Catalog: Antiques: Regional Art: Asian (342)

Rare, Early Japanese Satsuma Censer. A fine example of Satsuma ware with beautiful complex underglazes of gold, red, blue, green and white, and featuring auspicious Crane and Floral motifs, creating a beautiful design on a gorgeous shape with stunning handles and cast silver top of raised flowers. A great find for the Satsuma collector. Late 18th Century Edo Period. 3 inches (7.5cm)h, 4 inches (10cm)w. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society. Pristine Condition.

Rare 18th Century Edo Period Japanese Hai Hai Gosho Ningyô. This extremely rare form of Japanese Doll is one of the most sought after of Gosho Ningyo (Palace Doll). It has a wonderful classic painted face. They were presented to Royalty and upper class at the birth of a baby, and placed in the baby's chamber to protect from and absorb bad spirits. It is covered with many layers of Gofun (Oyster Shell Lacquer) over papier mache. The hair is made of silk. This amazing form is wearing a brocade bib and matching hat, and is holding a Din Din toy. 13 inches (33cm) long, 7 inches (18cm) wide.

Very rare Japanese comic demon Buaku Kyogen mask dating from the Edo Period, the golden age of Noh Drama. The Buaku mask is a Kyogen version of the Noh Beshimi. Kyogen were short, humorous skits performed between Noh acts to lighten the mood. The heavily knit brows and wide leering grimace are wonderful characteristics of this mask. It is covered in layered colored gofun (oyster shell lacquer), with hair painted with thin lines of ink over the top. It is brilliantly carved, accentuating the depth of his eye sockets, and adding a sense of drama. 8.25 x 6.5 inches, 21 x 16.5 cm.

Extremely Rare 18th Century Edo Period (circa 1780) Musha Ningyô (Japanese Boys Day Figures) representing the famed brave warrior, Kato Kiyomasa (1562-1611), who accompanied Hideyoshi on his campaign against Korea. He is gloriously represented here, along with his attendant holding a banner. Kato is wearing sumptuous brocades, a black velvet trim robe with gold trim and is holding a spear with a sword at his side. He is in a kneeling position. Kato Figure: 12 inches (30.5 cm) high x 13 inches (33 cm) wide, Spear: 20 inches (51 cm); Attendant: 9.5 inches (24 cm) wide, Banner: 21 inches (53 cm).

18th Century Japanese Two Panel painted Screen of a Pine Tree and Landscape, set in gold painted clouds floating in the image. An exceptional classic Japanese masterpiece. The presence of this image changes with the light of the room. The painting techniques are sumptuous, giving the image a heightened realistic experience. A similar screen was sold by Liza Hyde to the Rockefeller collection. Height: 74.75 inches, 190 cm; Width: 67.25 inches, 171 cm.

Edo Period (circa 1750) Large Japanese Wood Sculpture of a Shrine Horse, a gift from an upper-class family to a shrine. Images of Horses are highly prized in Japan. It is commissioned and presented to protect a newborn male child. Rising up on its back legs, set to gallop, it strikes an animated, exciting, and beautiful pose that sets it apart from the usual static poses that these horses have. The curves of the sculpture are masterfully rendered to convey the sense of action and spirit in this rare horse. It has a great presence from all angles, and a wonderful color and patina. 25 inches (63.5cm) tall x 38.75 inches (98.5cm) long. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.

Pair of Important 18th Century Edo Period Cricket Cages of museum quality, made for upper class or royalty. They are exceptional in every way. The Bamboo bars and Mother of Pearl inlay are of the finest Japanese craftsmanship, as are the Wisteria wood cases and red lacquered feet. Work like this is extremely rare and highly treasured in Japan. This is a unique opportunity to own an extraordinary work of Japanese art. 9 inches (23cm) tall x 8.25 inches (21cm) wide x 5.75 inches (14.5cm) deep. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.

Rare 18th Century Japanese Tea Ceremony Screen Painting of a Pine Tree. Exquisite painting on gold leaf. Set in a wood frame with a sumptuous silk brocade border. Featuring two poems on the back. The Japanese tea ceremony, also called the Way of Tea, is a Japanese cultural activity involving the ceremonial preparation and presentation of matcha, powdered green tea. Frame: 26 x 19 inches, 66 x 48.25 cm; Painting: 21 x 13 inches, 52.25 x 33 cm.

Japanese Buddhist Temple Carving of a Stylized Cloud Formation. This very early 16th to 17th Century carving is the oldest one we have seen, possibly from the Momoyama Period. Carved of poloma wood. A rare early work of art. 40 inches (101.5 cm) long x 12 inches (30.5 cm) high. Fine Condition. From a prominent and widely exhibited collection.

Genuine 17th Century Early Edo Period (possibly Momoyama Period) Japanese Floral Rimpa Painting made from Pigments, Silver and Gold. This is not a print or reproduction. Authenticity is absolutely guaranteed. Custom mounted for display. Painting: 9.75 x 4.25 inches, 25 x 11 cm, Mounting: 14 x 8.5 inches, 35.5 x 21.5 cm.

Genuine 17th Century Early Edo Period (possibly Momoyama Period) Japanese Floral Rimpa Painting made from Pigments, Silver and Gold. This is not a print or reproduction. Authenticity is absolutely guaranteed. Custom mounted for display. Painting: 10.75 x 6.25 inches, 27 x 16 cm, Mounting: 15 x 10.5 inches, 38 x 27 cm.

An Extraordinary and Scarce, Museum Quality Find. Early 16th Century Muromachi Period Saga Ningyo of the Goddess Kannon, in a rare and elegant standing form. Carved entirely of wood, her costume is built up with pigments in a technique called 'moriage'. Her gorgeous robes are decorated with foliate scroll slightly raised in relief. This rarest of all Ningyo forms almost never comes up for sale and are never seen except in museums or important private collections. Saga Ningyo are considered the "holy grail" of Ningyo. This fine and exceedingly rare example is one the first produced in the 16th Century. 5 inches (13cm) high (figure only, not including base). Base: 3.25 inches (8cm) wide.

Genuine 17th Century Early Edo Period (possibly Momoyama Period) Japanese Floral Rimpa Painting made from Pigments, Silver and Gold. This is not a print or reproduction. Authenticity is absolutely guaranteed. Custom mounted for display. Painting: 9.75 x 7.75 inches, 25 x20 cm, Mounting: 14 x 12 inches, 35.5 x 30.5 cm.

Genuine 17th Century Early Edo Period (possibly Momoyama Period) Japanese Floral Rimpa Painting made from Pigments, Silver and Gold. This is not a print or reproduction. Authenticity is absolutely guaranteed. Custom mounted for display. Painting: 12.75 x 2.25 inches, 32.5 x 6 cm, Mounting: 17 x 6.5 inches, 43 x 16.5 cm.

Genuine 17th Century Early Edo Period (possibly Momoyama Period) Japanese Floral Rimpa Painting made from Pigments, Silver and Gold. This is not a print or reproduction. Authenticity is absolutely guaranteed. Custom mounted for display. Painting: 9.5 x 3 inches, 24 x 7.5 cm, Mounting: 13.75 x 7.25 inches, 35 x 18.5 cm.

17th Century Early Edo Period Spectacular Japanese Temple Sculpture of Baku, a mythical beast loosely representing an Elephant with a combination of other animals, creating an original form. The Baku is the "Dream Catcher" of ancient Japanese Shinto mythology. It is inserted in the ceiling to watch over the temple. This Baku is a masterpiece sculpture of magnificent presence. It will surely be the focal point in any environment. It is carved entirely from solid Keyaki (Zelkova) wood, one the finest woods of Japan, and it takes two men just to lift it. Mounted on a lacquered stand, it rotates easily on the stand. 36 inches (91.5 cm) long x 25 inches (63.5 cm) tall. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.

A unique early Edo Period 17th Century rectangular Lacquer Incense Box, with high relief and decorated with Gold Takamakie technique on thick Nashiji ground. Takamakie is a kind of relief combined with the Hiramakie technique. The base of the relief is made with charcoal powder. Hiramakie is　sprinkling metal powder or grains, sticking them onto the surface, using the adhesive ability of urushi tree sap. For sprinkling metal powders puffy raw silk threads are used while for grains a thin bamboo cylinder filter is used. The makie parts are whetted or polished after drying. Makie technique is indigenous to Japan. This fine box has an image of a tied pouch and thickly raised objects and flowers on a Nashiji (pear skin) sprinkled gold lacquer ground with details of kana-gai (pieces of gold or foil embedded in the lacquer). A magnificent work of art. It is rare to find such early lacquer in such excellent condition. 6.5w x 3.25d x 2h inches, 16.5w x 8d x 5h cm.

16th Century Japanese Momoyama Period Wood Sculpture of Nyoirin Kannon, widely worshiped by those who hoped to gain riches and fulfill requests, seated on a lotus flower on rocks. Nyoirin's pose was appealing to devotees: his relaxed pose is inviting and the hand raised against his leaning head, which signifies a meditative state, adds a human touch. The bodhisattva's pose, in fact, indicates that he is resting in his personal paradise on Mt. Potalaka, which traditionally is said to be located in the sea south of India. This remarkable sculpture is exceptional for its age and beauty, and is adorned with a necklace of jewels and has a beautiful patina, retaining much of its gold lacquer. 7.5 inches (19 cm) tall, 5 inches (13 cm) wide, 3.75 inches (9.5 cm) deep. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.