Catalog: Antiques: Regional Art: Asian (342)

Early Meiji Period (circa 1880) Japanese Empress Hina Ningyô (Girls Day Doll) She really has quite a regal presence. She wears wears the many layered Kimono of Royalty, featuring elaborate embroidery. She has a beautifully carved face, covered with Gofun (Oyster Shell Lacquer). Her fantastic crown is something special. 11.5 inches (29 cm) high and 12 inches (30.5 cm) wide. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.

Meiji Period Japanese Bronze Sculpture of Senju Kannon, the 1,000 armed Bosatsu of Compassion, the deity of pure bounty, omniscient and omnipresent. This divine sculpture holds its foremost hands in the Anjali mudra (hand position), universally used by people in Asia for salutation, it evokes an offering (of one's good feelings, of one's person, of art, etc.). This is a fantastic, masterfully rendered find for the Buddhist art collector. 13.5 inches, 34 cm. Excellent Condition.

Japanese Meiji Period Gosho Ningyo of Jimmu, the First Emperor of Japan. This is a wonderful ningyo, in great bright condition. Every aspect is of the highest quality. He has a gorgeous face, beautifully rendered. He is wearing sumptuous silk brocades, stretched on a carved wood body (kimekomi). He holds a bow and arrows. There are arrows in the quiver at his back, and a sword at his side. He is presented on his original lacquered stand. Height: 8.5 inches, 21.5 cm.

One of a collection of three fantastic and rare, large Edo Period Iki masks, de-accessioned from the Musée Archéologique in Strasbourg, France during the mid-20th Century. These three are rare for their large size. They have never before been offered on the art market. The other two masks are posted on this site. Carved Poloma wood with gofun (oyster shell lacquer), glass eyes and human hair. 7.5 inches (19 cm) high x 7 inches (18 cm) wide.

Rare Pair of Early Meiji Period Large Inu Gosho Ningyo, Japanese Dog Dolls made of lacquered papier mache. Most known examples are 3 to 5 inches in height. Chin Dogs were part of the Imperial court for centuries. They are wearing Imperial lacquered bibs, and are constructed in the manner of Gosho Ningyo. 10 inches (25.5cm) high.

Japanese Bronze Incense Burner of a Monkey. A wonderful stylized casting of a hanging monkey. A special work of art. 10.5 inches, 26.5 cm.

This is a rare, well-modeled and detailed 19th Century Japanese Arita Porcelain Elephant. It is based upon an outstanding 1680 Japanese Kakiemon model, which in turn, was derived from Chinese prototypes. This piece is enameled in red and cobalt with yellow accents. It is a beautiful and striking work of art. Width: 17 inches (43cm); Height: 8.25 inches (21cm).

Meiji Period Koransha Porcelain Dragon Vase, in ovoid form with gray Dragon and Clouds with under glaze charcoal. It is an accomplished work of fine Porcelain. Height: 4.5 inches, 11.5 cm.

Massive Pair of Japanese Cloisonne enamel baluster vases, Meiji Period, each decorated in brightly colored enamels with butterflies hovering above various types of flowering chrysanthemum bushes, all silhouetted against a mirror black ground, stylized floral bands encircling the shoulder, waisted at the neck and above the flaring foot, and wide abstract foliate bands at the rim and foot (slight damage to the foot). Provenance: Former collection of Mettie C Jones, Long Beach, CA; items reputed to have been purchased at the Twentieth Century Fox studio auctions in 1935, and later MGM studio auctions. height: 47 inches, 120 cm.

Japanese Late Edo Period Bronze and Cloisonne Phoenix Incense Burner, presented as a fantastic rendition of the subject, with gorgeous colorful inlay creating a great work of art. Height: 10.5 inches (17cm), length: 11 inches (18cm).

Large Japanese Okimono Sculpture of Jurōjin, God of Longevity with a turtle, also a symbol of long life, and a young boy representing the beginning of life. Exquisitely carved from one piece of boxwood with a beautiful, rich patina. 15.75 inches, 40 cm. In Japan, Jurōjin is one of the Daoist Seven Gods of Fortune, or Shichifukujin. He is the God of Longevity. Jurōjin originated from the Chinese Daoist god, the Old Man of the South Pole. He may have been and historical figure of the Northern Song Dynasty (960 – 1127). Jurōjin is identified as the personification of the Southern Polar Star. Paintings and sculpture of Jurōjin are considered auspicious.

This rare 19th Century Bunraku Puppet of Osome, and rare scroll painting of Osome came from a private collection of theater art in Japan. The puppet is a heroine in the play, Shinpan Utazaimon Nozakimura no Dan (Osome Hisamatsu). It is made of wood and covered with many layers of gofun (crushed oyster shell), with painted features, dressed in a sumptuous brocade silk kimono and obi. Her head moves up and down, and from side to side. Bamboo stand is included. The painting on paper, with ceramic roller ends, is from the same play and is signed Joruri. Scroll: 50 x 22 inches, 127 x 56 cm. Bunraku Puppet Height: 25 inches, 63.5 cm.

Japanese Gosho Ningyo of Momotaro the Peach Boy. This wonderful Ningyo represents Momotaro in a magical manner, his robes of chirimen silk crepe with painted designs of takaramono (sacred treasures) and peaches. He holds the pit of the peach in one hand and his banner with peach motif in the other. This is a wonderful ningyo, in great bright condition. Every aspect is of the highest quality. He has a gorgeous face, beautifully rendered, and is wearing sumptuous silk brocades stretched on a carved wood body (kimekomi). He is wearing a court hat and has a sword at his side. His height is 11.5 inches (29 cm). The black lacquered stand is 11.5 x 8.5 inches (29 x 21.5 cm).

Rare and Fine Japanese Edo Period Musha Ningyo for the Boy's Day display, depicting the celebrated tea master and political adviser Sen no Rikyu (1522-1591), in a kneeling position wearing rich silk brocades. He is displayed in front of a beautiful and elegant wood and silk screen with four continuing panels of a dragon flying in the clouds and chasing the magic pearl of immortality. The screen is made of black lacquered wood with gilt threads couched and stumpworked onto a dark black silk background. Ningyo depicting Sen no Rikyu became popular in the opening decades of the 19th century when stories, plays, and ningyo connected with the life of Toyotomi Hideyoshi (to whom Rikyu served as an important advisor) dominated many aspects of popular culture. Minor wear to black velvet collar, otherwise fine condition. Screen: 18 x 12.5 inches, 46 x 32 cm. Ningyo height: 8.5 inches, 21.5 cm.

Edo Period late 18th/early 19th Century Japanese Ningyo of Yamauba, the Forest Goddess, half woman and half spirit. She found Kintaro abandoned in the forest by his father, and saved his life. She raised him, and he became the Hercules of Japan. For sure one of the rarest of all Ningyo. Also the rarest of female images. Only a few of these may actually exist. She bares her breasts to nurse Kintaro, as seen in Japanese woodblock prints as a popular subject by artists such as Utamaro. She is holding a wild peach branch and Kintaro is in a sumptuous silk textile matching her Obi. She is wearing gorgeous textiles and beautiful tied hair of silk. Her face and bust are of the highest quality burnished gofun, creating her beautiful spirit face. She is sitting on a peach silk pillow. Displayed on a fine black velvet display stand. Overall dimensions: 11.5 x 8 x 8 inches, 29 x 20.5 x 20.5 cm; Yumauba: 10 x 7 inches, 25.5 x 18 cm. Fine Condition.

Japanese Edo Period Four Panel Screen Painting of a Court Scene. This elegant image is finely painted with floating gold leaf clouds, pine and willow trees, and brings the viewer into the intimacy of the court chamber. The figures are wonderfully animated with expressive faces. 100.5 x 36 inches, 255 x 91.5 cm.

Musha Ningyo of Minamoto no Yoshitsune dressed for the Imperial Court. He is wearing a fantastic brocade robe and a spectacular court hat. This wonderful rare example of high quality has a great presence, sumptuous brocades, gold lacquered armor, and many other fine details. His face is gorgeously and masterfully carved with finely burnished gofun (white clam shell lacquer). An extraordinary example. Height: 22.5 inches, 57 cm.

Late 18th, Early 19th Century Edo Period Japanese Wood Horse Sculpture in a galloping pose. The horse still has a good amount of its original colors and gold gilt. It would have been offered as a gift to a Shinto shrine from someone with the means to afford more than the usual horse plaque, but not quite the means to afford to give a real horse to the shrine, a gift only the most wealthy could afford to give. A wonderfully rendered sculpture and a special image for equestrian art collectors. 20 x 13.5 inches, 51 x 34 cm. Very Good Condition.