Catalog (368)

Edo Period (circa 1820) Japanese Musha Ningyo of Ushiwaka- maru, a brave boy who grew up to be the great warrior Minamoto Yoshitsune. This is a wonderful, rare early example with ail of his original accessories. He is wearing sumptuous brocades and lacquered armor and has a wonderful bearing and just a great face. 13.25 inches, (33.5cm) tall. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.

Japanese pair of very large gold lacquer on carved wood Lotus Flowers, 11 flowers in each pair for 22 all together, of them fully bloomed Lotus Flowers. Edo Period, Early 19th Century. They were likely used on the altar of a Buddhist temple, representing the full cycle of life. They have a rich gold patina. This size and condition are extremely rare and almost never found. Height of the tallest: 41.5 inches, 105.5 cm. Excellent Condition. From a prominent and widely exhibited collection. (Vase is, of course, not included.)

Early 19th Century Edo Period Japanese Takeda Isho Ningyo pair representing Daikoku, the God of Wealth and Fukurokuju, the God of Knowledge in a sumo match. Wonderfully rendered Ningyo in a rare and unique pose. Symbolic parody of wisdom over money. Subjects of Sumo are very sought after in Japan. A great find for Ningyo and Sumo Collectors. Overall Dimensions: 12 x 11 x 9.5 inches, 30.5 x 28 x 24 cm. Excellent Condition. From a prominent and widely exhibited collection.

Edo Period (circa 1820) Japanese Sculpture of Tenjin, the Shinto God of Knowledge. It was housed and displayed in a Shinto shrine. This Tenjin is extraordinary. it was commissioned by a wealthy family and presented to the shrine as a gift. It is an amazing work of art and is complete with its platforms and accessories. Its color and lacquer work are sublime. He has crystal eyes which add to an unforgettable image. 34 inches (86.5 cm)h x 22 inches (56 cm)w x 13 inches (33 cm)d. Excellent Condition. From a prominent and widely exhibited collection.

An unusual and important early 19th Century Edo Period Woven Bamboo Tea Ceremony Box. This unique work of art is the only one we have seen like this. Expertly woven bamboo accented with a large bamboo handle. A rare find for the serious Japanese basket collector. Wonderful color and patina. You are not likely to see another on the art market. 17.5 inches (44.5 cm)h x 12 inches (30.5 cm)w x 10 inches (20.5 cm)d. Excellent Condition. From a prominent and widely exhibited collection.

Early 19th Century Edo Period signed Japanese Ikebana flower arranging wall basket made of bamboo woven by the master, Mineko, with wonderful color and design. Wall baskets of this quality are hard to come by. 8.5 inches (21.5 cm)h x 3.5 inches (9 cm)w. Excellent Condition. From a prominent and widely exhibited collection.

Edo Period Sagemono Tobacco Pipe Set from the collection of a renowned author on and collector of Asian art. Kiseruzutsu (pipe case) of woven straw; kiseru (pipe) of silver, copper and bamboo with painted decorations; tobacco pouch of leather with a bronze dragon lock and a green glass Ojime (sliding button). Pipe and Case: 8 inches, 20 cm long; Pouch: 5 1/2 x 3 5/8 inches, 14 x 8.25 cm. Excellent Condition.

Fine Large Edo Period Japanese Tobacco Pipe (Kiseru) from the collection of a renowned author on and collector of Asian art. This imposing, oversized pipe of bamboo and bronze with its striking phoenix would have been smoked by a man of prestige, and the effect would have been quite intimidating. Acquired in Kyoto in 1985 by a renowned author on and collector of Asian art. 9 5/8 inches, 24.5 cm long. Very Good Condition.

Japanese Edo Period Lead and Silver Tobacco Pipe with Incised Darumas, both the man Daruma Taishi and the god Daruma. Acquired in Tokyo in 1986 by a renowned author on and collector of Asian art. 5 1/8 inches, 13.5 cm long.

Late 18th, Early 19th Century Edo Period Japanese Wood Horse Sculpture in a galloping pose. The horse still has a good amount of its original colors and gold gilt. It would have been offered as a gift to a Shinto shrine from someone with the means to afford more than the usual horse plaque, but not quite the means to afford to give a real horse to the shrine, a gift only the most wealthy could afford to give. A wonderfully rendered sculpture and a special image for equestrian art collectors. 20 x 13.5 inches, 51 x 34 cm. Very Good Condition.

Edo Period Early 19th Century Japanese Gold Lacquered Box. An extraordinary master work inspired by the Rimpa style of Ogata Korin. This stunning box features a pair of Peacocks by a stream with auspicious Flowers and Butterflies rendered in high relief of gold lacquer and accents of mother of pearl. The beautifully rendered auspicious motif continues in the interior of this magnificent work of art. 16 x 12 x 5 inches, 40.5 x 30.5 x 12.5 cm. Excellent Condition.

From the collection of the Museum of Fine Arts in Boston comes this fine Edo Period late 18th/early 19th Century Japanese Black Lacquered Box with Mother-of-Pearl Inlaid and Gold Lacquered Boats in a classic wave pattern with exceptionally well rendered mother of pearl motifs. A rare masterpiece from all sides. 8 x 5.5 x 5.5 inches, 20 14 x 14 cm. Excellent Condition.

Edo Period late 18th/early 19th Century Japanese Ningyo of Yamauba, the Forest Goddess, half woman and half spirit. She found Kintaro abandoned in the forest by his father, and saved his life. She raised him, and he became the Hercules of Japan. For sure one of the rarest of all Ningyo. Also the rarest of female images. Only a few of these may actually exist. She bares her breasts to nurse Kintaro, as seen in Japanese woodblock prints as a popular subject by artists such as Utamaro. She is holding a wild peach branch and Kintaro is in a sumptuous silk textile matching her Obi. She is wearing gorgeous textiles and beautiful tied hair of silk. Her face and bust are of the highest quality burnished gofun, creating her beautiful spirit face. She is sitting on a peach silk pillow. Displayed on a fine black velvet display stand. Overall dimensions: 11.5 x 8 x 8 inches, 29 x 20.5 x 20.5 cm; Yumauba: 10 x 7 inches, 25.5 x 18 cm. Fine Condition.

A spectacular early 19th Century Edo Period Takeda Ningyo in superb condition, a rare find in this condition. It is of the most elegant, for sure. He is an actor portraying a young Samurai. He has a beautifully carved face and wears sumptuous brocades. He has all of his original accessories, including a suit of armor on his back. He is positioned an a black lacquered stand on four legs. Total height is 20 inches. Figure height is 14 inches. Excellent Condition.

A wonderful large Edo Period Gosho Ningyo of Urashimataro. A delightful, playful rendering of this timeless theme. These type of Palace Dolls are usually smaller. This charming example is a unique, wonderful form from all angles. He is wearing an embroidered cap and bib and has a highly burnished finished gofun pigment. 12h x 11w inches, 30.h x 28w cm. Excellent Condition.

Set of Three Royal Animal-Shaped Currency Weights from Burma, Dated 1800. From the 15th century up to the end of the 19th century, animal-shaped weights functioned as a means to measure currency, such as silver ingots or any other precious material that was a means of exchange. There were three main animal shapes used, one of which were these duck-like bird figures. These weights could also serve in a religious context as Buddhist reminders of the need for honesty (accuracy in weighing) during commercial transactions. These weights were very common throughout Burma, although their production ended before the 20th century. As with coinage, new weight styles and designs were regularly issued, and these three particular bird weights, with their V shaped indentation on the back, can be exactly dated to 1800. See “Earth to Heaven: the Royal Animal-Shaped Weights of the Burmese Empires” (Gear & Gear 1992) for more information as to their form and function. They are made from a copper-lead alloy. Much of the material culture of Burma was destroyed during its many wars and invasions, and these weights are one of the few kinds of artifacts to have survived the periods of metal shortages and looting that so frequently visited Burma. 2 1/8 inch (5.5cm), 1 3/4 inch (4.5cm), 1 1/8 inch (3cm). Very Good Condition.

Extraordinary Japanese Antique Bronze Vessel featuring very high relief of a Hawk, a pair of Shishi, and foliage in a classic form. Strong, naturally rendered images with a rich patina and finely rendered detail. Original gold patina. A fine addition for bronze fanciers. Edo Period, early 19th Century. 11.5 inches (29cm) high x 28 inches (71cm) circumference.

Early 19th Century Edo Period Standing Gosho Ningyo with fine Mizuhiki ribbons painted hair. There are several forms of Mizuhiki, including one used to tie the hair of samurai. This fine ningyo has a round, well executed face with a charming expression, and is covered overall in a fine white gofun with painted features, sexed, and dressed in red chirimen silk crepe. Gosho-ningyô (Palace Dolls) are one of the most distinctive forms of Japanese doll. They were given as gifts within the imperial family. This chubby boy is in a playful pose holding cherry blossoms made of silk and paper. 13 inches (33cm) high x 10 inches (25.5cm) wide.