Catalog: Antiques: Regional Art (345)

Rare Japanese Edo Period Silver and Gilt Hair Ornament. Sterling and 999 pure Silver and Gilt hair ornament of magnificent quality made for an Oria, the highest class of geisha, featuring a crane in flight with flowers and branches and tassels. Presented on a museum presentation stand. 14 long x 6 wide x 10.5 inches high with base, 35.5 x 15.25 x 26.5 cm.

Extremely rare Japanese Haniwa clay bust of a young wealthy woman with a charming expression and wearing a stylish hair style, large hoop ear jewelry and a neck piece. 3rd Century, Kofun Period. She represents the most prosperous of Japanese society in the Kofun Period. A similar example, a National Treasure, belongs to the Tokyo National Museum and is published in Haniwa by Fumio Miki, published by Weatherhill. Well preserved on a presentation display pedestal. 7h x 5.5w x 6d inches, 17.75h x 14w x 15d cm.

Extremely rare 3rd to 7th Century Kofun Period Haniwa clay sculpture of a Horse, completed with the most fabulous trappings, a fine saddle, etc. Presented on a lacquered stand. The horse is a very important figure in the Samurai society. This figure possibly may have been found near the village of Motomachi, close to the port of Konjō in Musashi Province, in present day Tokyo. Pieces like this are usually found in private collections or museums, and rarely come up for sale. Well preserved. 8.5h x 8w inches, 21.5 x 20 cm.

Japanese Late Edo Period very large rare pair of Musha Ningyo representing Empress Jingū (Jingū Kōgō) and the old minister Takenouchi no Sukune. He is holding the baby Ōjin (a son of the Empress Jingū who later became Emperor Ōjin) and is seated on a camp stool. These are among the largest examples and are of the highest quality and artistic workmanship. The heads and hands are carved of wood, covered with many layers of tinted gofun (oyster shell lacquer), creating exceptionally expressive faces, with glass eyes and silk hair. They are dressed in sumptuous silk brocade costumes. The armor is made of lacquered paper with gilt metal fittings. Empress Jingū is standing regally, hair tied back by a band, holding a fan and a bow, and a quiver with arrows. Both have swords. Altogether an extraordinary presence. According to the Nihonshoki, Jingū was empress from 201 A.D. to 269 A.D. She is known for her invasion of Korea while she was bearing her child. In order to delay her childbirth, a piece of rock was wrapped to her stomach. Jingu 29.5 inches (75cm), Takenouchi 27 inches (68.5cm), Ojin 10 inches (25.5cm).

Exceedingly rare and very large Japanese Meiji Period Imari Porcelain Vases Adapted as Lamps. These great vases are one of a kind, not to be seen or found again. Gorgeous, rich, colorful glazes featuring flowers and birds with a charming fence design, all featured on a translucent white glaze. Height: 41 inches, 104 cm.

Rare Japanese Okimono Pair of Bronze Silverised Patina Fighting Cocks. Fine dramatic sculptures that are amazing and can be positioned in endless ways. They feature very natural details and action. Heights: 10.5 and 8 inches, 27 and 20.5 cm.

Japanese Edo Period Rare Large Pair of Girl's Day Festival Palace Guardians. They have all of their accessories and they are presented on wonderful stands. Their faces are carved of wood with amazing features. An extraordinary work of Ningyo Artistry. Height: 18 inches, 46 cm.

Late 18th Century Gonin-Bayashi, Five Japanese Musicians displayed on a Hina stand. This set was made as an addition to those Ningyo already displayed on a tiered stand. They imitate a Noh orchestra. This set has very finely carved faces, covered with burnished Gofun. Because of their size and age, these are highly desired by collectors. Average height of figures is 4 inches (10 cm).

Very rare Japanese comic demon Buaku Kyogen mask dating from the Edo Period, the golden age of Noh Drama. The Buaku mask is a Kyogen version of the Noh Beshimi. Kyogen were short, humorous skits performed between Noh acts to lighten the mood. The heavily knit brows and wide leering grimace are wonderful characteristics of this mask. It is covered in layered colored gofun (oyster shell lacquer), with hair painted with thin lines of ink over the top. It is brilliantly carved, accentuating the depth of his eye sockets, and adding a sense of drama. 8.25 x 6.5 inches, 21 x 16.5 cm.

19th Century Kyodai (Japanese Mirror Chests) of this size are rare. Well constructed of a very fine mulberry and pine. Japanese antique mirror boxes like these are honestly undervalued and underpriced. They are the last bargains in the Japanese antique world, relative to their true worth and rare beauty. We strongly suggest buying one now, as we really don't expect this to be the case for too much longer. 38 x 19 x 10 inches, 96 x 48 x 25 cm. Excellent Condition.

This is a fine early Deco-style Japanese cloisonne box with a gorgeous multi-fan and wave design, silver rims and a fabric lining, attributed to Akatsuki. 4 x 3 x 1.75 inches, 10 x 7.5 x 4.5 cm. From an old Virginia Estate

Japanese Cloisonne Vase with elaborate flowers on silver wire over red enamel with foil design. A striking, elaborate work of art and a treasure of exquisite beauty and excellent detail. Height: 12.5 inches, 32 cm.

Rooster and Hen Sculpture, wonderfully and finely detailed bronze over white metal with accents of red lacquer. This Art Nouveau pair is from a London collection. Japanese Art Nouvaeu flourished in Europe in the late 19th and early 20th Century. The Rooster and Hen is a popular subject in Japanese art. Symbolic of Yin and Yang, male and female. Rooster: 8 inches, 20.5 cm tall. Hen: 4.5 inches, 11.5 cm tall. Excellent Condition. From a prominent and widely exhibited collection.

A superb bronze casting of a Rooster on a Commonwealth Drum. It is of the finest quality, a master work of the art of Japanese bronze metal art. The Rooster on a drum is a popular image for the New Years Geon Festival. 11 inches, 28 cm tall. Excellent Condition. From a prominent and widely exhibited collection.

Japanese Needle Work Rozashi Technique Embroidery of the Interior of Asakusa Temple. Rozashi is embroidery using silk canvas and silk thread. A picture is created and outlined on the canvas and comes alive with the thread and stitching. The difference between Rozashi and other forms of embroidery is the use of the silk canvas called "Ro". The "Ro" is a special, uniquely woven fabric. Common embroidery stitching technique utilizes threading through holes but Rozashi stitching must always be straight and can never be diagonal. This is an amazing masterwork, inspired by an Eisho Narazaki (1864-1936) wood block print. Frame: 22 x 17 inches, 56 x 43 cm; Embroidered Panel: 17.5 x 12.75 inches, 44.5 x 32.5 cm.

Okutani Shuseki (1871-1936) was born in Osaka and lived in Kyoto for most of his life. His artistic lineage is among the very best. He, along with Yamamoto Shunkyo and others, studied under Mori Kansai, who was the pupil and adopted son-in-law of Mori Tetsuzan, who was one of Maruyama Okyo's best pupils. Like all painters of the Mori family school, Shuseki's nature paintings are remarkable for their unsentimental naturalism, showing his keen interest in the essence of nature. He won prizes at numerous exhibitions and founded his own art school. 21 x 8.5 inches, 53 x 21.5 cm. cf. Ekkehard May and Daniel McKee's Haiku & Haiga, Amsterdam, Hotei, 2006.

Marvelous and Rare Sakura Porcelain Head Doll of a an American Baby Girl, with Bisque arms and legs. Her clothes are all original. An absolute must for the serious doll collector. She has a wonderful presence and a beautiful face. Sakura dolls were the first attempt by Japanese doll companies to imitate western porcelain doll making techniques, mainly for export purpose. Shinoda and Morimura are the most famous manufacturing companies. This doll is very distinctive, with big black eyes and black straight bobbed hair. They were nick-named 'Sakura Bisque' or 'Sakura Doll' for the cherry blossoms (the national flower of Japan) and were a great hit all over the world. This doll is very distinctive, with big black eyes and black straight bobbed hair. Height: 10 inches, 25.5 cm.

A prominent Japanese dealer is currently offering a Kawabata Gyokusho painting of similar size for $21,500. You can find this painting online. Kawabata Gyokusho is considered the last great representative of the Shijo school of Japanese painting. His work is quite delicate, making use of Japanese technique in a realistic manner. He had many pupils who later became well known. His paintings are in the permanent collections of many major museums, including Oxford's Ashmolean Museum, New York's Metropolitan Museum, Boston's Museum of Fine Arts, Tokyo's National Museum, and London's Victoria and Albert Museum. This beautiful painting of his will make even the non-Japanese share the feeling that the Japanese have long had for Mount Fuji, that Fuji is a god and her surrounding waters and trees pay tribute to her. Silk Canvas. 48 x 20 inches, 122 x 50.5 cm, unmounted. cf. Nagatake Asano, Yukio Kobayashi, and Moritatsu Hosokawa, eds. Genshoku Meji Hyakunen Bijutsukan (Color Reproductions of Meiji Centennial Exhibition), Tokyo: Asahi Shinbunsha, 1967; Serge Eliseev's La Peinture Contemporaine au Japon, Paris: E. de Boccard, 1923; Mosho Kawabata, ed. Gyokusho-o Iboku-shu (collection of Gyokusho's Paintings), Tokyo: Kogeisha, 1931; Kurashina Zuroku Kindai Nihonga (Catalog of Japanese-Style Paintings Owned by The Tokyo University of Arts), Tokyo: Tokyo Geijutsu Daigaku, 1954; Arthur Morrison's The Painters of Japan, 2 volumes, London and Edinburgh: T.C. and E.C Jack, 1911; C.H. Mitchell's The Illustrated Books of the Nanga, Maruyama, Shijo, and other Related Schools of Japan: A Bibliography, Los Angeles: Dawson's Book Shop, 1972; Laurence P. Roberts' A Dictionary of Japanese Artists, New York, Weatherhill, 1976; and Naoteru Uyeno, ed. Japanese Arts and Crafts in the Meiji Era (English adaption by Richard Lane), Tokyo: Pan-Pacific Press, 1958. See also the following journals and serial publications: Kokka #7 (illustrated monthly journal of Oriental art), Tokyo: Kokkasha; Museum #202 (monthly publication of the Tokyo National Museum); Nihon no Bijutsu #17 (Japanese Art), Tokyo National Museum, Kyoto National Museum, and Nara National Museum, eds., Tokyo: Shibundo; Nihon Bijutsu Zenshu volume 6 (Collection of Japanese Fine Art), 6 volumes, Tsuneo Fujita, ed., Tokyo: Bijutsu Shuppan-sha, 1969.