Catalog (368)

An Extraordinary and Scarce, Museum Quality Find. Early 16th Century Muromachi Period Saga Ningyo of the Goddess Kannon, in a rare and elegant standing form. Carved entirely of wood, her costume is built up with pigments in a technique called 'moriage'. Her gorgeous robes are decorated with foliate scroll slightly raised in relief. This rarest of all Ningyo forms almost never comes up for sale and are never seen except in museums or important private collections. Saga Ningyo are considered the "holy grail" of Ningyo. This fine and exceedingly rare example is one the first produced in the 16th Century. 5 inches (13cm) high (figure only, not including base). Base: 3.25 inches (8cm) wide.

Japanese Late Edo Period very large rare pair of Musha Ningyo representing Empress Jingū (Jingū Kōgō) and the old minister Takenouchi no Sukune. He is holding the baby Ōjin (a son of the Empress Jingū who later became Emperor Ōjin) and is seated on a camp stool. These are among the largest examples and are of the highest quality and artistic workmanship. The heads and hands are carved of wood, covered with many layers of tinted gofun (oyster shell lacquer), creating exceptionally expressive faces, with glass eyes and silk hair. They are dressed in sumptuous silk brocade costumes. The armor is made of lacquered paper with gilt metal fittings. Empress Jingū is standing regally, hair tied back by a band, holding a fan and a bow, and a quiver with arrows. Both have swords. Altogether an extraordinary presence. According to the Nihonshoki, Jingū was empress from 201 A.D. to 269 A.D. She is known for her invasion of Korea while she was bearing her child. In order to delay her childbirth, a piece of rock was wrapped to her stomach. Jingu 29.5 inches (75cm), Takenouchi 27 inches (68.5cm), Ojin 10 inches (25.5cm).

A one of a kind, very large early example of this Musha-Ningyo (Boys' Day Figure). This legendary figure first appeared for Boys Day in the late 19th Century. He is the Japanese equivalent to Hercules. He is always shown with a ruddy complexion, as seen in Japanese woodblock prints, scrolls and screens. He is a magnificent sculpture, Iki and Gosho in style. He holds an Axe and wears a sumptuous embroidery brocade featuring a mythical Turtle. 19th Century (circa 1880). 29 inches (74cm) height.

18th Century Japanese Edo Period pair of Kyoho-Bina Ningyo, an exceedingly rare early 18th century. An exceptional example of this early style. The finest quality in all aspects, featuring rich silk matching brocades in an elegant floral pattern with auspicious treasures on multilayered robes creating a classical form. All accessories and stands are original, very rare for such an early piece. Fine faces of gofun (oyster shell lacquer) aged to a burnished tone, with painted details. They have a museum collection number. Kyoho-Bina are one of the earliest styles, and are the Tiffany of hina display dolls. Emperor: 18 inches (46 cm), Empress: 17 inches (43 cm).

Fine Edo Period Sho Bosatsu Kannon in Rare Excellent Condition, gilded wood sculpture seated on a lotus and holding a lotus in the left hand. The Bodhisattva of Compassion has never been more beautifully rendered. Height: 27 inches (68.5 cm), Width: 14 inches (35.5 cm).

A rare wonderful Daki Ningyo with the most artistic style and a beautiful hypnotic face, wearing a gorgeous painted silk kimono of Imperial purple. Made for the Imperial class. Late 19th Century. 27 inches, 68.5 cm.

Japanese Late Meiji Period Two Panel Owl Screen featuring a solitary owl perched on a wind blown bamboo, entwined by vines with clusters of red berries. Signed by Kouro. Nihonga School - ink and color on paper painting in tarashikomi, a technique that achieves shading through pooling successive layers of partially dried pigment. 68.5 inches (174 cm)h x 67 inches (170 cm)w. Very Good Condition. Minor Repairs. From a prominent and widely exhibited collection.

A very important find and a great day for the serious Satsuma collector who acquires this exceedingly rare pair of plates of breathtaking beauty, detail and color by the renowned Satsuma Master, Ryozan, depicting the two Goddesses of the Seven Lucky Gods, Benzai-ten and Kichijo-ten (Kichijo-ten sometimes replaces Fukurokuju in portrayals of the Seven Lucky Gods). These Goddesses of Good Luck, Happiness, and Learning are patrons of geisha and artists and are venerated by speculators, entrepreneurs and tradesmen who pray for luck in business and love. This is a one-of-a-kind portrayal and format by Ryozan, one of the foremost Satsuma artists of 19th Century Japan. 9 inches, 23 cm. Excellent Condition.

Japanese Two Panel Screen of Snow Cranes on a Willow Tree. This great masterpiece is one of the most amazing screen paintings we have seen. Each Snow Crane is painted with its own personality and attitude, using the finest pigments and Gofun (Oyster Shell Lacquer). All of the elements of this painting are just magical. Brocade borders in a black lacquered frame make this two panel screen complete this work of art. 66 inches (167.5 cm)w x 62 inches (157.5 cm)h. Excellent Condition. From a prominent and widely exhibited collection.

An extremely rare and very large 19th Century Meiji Period Japanese Iki Ningyo (living figure) of a young Bijin. An exquisite Ningyo representing idealized feminine Japanese beauty. She is posing as if for a photograph or for an artist. Every aspect is hyper realistic: the hair, eye lashes, accessories, and the painted kimono. She is holding a silver mirror and hair ornament as part of a collection of hair ornaments featuring a lacquered comb. Her beautiful face changes from different angles. Iki Ningyo in feminine form are rare; most are male forms. 27 inches, 68.5 cm.

A beautifully painted Meiji Period Japanese Namban screen depicting a Portuguese Caravel ship. Japanese screens featuring Portuguese are rare. 60h x 56w inches, 152h x 142w cm.

An amazing and rare Daki Ningyo of the Imperial class, with a specatularly carved face, wearing the finest silk textiles of brocades, featuring a highly prized shibori collar, wearing tobi socks and a wonderful hat, all original. Height: 30 inches, 76 cm.

Rare Japanese Iki Ningyo (Living Doll) depicting a man clothed only in a loincloth, showing his perfect physique, with left arm raised and right hand gesturing his strength. Superbly crafted in the latter part of the 19th century for the export market, fulfilling the demand for Japanese “exotica”, following Japan’s opening to the West in the mid-19th century. Fashioned of wood and covered in naturally pigmented gofun, with inset glass eyes, and featuring individually inserted human hair strands, depicted with a bushy mustache and chin beard, finely detailed musculature executed in a hyper-realistic manner, mounted on a burl wood stand. A superior museum-quality masterpiece from all angles. Published in Japanese Dolls: The Fascinating World of Ningyo. 20.5 inches, 52 cm.

Japanese Late Edo Period 19th Century Silver Rimpa Flower Screen, a fine masterpiece. Rimpa School represents the highest standard of decorative painting of all schools of Japanese painting. The flowers and other elements are raised by the use of Gofun (oyster shell lacquer). The flowers seem to jump from the silver field. This finely painted masterpiece features wonderful color on silver leaf. Each Panel: 51h x 24.25w inches, 129.5h x 61.5w cm; Total Dimensions: 51h x 97w inches, 129.5h x 246w cm.

A rare late Edo Period four-panel silverized Japanese Screen. A fine scholar's composition of bamboo, rocks, and a swallow in flight. A beautifully painted sumi, with a fine oxidized silverized patina. It appears to have the original brocade frame. The screen is in extraordinary condition for its age. A superb, museum quality screen and an important find. Height: 40 inches, 101.5 cm; Width: 72 inches, 183 cm.

Massive Pair of Japanese Cloisonne enamel baluster vases, Meiji Period, each decorated in brightly colored enamels with butterflies hovering above various types of flowering chrysanthemum bushes, all silhouetted against a mirror black ground, stylized floral bands encircling the shoulder, waisted at the neck and above the flaring foot, and wide abstract foliate bands at the rim and foot (slight damage to the foot). Provenance: Former collection of Mettie C Jones, Long Beach, CA; items reputed to have been purchased at the Twentieth Century Fox studio auctions in 1935, and later MGM studio auctions. height: 47 inches, 120 cm.

Late 19th Century Japanese Kazari-Uma (Battle Horse). This deluxe extraordinary example is attributed to Marurei, one of the most important Ningyô artists. He now has Japanese National Treasure status. This handsomely adorned military horse is displayed on a Boys Day stand. The body hair is done by a technique called Ke-Ue-Saiku "fine work of fur planting" in which silk hairs are pasted on. It has gorgeous silk and lacquer trappings. It is positioned on a fine lacquered stand. This wonderful piece is of the finest quality. 28 inches (71cm) tall x 6 inches (15.5cm) wide x 20 inches (51cm) long. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.

A large, rarest of rare Japanese 18th century Bijin Saga Ningyo, depicting a standing female holding her flowing kimono. Saga Ningyo are the most sought after of all Japanese Ningyo. They are almost never seen on the market, and only rarely enter Western collections, public or private. This is a once-in-a -lifetime opportunity for the serious connoisseur of Japanese art. This finely carved and sculpted figure is a masterpiece from all angles. The rich pigmentation of the robes are built up with pigments in a technique called 'moriage'. The many classic patterns are extraordinary. Saga Ningyo are very different from more familiar Japanese Ningyo forms. This Saga Ningyo, an exceptional and magical presence to behold, is of an unusually large size (18.5 inches, 47 cm), significantly larger than most known examples. The exact and detailed treatment of her kosode kimono, the flowing lines of the carving, the elegant arrangement of her comb-secured hairstyle, and the rendering of her gorgeous face, is an artistic achievement on the highest level.