Catalog: Antiques: Regional Art: Asian (342)

A unique Japanese artistic creation of a Geisha Looking in a Mirror. She is set inside of a glass enclosed presentation box The two sides are beveled glass creating an arresting design of multiple images. From the front she catches her reflection in the mirror. This is the only image we see of her face. She is so interesting in her creative style. Height: 12.5 inches, 32 cm.

A rare Japanese Fushimi clay sculpture of a Sino-Japanese War soldier. Fushimi Clay Dolls were painted dolls made of unglazed ceramic that were sold in front of the gate to Kyoto's Fushimi Inari Shrine, starting in the 16th Century at the end of the Momoyama period. They are also called Fukakusa Dolls or Inari Dolls. A charming example of Japanese folk art of the Meiji Period. An important find for the folk art collector. 9.25 inches, 23.5 cm.

Okutani Shuseki (1871-1936) was born in Osaka and lived in Kyoto for most of his life. His artistic lineage is among the very best. He, along with Yamamoto Shunkyo and others, studied under Mori Kansai, who was the pupil and adopted son-in-law of Mori Tetsuzan, who was one of Maruyama Okyo's best pupils. Like all painters of the Mori family school, Shuseki's nature paintings are remarkable for their unsentimental naturalism, showing his keen interest in the essence of nature. He won prizes at numerous exhibitions and founded his own art school. 22 x 8.5 inches, 56 x 21.5 cm. cf. Ekkehard May and Daniel McKee's Haiku & Haiga, Amsterdam, Hotei, 2006.

Japanese Satsuma Phoenix Vase by Kinkozan V, an important and renowned Satsuma artist. It features stylized figures and flowers in under glaze red, yellow, green and blue on a rich black ground. This kind of design was very influential on Art Deco. 9 inches, 23 cm.

Japanese Antique Bronze Horse in a classic galloping pose. A solid, strong image with rich patina, finely rendered detail, naturally executed. A fine addition for horse fanciers. Signed, circa 1920. 12 inches (30.5cm) tall x 15.75 inches (40cm) long. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.

Japanese Fukusa Panel Depicting Two Kabuki Actors Performing the Lion Dance. Polychrome and Gilt Threads. A fantastic painting with wonderful movement and lush color on chirimen silk. 26w x 24.5h inches, 66 x 62.25 cm. Framed.

Taisho Period Japanese Bronze Tear Drop Vase with original box. A classic shape with a gorgeous caramel patina. 8 inches (20.5cm) tall. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.

Japanese Late Meiji Period Two Panel Owl Screen featuring a solitary owl perched on a wind blown bamboo, entwined by vines with clusters of red berries. Signed by Kouro. Nihonga School - ink and color on paper painting in tarashikomi, a technique that achieves shading through pooling successive layers of partially dried pigment. 68.5 inches (174 cm)h x 67 inches (170 cm)w. Very Good Condition. Minor Repairs. From a prominent and widely exhibited collection.

Large Rare Japanese Clay Figure of a Young Girl playing with her pinwheel. Beautifully executed and glazed with wonderful colors, exhibiting the style of the 1920s Art Deco Period in look and form. Taisho Period. 16h x 9w x 9d inches, 40.5h x 23w x 23d cm.

Japanese Ningyo of a Mother and Child or Mary and Child. 13.25 inches (33.5 cm) height.

Antique Japanese Bamboo Steamer with two sections and a large bamboo handle. The lid and top section are removable. 17.5 inches (44.5cm)h x 16 inches (40.5cm) wide.

Old Nepalese Boar Mask. Purchased 40 years ago in Kathmandu by a well-known and widely published collector. 6.5h x 5w x 6d inches, 16.5h x 12.5w x 15d cm.

Japanese Standing Female Isho Ningyo of a Bijin, Meiji Period. 15.75 inches (40 cm).

Japanese Cloisonne Vase with elaborate flowers on silver wire over red enamel with foil design. A striking, elaborate work of art and a treasure of exquisite beauty and excellent detail. Height: 12.5 inches, 32 cm.

Japanese Keto Kyomasa Iki Ningyo. 21 inches (with helmet; 27 inches with staff and stand.

Meiji Period (circa 1900) Japanese Satsuma Vase. A very beautiful example of Satsuma ware, featuring a spectacular eagle on a pine tree, both Japanese symbols of dignity, in thick gold and color enamels on a cream field. A classically shaped vase with a rich image. 10 inches, 25.5 cm. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.

A prominent Japanese dealer is currently offering a Kawabata Gyokusho painting of similar size for $21,500. You can find this painting online. Kawabata Gyokusho is considered the last great representative of the Shijo school of Japanese painting. His work is quite delicate, making use of Japanese technique in a realistic manner. He had many pupils who later became well known. His paintings are in the permanent collections of many major museums, including Oxford's Ashmolean Museum, New York's Metropolitan Museum, Boston's Museum of Fine Arts, Tokyo's National Museum, and London's Victoria and Albert Museum. This beautiful painting of his will make even the non-Japanese share the feeling that the Japanese have long had for Mount Fuji, that Fuji is a god and her surrounding waters and trees pay tribute to her. Silk Canvas. 48 x 20 inches, 122 x 50.5 cm, unmounted. cf. Nagatake Asano, Yukio Kobayashi, and Moritatsu Hosokawa, eds. Genshoku Meji Hyakunen Bijutsukan (Color Reproductions of Meiji Centennial Exhibition), Tokyo: Asahi Shinbunsha, 1967; Serge Eliseev's La Peinture Contemporaine au Japon, Paris: E. de Boccard, 1923; Mosho Kawabata, ed. Gyokusho-o Iboku-shu (collection of Gyokusho's Paintings), Tokyo: Kogeisha, 1931; Kurashina Zuroku Kindai Nihonga (Catalog of Japanese-Style Paintings Owned by The Tokyo University of Arts), Tokyo: Tokyo Geijutsu Daigaku, 1954; Arthur Morrison's The Painters of Japan, 2 volumes, London and Edinburgh: T.C. and E.C Jack, 1911; C.H. Mitchell's The Illustrated Books of the Nanga, Maruyama, Shijo, and other Related Schools of Japan: A Bibliography, Los Angeles: Dawson's Book Shop, 1972; Laurence P. Roberts' A Dictionary of Japanese Artists, New York, Weatherhill, 1976; and Naoteru Uyeno, ed. Japanese Arts and Crafts in the Meiji Era (English adaption by Richard Lane), Tokyo: Pan-Pacific Press, 1958. See also the following journals and serial publications: Kokka #7 (illustrated monthly journal of Oriental art), Tokyo: Kokkasha; Museum #202 (monthly publication of the Tokyo National Museum); Nihon no Bijutsu #17 (Japanese Art), Tokyo National Museum, Kyoto National Museum, and Nara National Museum, eds., Tokyo: Shibundo; Nihon Bijutsu Zenshu volume 6 (Collection of Japanese Fine Art), 6 volumes, Tsuneo Fujita, ed., Tokyo: Bijutsu Shuppan-sha, 1969.

Large Meiji Period Bunraku Puppet of Tokagawa Ieyasu. Extremely rare on this grand scale (4 feet high, 122 cm). This fine quality puppet was possibly made at the request of the puppeteer Kiritake Monjuro II, as the hero in Bunraku plays. It has a fantastic dynamic presence, and is carved of Poloma wood covered in gofun (oyster shell lacquer) featuring sumptuous silk brocades with Tokagawa crests and dragons.