Japanese Antiques and Japanese Art
All Items : Antiques : Regional Art : Asian : Japanese : Stoneware : Pre 1900 item #782210 (stock #R247)
Japanese Art Site
SOLD
White Rabbit Ceramic Sculpture by Takegawa Chikusai (1809-1882), created in his final year, 1882. Takegawa Chikusai was responsible for putting Banko Yaki, and the Banko-gama kiln (established 1829) and its home of Yokkaichi City in Mie-ken back on its feet and on the map. Banko Yaki had previously been made in the early Edo Period in Kyoto. Takegawa Chikusai's work was bequeathed to the Yokkaichi Museum's permanent collection, so this is an extremely rare opportunity for you to own a masterpiece by this great artist. 11 x 7.5 inches, 28 x 19 cm. Excellent Condition. Signed with original box and inscriptions on the lid of the box.
All Items : Antiques : Regional Art : Asian : Japanese : Paintings : Pre 1920 item #579733 (stock #0103)
Japanese Art Site
SOLD
Okutani Shuseki (1871-1936) was born in Osaka and lived in Kyoto for most of his life. His artistic lineage is among the very best. He, along with Yamamoto Shunkyo and others, studied under Mori Kansai, who was the pupil and adopted son-in-law of Mori Tetsuzan, who was one of Maruyama Okyo's best pupils. Like all painters of the Mori family school, Shuseki's nature paintings are remarkable for their unsentimental naturalism, showing his keen interest in the essence of nature. He won prizes at numerous exhibitions and founded his own art school. 22 x 8.5 inches, 56 x 21.5 cm. cf. Ekkehard May and Daniel McKee's Haiku & Haiga, Amsterdam, Hotei, 2006.
All Items : Antiques : Regional Art : Asian : Japanese : Sculpture : Pre 1900 item #631878 (stock #R53)
Japanese Art Site
SOLD
19th Century Edo Period Japanese Clay Mask of Tengu, the mischievous God of the Forest. A wonderful example of Mingei used as decorative art, with an underglaze of red and white fired to give a wonderful presence. 8.25 inches (21cm) tall) x 6.25 inches (16cm) wide. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.
All Items : Antiques : Regional Art : Asian : Japanese : Dolls : Pre 1837 VR item #775143 (stock #R236)
Japanese Art Site
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Edo Period late 18th/early 19th Century Japanese Ningyo of Yamauba, the Forest Goddess, half woman and half spirit. She found Kintaro abandoned in the forest by his father, and saved his life. She raised him, and he became the Hercules of Japan. For sure one of the rarest of all Ningyo. Also the rarest of female images. Only a few of these may actually exist. She bares her breasts to nurse Kintaro, as seen in Japanese woodblock prints as a popular subject by artists such as Utamaro. She is holding a wild peach branch and Kintaro is in a sumptuous silk textile matching her Obi. She is wearing gorgeous textiles and beautiful tied hair of silk. Her face and bust are of the highest quality burnished gofun, creating her beautiful spirit face. She is sitting on a peach silk pillow. Displayed on a fine black velvet display stand. Overall dimensions: 11.5 x 8 x 8 inches, 29 x 20.5 x 20.5 cm; Yumauba: 10 x 7 inches, 25.5 x 18 cm. Fine Condition.
All Items : Antiques : Regional Art : Asian : Japanese : Woodblock Prints : Pre 1900 item #586777 (stock #0112)
Japanese Art Site
SOLD
Yoshitoshi Tsukioka's Very Scarce (only about a dozen known copies) Book with Six Full Oban Size Prints, The Flowers of Japan and the Art of Floral Arrangement (First Edition). This is the best known existing copy of this book. Because the prints are in a book, they have been exposed to almost no light, so the colors are more vivid than anything you will ever see. Because there is no color loss, this is a unique opportunity to see what antique Japanese woodblock prints must have looked like when they were new. All but one of the prints are pristine (one has a small spot and a smudge in the margin). Even the text pages are remarkably white, indicating that very high quality, low-acidity paper was used, and the book has been well conserved. Besides Yoshitoshi's 6 oban size (10.5 x14 inches) prints, there are also 4 beautiful prints of Japanese interiors by Kawanabe Kiosui, daughter of Kiosai (or Kyosai), and 54 more full page plates depicting flower arrangements. In addition to these gorgeous and exceedingly rare prints, you get the much reprinted and still authoritative English text on the art of traditional Japanese floral arrangement. The one other copy of this book that is available on the market today is a water stained copy with an asking price of $1475.00. One of the silk ties is missing from the binding of our copy, but the book is still very solid and stable. The cloth at the head of the spine is slightly worn, and there is wear to the cover, a dark line across the corner of one b & w plate, and a 2 inch tear in the fore edge of the title page, otherwise the contents are fine and tight. A beautiful volume and a major monograph addressing the methods of flower arranging, seasonal arrangements, festive arrangements, flower vessels, ceremonies, etiquette, manipulation of cuttings, how to preserve flowers, practical examples, glossary of Japanese terms, selection of material, the history & theory of flower arrangement, and prohibited flowers. The most important and first flower arrangement monograph done in English in the 19th Century. The front and back covers are also by Yoshitoshi!