Catalog (368)

Important Japanese Arita Charger with complex glazes, featuring a performance of Okina by a Noh actor set into an extraordinary design. Okina was traditionally performed for a royal audience. This piece was most likely made for royalty or aristocracy. There are many interesting motifs and intricate patterns in this wonderful work of art. Different from Noh and Kyogen, Okina is a performing art patterned after an ancient ritualistic ceremony. It is related to a folk ritual in which an ancient god brought blessings to the people, and was seen as a prayer for many descendants, peace and tranquility in the land, and bountiful harvests. 16.5 inches, 42cm. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.

Exceptional Gonin Bayashi Five Musician set for the Hina Matsuri (Girl's Day) celebration. Just a wonderful grouping: a chanter, flute player, two hand drummers and a floor drummer, each with an expressive and well-modeled face, finely carved fingers and hands in precise gestures for their individual instruments, sumptuous silk brocade costumes, short swords, silk fiber hair, and large inset glass eyes. They are of the finest quality. 7 inches, 18 cm tall.

18th Century Japanese Wood Carving of a Mythological Guardian Shishi and Peony. This carving is reminiscent of a carving at Nikko Shrine. It is unusual to find one with much of its paint still intact. Wonderfully carved and painted by a master. A fantastic addition for a collector. 31 inches (79 cm) long x 17.5 inches (44.5 cm) high. Excellent Condition. From a prominent and widely exhibited collection.

Meiji Period (circa 1900) Japanese Satsuma Vase. A very beautiful example of Satsuma ware, featuring a spectacular eagle on a pine tree, both Japanese symbols of dignity, in thick gold and color enamels on a cream field. A classically shaped vase with a rich image. 10 inches, 25.5 cm. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.

19th Century Meiji Period Japanese Black Lacquered Box with River, Bamboo, Flowers, and Fireflies. A gem of high quality with gorgeous fine details. 9.25 x 6.75 x 1.5 inches, 23.5 x 17 x 4 cm. Excellent Condition.

Early Meiji Period (circa 1880) Japanese Empress Hina Ningyô (Girls Day Doll) She really has quite a regal presence. She wears wears the many layered Kimono of Royalty, featuring elaborate embroidery. She has a beautifully carved face, covered with Gofun (Oyster Shell Lacquer). Her fantastic crown is something special. 11.5 inches (29 cm) high and 12 inches (30.5 cm) wide. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.

Gorgeous Pair of Meiji Period Japanese Cloisonné Enamel Vases with Spectacular Phoenix and Cloud motif on a rich yellow ground. circa 1890. 6 inches (15cm) tall. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society. Pristine Condition.

A beautiful Satsuma vase by Kinkozan, the foremost artist of the 'Golden Age' of Satsuma during the Meiji Period. In ovoid form with gorgeous relief butterfly and flower designs and a central band with floral rosettes on black. Kinkozan mark on base. Height: 12.5 inches, 31.5 cm; Circumference: 25 inches, 63.5 cm.

Magnificent master work by Hirata Gōyō II (1903 - 1981) of a Bijin (young beauty). It features a wonderfully carved head and body cover with many layers of gofun oyster shell lacquer, with sumptuous brocade with gold thread wave pattern and applied chirimen silk with painted image of waves and cherry blossoms. circa 1945. 14.5 inches (37cm) tall. After graduating from elementary school, Hirata Gōyō II studied the creation of dolls under his father, Gōyō (the first), who was known as an artist of Ikiningyo (lifelike doll). After the death of his father, he succeeded to the name Gōyō (the second) at the age of twenty-one. In 1927, he was awarded the First Prize in the Tōrei Ningyo contest, and created the 58 Tōrei Ningyo with other top-class doll artists such as Kōryusai, Tōkō, and etc. He was the first doll artist to be designated as a Ningen Kokuhō (Living National Treasure) in 1955. 1923 - Graduates from Japan Design School 1947 - Exhibition at Gallery Yaesu 1948 The National Museum of Modern Art, Tokyo 1949 - Exhibition at Saihodo Art Gallery 1960 - The National Museum of Modern Art, Tokyo 1961 - Exhibition at Saihodo Art Gallery 1964 - Group exhibition at Matsuya Department Store Gallery, Ginza, Tokyo 1967 - Exhibition at Chihiro Iwasaki Picture Book Museum 1972 - Exhibition at Tokyo Art Club 1983 - Hirata Gōyō Museum opens 1987 - "The World of Hirata Gōyō Exhibition", Kobe, Japan

Japanese Edo Period Wood Carving of a Monkey on a Peach Tree. Originally housed in a Buddhist temple. Carved of poloma wood. Original pigments still exist, which is very unusual for the age. It is a wonderfully carved and captivating work of art. 23 x 9 inches, 58.5 x 23 cm.

Set of Three Royal Animal-Shaped Currency Weights from Burma, Dated 1800. From the 15th century up to the end of the 19th century, animal-shaped weights functioned as a means to measure currency, such as silver ingots or any other precious material that was a means of exchange. There were three main animal shapes used, one of which were these duck-like bird figures. These weights could also serve in a religious context as Buddhist reminders of the need for honesty (accuracy in weighing) during commercial transactions. These weights were very common throughout Burma, although their production ended before the 20th century. As with coinage, new weight styles and designs were regularly issued, and these three particular bird weights, with their V shaped indentation on the back, can be exactly dated to 1800. See “Earth to Heaven: the Royal Animal-Shaped Weights of the Burmese Empires” (Gear & Gear 1992) for more information as to their form and function. They are made from a copper-lead alloy. Much of the material culture of Burma was destroyed during its many wars and invasions, and these weights are one of the few kinds of artifacts to have survived the periods of metal shortages and looting that so frequently visited Burma. 2 1/8 inch (5.5cm), 1 3/4 inch (4.5cm), 1 1/8 inch (3cm). Very Good Condition.

Yuasa Koufuu is an accomplished Japanese calligrapher. She is the recipient of many honors and prizes in Japan. Her style is very graceful and reminiscent of the famed Edo Period master, Rosetsu. In this delightful piece, Yuasa Koufuu describes the beautiful scenery in a mountain river. Frame: 20 x 14 inches, 51 x 35.5 cm; Artwork: 13 x 9 inches, 33 x 23 cm.

A small, arresting late 19th Century Japanese bronze sculpture of Yamauba, breast feeding Kintaro. The mythology is Kintaro was left is the forest by his father to save him from his enemies. He was found by Yamauba, the forest goddess, who nursed him to grow to become the Hercules of Japan. This charming bronze has wonderful detail. 4 inches (10cm) high x 3.25 inches (8.5cm) wide.

A suburb Chinese Boxwood carving of a warrior riding a horse. This wonderful carving is masterfully carved and has a rich patina. The warrior's face is wonderfully expressive. He holds his weapon out to the side creating a diagonal to the sculpture that makes it sharply dynamic. Height: 11.5 inches, 29 cm.

Sessho was a student of the legendary Tani Buncho. His paintings were collected and much appreciated by Emperor Meiji. He painted this gorgeous flower painting in a deliberately straightforward manner in order to take focus away from his superior technique and have you consider only the beauty of the subject. Silk Canvas and Mount. Mount: 72 x 25 inches, 182.5 x 63 cm. Painting: 44 x 20 inches, 112 x 50.5 cm. cf. C.H. Mitchell's The Illustrated Books of the Nanga, Maruyama, Shijo, and other Related Schools of Japan: A Bibliography, Los Angeles: Dawson's Book Shop, 1972; and Laurence P. Roberts' A Dictionary of Japanese Artists, New York, Weatherhill, 1976.

Japanese Clay Figure of a Sino-Japanese War General on a White Horse. This would have been displayed in a Boys' Day festival in the late Meiji Period. Wonderfully painted with fine details. Height: 7.5 inches, 19 cm.

Japanese Cloisonne Vase with a Yellow-Eyed Dragon on a Maroon Field. Baluster form with silver wire inlay. 9.5 inches, 24 cm.

The inscription on the back reads: Inori (Meditation) by Kinugawa Masayoshi (born 1912 in Higemi, Hyogo) of the Bijyutsuin Inyuu art organization. Japanese Two Panel Screen painting of Kannon Bodhisattva, the Goddess of Compassion and Mercy. The painting is a masterpiece, using the technique whereby minerals and semi-precious stones are ground into the paint, creating the most spectacular effects. Also, gold and black lacquer add highlights. This marvelous piece will stand out in any environment. 74h x 68w inches, 188h x 172.5w cm.