Catalog: Antiques: Regional Art: Asian: Japanese (331)

Very early rare Edo Period Japanese ishô-ningyô of an Archer. It is a prototype of the takeda-ningyô Kabuki actor doll. This exceptional ningyô is a fine artistic masterpiece. He has a classic face with painted features creating a charming expression and is wearing sumptuous brocades, possessing the presence of highly sought after early Edo ningyô. Height: 15 inches, 38 cm.

One of a collection of three fantastic and rare, large Edo Period Iki masks, de-accessioned from the Musée Archéologique in Strasbourg, France during the mid-20th Century. These three are rare for their large size. They have never before been offered on the art market. The other two masks are posted on this site. Carved Poloma wood with gofun (oyster shell lacquer), glass eyes and human hair. 9 inches (23 cm) high x 8 inches (20 cm) wide.

Pair of 19th Century Japanese lacquer miniature composition masks representing living ("Iki" living figures) expressive faces, with ivory teeth, glass eyes and human hair. They have an arresting presence and are a great study of portraiture, representing fine Japanese craftsmanship. 5 inches (12.5cm) x 4.25 inches (11cm) wide (each). From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.

Extremely Rare 18th Century Japanese Musha Ningyô (Boys Day) Dolls, Samurai Set. Ningyô this early almost never appear for sale, much less with all of its original accessories, as we have here with this very fine, scarce, museum quality pair. We are very proud to offer this set. They have finely carved faces, and are lacquered with many coats of Gofun (Oyster Shell). They are adorned with sumptuous silk brocades and silk armor, indicative of mid Edo Period Ningyô artists. This set is a treasure of great importance for the most discriminating collector. 24 inches (61cm). From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.

Meiji Period (circa 1880) Japanese Musha Ningyô (Boys Day Doll) depicting the Legendary Toyotomi Hideyoshi, seated in court position wearing dramatic brocades and gold lacquered armor, a gembun fan in his right hand and wearing a classic winged cap. His face is finely carved with a regal expression. This Ningyô is Meiji craftsmanship at its best. 14.5 inches, 37 cm. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.

Rokkaku Roukaku Sansui (Fine Hexagonal High Building) Japanese Garden Hanging Lantern of Iron and Sheet Metal with a lovely Cicada on the roof hoop, symbolizing Summer and the brevity of life, reminding the garden stroller to cherish each moment. A rare and unusual Edo Period example for the collector of exceptional pieces. 14 inches (35.5cm) high x 11 inches (28cm) wide.

Fine example of a Jomon Period (13,000-300BC) Dogu Head, the earliest known Japanese figure. This figure was purchased in Japan in 1962 by a renowned author on and collector of Asian art. The Dogu acted as effigies of people. They manifested some kind of sympathetic magic. For example, it may have been believed that illnesses could be transferred into the Dogu, then destroyed, clearing the illness, or any other misfortune. Because of the ritual destruction of Dogu, they are quite rare. This primitive abstract fertility figure has a futuristic look. There are fun theories that state that the Dogu may be linked to extra-terrestrial Ancient Astronauts. The figures resemble 'space suits' complete with rivets and a helmet/face mask and goggles. The large eyes are also reminiscent of the traditional grey alien. 3 x 2.25 inches, 7.5 x 5.75 cm. Very Good Condition.

This rare and exceptional Japanese Mirror Chest of Japanese Ash and Elm with Hand Mirror of fine Persimmon and Gorgeous Brass Metalwork is from the collection of a renowned author on and collector of Asian art. The brass hinges are adorned with Chrysanthemums, the Japanese symbol of health, happiness and well-being. Truly a wonderful and rare piece. 14.25h x 9.75w x 9d inches, 36h x 25w x 23d cm. Excellent Condition.

18th Century Japanese Two Panel Painted Screen. All four seasons are represented here, with the background representing Winter and the kimono patterns representing Spring, Summer, and Fall. This is an unusual and creative take on the tagasode (whose sleeves?) genre of screen painting that usually depicts interiors. The pair of kimono poetically speak of a romantic liaison. The colors are breathtaking and the painting technique is pure master work. 68 inches (173 cm)w x 60 inches (152.5 cm)h. Excellent Condition. From a prominent and widely exhibited collection.

Okutani Shuseki (1871-1936) was born in Osaka and lived in Kyoto for most of his life. His artistic lineage is among the very best. He, along with Yamamoto Shunkyo and others, studied under Mori Kansai, who was the pupil and adopted son-in-law of Mori Tetsuzan, who was one of Maruyama Okyo's best pupils. Like all painters of the Mori family school, Shuseki's nature paintings are remarkable for their unsentimental naturalism, showing his keen interest in the essence of nature. He won prizes at numerous exhibitions and founded his own art school. 21 x 8.5 inches, 53 x 21.5 cm. cf. Ekkehard May and Daniel McKee's Haiku & Haiga, Amsterdam, Hotei, 2006.

Edo Period Kyogen Theater Karura (Garuda) Mask, donated in the 19th Century by the prominent collector, Dr. C.G. Weld to the Museum of Fine Arts in Boston. Karura is a mythical fire-breathing bird-human creature from Buddhist-Hinduist mythology. A fine and rare example. Wood with lacquer. 8 x 6.25 inches, 20.5 x 16 cm.

A wonderful large Edo Period Gosho Ningyo of Urashimataro. A delightful, playful rendering of this timeless theme. These type of Palace Dolls are usually smaller. This charming example is a unique, wonderful form from all angles. He is wearing an embroidered cap and bib and has a highly burnished finished gofun pigment. 12h x 11w inches, 30.h x 28w cm. Excellent Condition.

Edo Period (circa 1850) Japanese Noh Mask of Shojo, representing a happy, merry soul. He has a reddish complexion from drinking sake. This mask has a wonderful, happy presence. Beautifully carved to create a compelling expression. Lacquer over Paloma wood. 8.5 x 5 inches, 21.5 x 13 cm. Excellent Condition. From a prominent and widely exhibited collection.

Exceptional 19th Century Kyodai (Japanese Mirror Chest) beautifully constructed of very fine elm root. Japanese artisans ceased use of this expensive wood many years ago. Japanese antique mirror boxes like these are honestly undervalued and underpriced. They are the last bargains in the Japanese antique world, relative to their true worth and rare beauty. We strongly suggest buying one now, as we really don't expect this to be the case for too much longer. 31.5 x 16.5 x 9 inches, 80 x 42 x 22.5 cm. Excellent Condition.

Edo Period Sagemono Tobacco Pipe Set from the collection of a renowned author on and collector of Asian art. Kiseruzutsu (pipe case) of woven straw; kiseru (pipe) of silver, copper and bamboo with painted decorations; tobacco pouch of leather with a bronze dragon lock and a green glass Ojime (sliding button). Pipe and Case: 8 inches, 20 cm long; Pouch: 5 1/2 x 3 5/8 inches, 14 x 8.25 cm. Excellent Condition.

Japanese Antique Bronze Horse in a classic galloping pose. A solid, strong image with rich patina, finely rendered detail, naturally executed. A fine addition for horse fanciers. Signed, circa 1920. 12 inches (30.5cm) tall x 15.75 inches (40cm) long. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.

Meiji Period Japanese Safe with Drawers and Handsome Butterfly and Floral Metalwork. 13.5h x 12.5w x 12.5d inches, 34h x 32w x 32d cm.

Okutani Shuseki (1871-1936) was born in Osaka and lived in Kyoto for most of his life. His artistic lineage is among the very best. He, along with Yamamoto Shunkyo and others, studied under Mori Kansai, who was the pupil and adopted son-in-law of Mori Tetsuzan, who was one of Maruyama Okyo's best pupils. Like all painters of the Mori family school, Shuseki's nature paintings are remarkable for their unsentimental naturalism, showing his keen interest in the essence of nature. He won prizes at numerous exhibitions and founded his own art school. 22 x 8.5 inches, 56 x 21.5 cm. cf. Ekkehard May and Daniel McKee's Haiku & Haiga, Amsterdam, Hotei, 2006.