binding of our copy, but the book is still very solid and stable. The cloth at the head of the spine is slightly worn, and there is wear to the cover, a dark line across the corner of one b & w plate, and a 2 inch tear in the fore edge of the title page, otherwise the contents are fine and tight. A beautiful volume and a major monograph addressing the methods of flower arranging, seasonal arrangements, festive arrangements, flower vessels, ceremonies, etiquette, manipulation of cuttings, how to preserve flowers, practical examples, glossary of Japanese terms, selection of material, the history & theory of flower arrangement, and prohibited flowers. The most important and first flower arrangement monograph done in English in the 19th Century. The front and back covers are also by Yoshitoshi!

A fine Late 19th Century (circa 1880) Meiji Period Gosho Ningyo of Momotaro the Peach Boy, based on a famous Japanese legend. This beautiful Gosho is elaborately detailed and fully armored, holding a banner with peach finial. The peach symbol appears several times on this magical Gosho. His wonderful face expresses his nobility. Carved entirely of wood and covered with highly burnished Gofun. 13 inches (33cm) height.

Extremely Rare Edo Period Isho Ningyo Pulling a Wagon with a Crane. Early 18th Century Ningyo like this very rarely come up for sale. This Isho Ningyo is special, as it resembles a Karakui (mechanical) Ningyo. This important Ningyo has a classic face with painted features, sumptuous embroidered textiles, and is pulling a cart that has a crane inside. It stands on a lacquered base. A similar example is in the Homa Museum in Japan. 14.5h x 9.5w inches, 37h x 24w cm.

Late 18th, Early 19th Century Edo Period Japanese Wood Horse Sculpture in a galloping pose. The horse still has a good amount of its original colors and gold gilt. It would have been offered as a gift to a Shinto shrine from someone with the means to afford more than the usual horse plaque, but not quite the means to afford to give a real horse to the shrine, a gift only the most wealthy could afford to give. A wonderfully rendered sculpture and a special image for equestrian art collectors. 20 x 13.5 inches, 51 x 34 cm. Very Good Condition.

19th Century Edo Period Japanese Clay Mask of Tengu, the mischievous God of the Forest. A wonderful example of Mingei used as decorative art, with an underglaze of red and white fired to give a wonderful presence. 8.25 inches (21cm) tall) x 6.25 inches (16cm) wide. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.

The phurba is one of the most important of the shaman's implements, and this particular phurba is an exceptional example of the great effort and tremendous creativity that goes into the making of this magical tool. It has an upper section with 3 faces, one smiling, one wrathful, and one peaceful. The middle section is a vajra (symbol of lightning) whose twin tips rest on knots of eternity. The lower section represents Makara, the water divinity, who holds in his mouth the the triangular blade around which snakes are entwined. This phurba has a further uncommon touch, an animal rests atop it. Really a very fine example of Nepalese religious art. 8 inches, 20 cm. Very Good Condition.

Extremely Rare Japanese Set of Five Military Band Musicians from the Russo-Japanese War of 1904-5. We knew of this one-of-a-kind complete set 15 years ago, and have finally just now been allowed to purchase it. These rare sets were produced only during the Russo-Japanese War, and you will likely never see another being offered. Japan used these Ningyo for the Boys Day Festival during this time in history. Heights range from 10.5 to 11.5 inches, 26.5 to 29 cm. Excellent Condition.

An exceedingly rare ancient Japanese Heian (794-1185) or Nara Period (710-794) Engraved Bronze Tortoise. The entire shell, front and back, has engraved artistic images of the people and symbols of the era. The tortoise is a symbol of wisdom, and is able to defend itself on its own. It personifies Water, Moon, Mother Earth, Time, Immortality, and Fertility. Creation is associated with the tortoise and it is also believed that the tortoise bears the burden of the whole world. This was quite possibly a gift of protection to the imperial household. We are proud to offer such a fine and beautiful rarity. 4.5h x 9w x 6.5d, 11.5h x 23w x 16.5d cm.

19th Century Indian Processional Panel from Tamil Nadu in Southern India, 15.5 inches (39.5 cm) tall

Extremely Rare 18th Century Edo Period (circa 1780) Musha Ningyô (Japanese Boys Day Figures) representing the famed brave warrior, Kato Kiyomasa (1562-1611), who accompanied Hideyoshi on his campaign against Korea. He is gloriously represented here, along with his attendant holding a banner of a Buddhist prayer, in this spectacular Ningyô. Kato is wearing sumptuous brocades, a black velvet trim robe with gold trim and is holding a spear with a sword at his side. He is seated on a military camp stool. Large Figure: 14 inches (35.5 cm); Small Figure: 9.5 inches (24 cm), Banner 18 inches (46 cm). From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.

Museum Quality Early 18th Century Edo Period (circa 1700) Gilded Japanese Sculpture of Amida Nyorai Buddha. Seated cross-legged in the lotus posture, hands joined in the mudra of contemplation, eyes all but closed in meditation, we are gazing upon the sculptor's vision of Amida enthroned in paradise. The elaborately carved lotus upon which he sits is itself a symbol of the attributes of the Amida Buddha: gentleness, openness, and purity. This is a large, rare and exquisite example, fabulously carved in every aspect, from the nimbus, the lotus, and the multiple stands, to the Buddha himself, all sumptuously lacquered in beautiful gold. The Buddha's hair is arranged in snail-like curls, and a sacred jewel adorns his forehead. The robes are enhanced with gorgeous black lacquered designs. This Buddha is imbued with all of the gentle idealism one associates with Japanese Buddhist sculpture. We are proud to offer this masterwork. 32.5 inches (82.5cm) tall x 21 inches (53.5cm) wide. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.

Late 19th Century Japanese signed Noh theater Mask of Okame, the Goddess of Mirth, a very popular image in Japanese culture. A beautiful example of this type of mask done by a master carver, using Cypress wood (Hinoki) and many layers of Gofun, crushed oyster shell lacquer. A very charming and well rendered image. 8.25 inches (21cm) high x 5.25 inches (13.5) wide.

A very rare and fine example of a Jomon Period (13,000-300BC) Terracotta Plaque of a Dogu, the earliest known Japanese figure. This figure was purchased from the H. Taneguchi Gallery of Kyoto in 1985 by a renowned author on and collector of Asian art. The Dogu acted as effigies of people. They manifested some kind of sympathetic magic. For example, it may have been believed that illnesses could be transferred into the Dogu, then destroyed, clearing the illness, or any other misfortune. Because of the ritual destruction of Dogu, they are quite rare. This primitive abstract fertility figure has a futuristic look. There are fun theories that state that the Dogu may be linked to extra-terrestrial Ancient Astronauts. The figures resemble 'space suits' complete with rivets and a helmet/face mask and goggles. The large eyes are also reminiscent of the traditional grey alien. 4 x 2.75 inches, 10 x 7 cm. Very Good Condition.