Catalog: Antiques: Regional Art: Asian: Japanese (331)

Japanese Keto Kyomasa Iki Ningyo. 21 inches (with helmet; 27 inches with staff and stand.

Japanese Cloisonne Vase with elaborate flowers on silver wire over red enamel with foil design. A striking, elaborate work of art and a treasure of exquisite beauty and excellent detail. Height: 12.5 inches, 32 cm.

Japanese Cloisonné Elephant Jar. This is a wonderful, charming figure and is an unusual fine example that is a joy to behold. In a circus pose with elaborate fittings. 11.5 inches, 29 cm tall. Excellent Condition. From a prominent and widely exhibited collection.

Extremely Rare Japanese Set of Five Military Band Musicians from the Russo-Japanese War of 1904-5. We knew of this one-of-a-kind complete set 15 years ago, and have finally just now been allowed to purchase it. These rare sets were produced only during the Russo-Japanese War, and you will likely never see another being offered. Japan used these Ningyo for the Boys Day Festival during this time in history. Heights range from 10.5 to 11.5 inches, 26.5 to 29 cm. Excellent Condition.

Japanese Oshi-e Ningyô of Two Kabuki Actors. 12 x 8.75 inches each, 30.5 x 22.25 cm each. These were very popular during the Meiji Period; over 400 million dollars in sales (in current currency) was recorded in 1888. The characteristics of Matsumoto Oshi-e Ningyô are that the design is stuffed heavily with cotton and the faces are painted in Ukiyo-e (the floating world of Edo period) style. It is very rare to find old Oshi-e Ningyô in this quality and size today. The popularity of Oshi-e Ningyô declined when steam engines spread throughout Japan and made more goods (Hina Ningyô in this case) accessible to the local regions. The production of Matsumoto Oshi-e ended in the late Meiji period (1868-1912).

Large Meiji Period Bunraku Puppet of Tokagawa Ieyasu. Extremely rare on this grand scale (4 feet high, 122 cm). This fine quality puppet was possibly made at the request of the puppeteer Kiritake Monjuro II, as the hero in Bunraku plays. It has a fantastic dynamic presence, and is carved of Poloma wood covered in gofun (oyster shell lacquer) featuring sumptuous silk brocades with Tokagawa crests and dragons.

Meiji Period (circa 1900) Japanese Satsuma Vase. A very beautiful example of Satsuma ware, featuring a spectacular eagle on a pine tree, both Japanese symbols of dignity, in thick gold and color enamels on a cream field. A classically shaped vase with a rich image. 10 inches, 25.5 cm. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.

A prominent Japanese dealer is currently offering a Kawabata Gyokusho painting of similar size for $21,500. You can find this painting online. Kawabata Gyokusho is considered the last great representative of the Shijo school of Japanese painting. His work is quite delicate, making use of Japanese technique in a realistic manner. He had many pupils who later became well known. His paintings are in the permanent collections of many major museums, including Oxford's Ashmolean Museum, New York's Metropolitan Museum, Boston's Museum of Fine Arts, Tokyo's National Museum, and London's Victoria and Albert Museum. This beautiful painting of his will make even the non-Japanese share the feeling that the Japanese have long had for Mount Fuji, that Fuji is a god and her surrounding waters and trees pay tribute to her. Silk Canvas. 48 x 20 inches, 122 x 50.5 cm, unmounted. cf. Nagatake Asano, Yukio Kobayashi, and Moritatsu Hosokawa, eds. Genshoku Meji Hyakunen Bijutsukan (Color Reproductions of Meiji Centennial Exhibition), Tokyo: Asahi Shinbunsha, 1967; Serge Eliseev's La Peinture Contemporaine au Japon, Paris: E. de Boccard, 1923; Mosho Kawabata, ed. Gyokusho-o Iboku-shu (collection of Gyokusho's Paintings), Tokyo: Kogeisha, 1931; Kurashina Zuroku Kindai Nihonga (Catalog of Japanese-Style Paintings Owned by The Tokyo University of Arts), Tokyo: Tokyo Geijutsu Daigaku, 1954; Arthur Morrison's The Painters of Japan, 2 volumes, London and Edinburgh: T.C. and E.C Jack, 1911; C.H. Mitchell's The Illustrated Books of the Nanga, Maruyama, Shijo, and other Related Schools of Japan: A Bibliography, Los Angeles: Dawson's Book Shop, 1972; Laurence P. Roberts' A Dictionary of Japanese Artists, New York, Weatherhill, 1976; and Naoteru Uyeno, ed. Japanese Arts and Crafts in the Meiji Era (English adaption by Richard Lane), Tokyo: Pan-Pacific Press, 1958. See also the following journals and serial publications: Kokka #7 (illustrated monthly journal of Oriental art), Tokyo: Kokkasha; Museum #202 (monthly publication of the Tokyo National Museum); Nihon no Bijutsu #17 (Japanese Art), Tokyo National Museum, Kyoto National Museum, and Nara National Museum, eds., Tokyo: Shibundo; Nihon Bijutsu Zenshu volume 6 (Collection of Japanese Fine Art), 6 volumes, Tsuneo Fujita, ed., Tokyo: Bijutsu Shuppan-sha, 1969.

Beautifully Carved, Large Japanese Boxwood Okimono of a Perched Hawk. Finely carved with naturalistic rendering. Signed by Miyamori. Height: 11 inches, 28 cm.

Late Meiji Period (circa 1900) Japanese Signed Okimono Sculpture of a pair of Mandarin Ducks, symbols of life long faithfulness and one of Japan's most beautiful birds. Original artist signed box is included. Beautifully carved of Poloma wood, one of the finest woods used in Japanese sculpture, and gorgeously painted with vivid colors. They can be exhibited in an endless variety of positions and make a wonderful object of art. 3.5 x 8 inches, 9 x 20 cm. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.

Japanese Koto Cover featuring a magnificent Phoenix. The Koto is a traditional Japanese stringed musical instrument. This Koto Cover was for an important Koto player. A textile of this quality rarely comes along for sale. Beatifully hand painted with some embroidery on fine silk. Really a work of art. 96 x 13.5 inches, 244 x 34 cm. Excellent Condition. From a prominent and widely exhibited collection.

A wonderful Meji Period Japanese cloisonne vase with an array of flowers on a pale green ground featuring a silverised metal basket weave. Height: 7 inches, 18 cm.

Japanese Boys Day Horse. This white horse is of the highest quality and artistry. Carved of palomar wood and lacquered 30 to 40 times with gofun (oyster shell lacquer) to create a naturalistic effect. It is completed with the most fabulous trappings, a fine saddle, bells, and a ponga Buddhist symbol on his back. Presented on a lacquered stand with fine gold. The high quality makes it most likely that this fine piece was made for the Daimyo class, and may have been presented to a shrine. Height: 16 inches, 41 cm.

Ningyo of Young Lady Looming Textile. 15 inches (38cm) wide x 10 inches (25.5cm) high.

Large Meiji Period (circa 1900) Japanese Arita Porcelain Charger. Blue and white with gold accents, featuring an elegant stylized landscape and using sticking glazes to create a wonderful work of art. 16 inches, 41cm. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society. Pristine Condition.

Getzuzan inherited from his renowned father an effortlessness with the brush, shown here in the easy curves of the robe and face of the 12th Century Zen master, Taikobo, and the gentle washes that are used to compose the soft landscape that is the lovely place where he meditates and fishes. Gekko had several students who achieved fame, but he always favored his son. Getsuzan paintings that are available for sale are very rare. 45.5 x18 inches, 115.5 x 45.5 cm, unmounted

Okutani Shuseki (1871-1936) was born in Osaka and lived in Kyoto for most of his life. His artistic lineage is among the very best. He, along with Yamamoto Shunkyo and others, studied under Mori Kansai, who was the pupil and adopted son-in-law of Mori Tetsuzan, who was one of Maruyama Okyo's best pupils. Like all painters of the Mori family school, Shuseki's nature paintings are remarkable for their unsentimental naturalism, showing his keen interest in the essence of nature. He won prizes at numerous exhibitions and founded his own art school. 21 x 8.5 inches, 53 x 21.5 cm. cf. Ekkehard May and Daniel McKee's Haiku & Haiga, Amsterdam, Hotei, 2006.

Taisho Period Japanese Bronze Tear Drop Vase with original box. A classic shape with a gorgeous caramel patina. 8 inches (20.5cm) tall. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.