Catalog (368)

Kimikomi Ningyo by Jinku-ru. 9.25 inches, 23.5 cm.

A wonderful signed Kibori (single chop carving) Okimono of a Stag by the renowned Ika Goyo, beautifully painted in delicate tones, with removable antlers carved of horn. Original box is included. 7 x 7 x 7 inches, 18 x 18 x 18 cm.

Japanese Keto Kyomasa Iki Ningyo. 21 inches (with helmet; 27 inches with staff and stand.

A spectacular Edo Period Bizen Ceramic Sculpture representing the Goddess Kannon riding a Shishi. This is an early and Museum Quality piece used as a Brazier Cover in the tea ceremony, used by the highest class. 8 inches (20.5 cm) high. Excellent Condition. Mid 18th Century. From a prominent and widely exhibited collection.

Kaneta Masanao's work is in major museums throughout the world. He is widely recognized as the foremost Hagi ceramic artist, and one look at this wonderful cup and saucer will tell you why. Saucer: 7 inches (18cm); Cup 3h x 4.5w inches (7.5h x 11.5w cm).

Rare Kamakura Period Sculpture of a of a Nio Guardian King exhibiting power and fierceness. According to Japanese tradition, they traveled with the historical Buddha to protect him. Within the generally pacifist traditions of Buddhism, stories of Niō guardians like Kongōrikishi justified the use of physical force to protect cherished values and beliefs against evil. It is rare to find such an early example. Carved wood and lacquer with some imperfection and losses, as with most works of art surviving the period. 20 inches, 51 cm.

Magnificent 18th Century Japanese Edo Period Kakiemon Porcelain Incense Burner with Daruma, the founder of Zen Buddhism. Delicately painted designs in vivid and varied colors. A wonderfully rendered Daruma adorns the cover where the smoke magically appears out of his mouth when incense is burned. A very rare and remarkable piece in very fine condition. 5.5w x 4.5h x 4d, 14w x 11.5h x 10 cm.

Very Rare Japanese Jomon Period (13,000-300BC) Terracotta torso (broken off at waist) in the form of a female figure with a bird head. Overall incised decoration. Accompanied by a small terracotta disc found in the same grave lot. Figure: 4.5 x 4 inches, 11.5 x 10 cm; Disc: 2.25 x 1.5 inches, 5.75 x 4 cm. Very Good Condition.

Fine early example of a Jomon Period Dogu Clay Figure, the earliest known Japanese figures. The Dogu acted as effigies of people. They manifested some kind of sympathetic magic. For example, it may have been believed that illnesses could be transferred into the Dogu, and then destroyed, clearing the illness, or any other misfortune. Because of the ritual destruction of Dogu, they are quite rare. This primitive abstract fertility figure has a futuristic look. There are fun theories that state that the Dogu may be linked to extra-terrestrial Ancient Astronauts. The figures resemble 'space suits' complete with rivets and a helmet/face mask and goggles. The large eyes are also reminiscent of the traditional grey alien. Many Dogu exhibitions have appeared recently: Tokyo National Museum, British Museum of Art, Miki Gallery New York. This one was on exhibit at the Arts of Pacific Asia Show NYC 2010, a vetted venue. 6 inches, 15.5 cm.

Japanese Musha Ningyo of Jimmu, the First Emperor of Japan, made by Beishu. Beishu has Mukei Bunkazai status (Important Intangible Cultural Property). His Shoki shows great craftsmanship, with silk hair, glass eyes, gofun face and hands, with sumptuous silk brocade. This magnificent sculpture reaches the level of the master work of Beishu, whose work is found in museums and important collections of the Showa Period in Japan. Signed and dated 1960. 20 inches (51cm) high.

This signed Meiji Period (circa 1880) Japanese Theater Mask of Tengu by the artist, Kogyo is an extraordinary example of the character, with its dramatic and spectacular face. The most fabulous one we have seen. This mask represents the mischievous Forest God seen in Kyogen plays performed between Noh Dramas. It is for the most discerning collector. Lacquer over wood with silk hair. 9 inches (23 cm)h x 6.5 inches (16.5 cm)w, 21 inches (53.5 cm)h with beard. Excellent Condition. From a prominent and widely exhibited collection.

Taisho Period Japanese Ceramic Rabbit Figure, with original artist signed box. A charming studio work of art with wonderful glazes creating a striking image. 6 inches, 15cm.

Japanese Standing Female Isho Ningyo of a Bijin, Meiji Period. 15.75 inches (40 cm).

Japanese Satsuma Porcelain of a Baby Boy in a Beautiful Bib Holding a Whistle Bird. A charming sculpture with a wonderful presence. 8 inches, 20.5 cm.

Japanese Satsuma Phoenix Vase by Kinkozan V, an important and renowned Satsuma artist. It features a stylized phoenix of under glaze red, yellow, green, and blue on a rich black ground. This kind of design was very influential on Art Deco. 9 inches, 23 cm.

Japanese Satsuma Phoenix Vase by Kinkozan V, an important and renowned Satsuma artist. It features stylized figures and flowers in under glaze red, yellow, green and blue on a rich black ground. This kind of design was very influential on Art Deco. 9 inches, 23 cm.

Meiji Period Japanese Safe with Drawers and Handsome Butterfly and Floral Metalwork. 13.5h x 12.5w x 12.5d inches, 34h x 32w x 32d cm.

Japanese Oshi-e Ningyô of a High-Ranking Oiran Geisha. 12 x 8.75 inches, 30.5 x 22.25 cm. These were very popular during the Meiji Period; over 400 million dollars in sales (in current currency) was recorded in 1888. The characteristics of Matsumoto Oshi-e Ningyô are that the design is stuffed heavily with cotton and the faces are painted in Ukiyo-e (the floating world of Edo period) style. It is very rare to find old Oshi-e Ningyô in this quality and size today. The popularity of Oshi-e Ningyô declined when steam engines spread throughout Japan and made more goods (Hina Ningyô in this case) accessible to the local regions. The production of Matsumoto Oshi-e ended in the late Meiji period (1868-1912).