Japanese Antiques and Japanese Art
All Items : Antiques : Regional Art : Asian : Japanese : Paintings : Pre 1910 item #578082 (stock #0032)
Japanese Art Site
SOLD
A prominent Japanese dealer is currently offering a Kawabata Gyokusho painting of similar size for $21,500. You can find this painting online. Kawabata Gyokusho is considered the last great representative of the Shijo school of Japanese painting. His work is quite delicate, making use of Japanese technique in a realistic manner. He had many pupils who later became well known. His paintings are in the permanent collections of many major museums, including Oxford's Ashmolean Museum, New York's Metropolitan Museum, Boston's Museum of Fine Arts, Tokyo's National Museum, and London's Victoria and Albert Museum. This beautiful painting of his will make even the non-Japanese share the feeling that the Japanese have long had for Mount Fuji, that Fuji is a god and her surrounding waters and trees pay tribute to her. Silk Canvas. 48 x 20 inches, 122 x 50.5 cm, unmounted. cf. Nagatake Asano, Yukio Kobayashi, and Moritatsu Hosokawa, eds. Genshoku Meji Hyakunen Bijutsukan (Color Reproductions of Meiji Centennial Exhibition), Tokyo: Asahi Shinbunsha, 1967; Serge Eliseev's La Peinture Contemporaine au Japon, Paris: E. de Boccard, 1923; Mosho Kawabata, ed. Gyokusho-o Iboku-shu (collection of Gyokusho's Paintings), Tokyo: Kogeisha, 1931; Kurashina Zuroku Kindai Nihonga (Catalog of Japanese-Style Paintings Owned by The Tokyo University of Arts), Tokyo: Tokyo Geijutsu Daigaku, 1954; Arthur Morrison's The Painters of Japan, 2 volumes, London and Edinburgh: T.C. and E.C Jack, 1911; C.H. Mitchell's The Illustrated Books of the Nanga, Maruyama, Shijo, and other Related Schools of Japan: A Bibliography, Los Angeles: Dawson's Book Shop, 1972; Laurence P. Roberts' A Dictionary of Japanese Artists, New York, Weatherhill, 1976; and Naoteru Uyeno, ed. Japanese Arts and Crafts in the Meiji Era (English adaption by Richard Lane), Tokyo: Pan-Pacific Press, 1958. See also the following journals and serial publications: Kokka #7 (illustrated monthly journal of Oriental art), Tokyo: Kokkasha; Museum #202 (monthly publication of the Tokyo National Museum); Nihon no Bijutsu #17 (Japanese Art), Tokyo National Museum, Kyoto National Museum, and Nara National Museum, eds., Tokyo: Shibundo; Nihon Bijutsu Zenshu volume 6 (Collection of Japanese Fine Art), 6 volumes, Tsuneo Fujita, ed., Tokyo: Bijutsu Shuppan-sha, 1969.
All Items : Antiques : Regional Art : Asian : Japanese : Paintings : Pre 1920 item #578111 (stock #0046)
Japanese Art Site
SOLD
Getzuzan inherited from his renowned father an effortlessness with the brush, shown here in the easy curves of the robe and face of the 12th Century Zen master, Taikobo, and the gentle washes that are used to compose the soft landscape that is the lovely place where he meditates and fishes. Gekko had several students who achieved fame, but he always favored his son. Getsuzan paintings that are available for sale are very rare. 45.5 x18 inches, 115.5 x 45.5 cm, unmounted
All Items : Antiques : Regional Art : Asian : Japanese : Paintings : Pre 1920 item #579733 (stock #0103)
Japanese Art Site
SOLD
Okutani Shuseki (1871-1936) was born in Osaka and lived in Kyoto for most of his life. His artistic lineage is among the very best. He, along with Yamamoto Shunkyo and others, studied under Mori Kansai, who was the pupil and adopted son-in-law of Mori Tetsuzan, who was one of Maruyama Okyo's best pupils. Like all painters of the Mori family school, Shuseki's nature paintings are remarkable for their unsentimental naturalism, showing his keen interest in the essence of nature. He won prizes at numerous exhibitions and founded his own art school. 22 x 8.5 inches, 56 x 21.5 cm. cf. Ekkehard May and Daniel McKee's Haiku & Haiga, Amsterdam, Hotei, 2006.
All Items : Antiques : Regional Art : Asian : Japanese : Paintings : Pre 1920 item #579734 (stock #0104)
Japanese Art Site
SOLD
Okutani Shuseki (1871-1936) was born in Osaka and lived in Kyoto for most of his life. His artistic lineage is among the very best. He, along with Yamamoto Shunkyo and others, studied under Mori Kansai, who was the pupil and adopted son-in-law of Mori Tetsuzan, who was one of Maruyama Okyo's best pupils. Like all painters of the Mori family school, Shuseki's nature paintings are remarkable for their unsentimental naturalism, showing his keen interest in the essence of nature. He won prizes at numerous exhibitions and founded his own art school. 21.5 x 8.5 inches, 54.5 x 21.5 cm. cf. Ekkehard May and Daniel McKee's Haiku & Haiga, Amsterdam, Hotei, 2006.
All Items : Antiques : Regional Art : Asian : Japanese : Paintings : Pre 1920 item #579735 (stock #0105)
Japanese Art Site
SOLD
Okutani Shuseki (1871-1936) was born in Osaka and lived in Kyoto for most of his life. His artistic lineage is among the very best. He, along with Yamamoto Shunkyo and others, studied under Mori Kansai, who was the pupil and adopted son-in-law of Mori Tetsuzan, who was one of Maruyama Okyo's best pupils. Like all painters of the Mori family school, Shuseki's nature paintings are remarkable for their unsentimental naturalism, showing his keen interest in the essence of nature. He won prizes at numerous exhibitions and founded his own art school. 21 x 8.5 inches, 53 x 21.5 cm. cf. Ekkehard May and Daniel McKee's Haiku & Haiga, Amsterdam, Hotei, 2006.
All Items : Antiques : Regional Art : Asian : Japanese : Paintings : Pre 1920 item #579739 (stock #0106)
Japanese Art Site
SOLD
Okutani Shuseki (1871-1936) was born in Osaka and lived in Kyoto for most of his life. His artistic lineage is among the very best. He, along with Yamamoto Shunkyo and others, studied under Mori Kansai, who was the pupil and adopted son-in-law of Mori Tetsuzan, who was one of Maruyama Okyo's best pupils. Like all painters of the Mori family school, Shuseki's nature paintings are remarkable for their unsentimental naturalism, showing his keen interest in the essence of nature. He won prizes at numerous exhibitions and founded his own art school. 21 x 8.5 inches, 53 x 21.5 cm. cf. Ekkehard May and Daniel McKee's Haiku & Haiga, Amsterdam, Hotei, 2006.
All Items : Antiques : Regional Art : Asian : Japanese : Furniture : Pre 1900 item #584724 (stock #J0071)
Japanese Art Site
SOLD
An especially fine Meiji Period (1868 - 1912) Gilded and Red and Black Lacquered Butsudan (Japanese Buddhist Altar) with an endless variety of luxuriously designed details, hidden drawers within secret compartments behind hidden panels, marvelously rendered images and elaborately carved sculpture. All other butsudan pale in comparison with this rare, museum quality showcase piece. This piece would have taken the maker close to 2 years to complete. 65 x 44 x 27 inches (166 x 112 x 69 cm). Excellent Condition.
All Items : Antiques : Regional Art : Asian : Japanese : Furniture : Pre 1900 item #584728 (stock #J0073)
Japanese Art Site
SOLD
In keeping with our tradition of bringing you Rare and Fine Japanese Antiques that you can't find elsewhere, we present this 19th Century Elm Wood Japanese Rice Mill, a striking conversation piece for any home or office. 51.5 x 70 x 29 inches (131 x 178 x 74 cm). Excellent Condition.
All Items : Antiques : Regional Art : Asian : Japanese : Furniture : Pre 1900 item #584896 (stock #J0015)
Japanese Art Site
SOLD
A warm grained Meiji Period (1868 - 1912) two piece Yonezawa Isho Tansu (clothing chest from Yonezawa) finely constructed of pine (matsu) and highly desirable paulownia (kiri). 42 x 34 x 16 inches (107 x 86 x 41 cm). Very Good Condition. This chest is from Shonai, a region of Yonezawa that makes chests that are highly prized for their combination of understated Japanese design with a sense of tradition.
All Items : Antiques : Regional Art : Asian : Japanese : Furniture : Pre 1900 item #584957 (stock #J0083)
Japanese Art Site
SOLD
This striking black and gold Japanese antique shop sign is from a Meiji Era (1868 - 1912) headquarters for a drug store chain. It dramatically declares that this shop carries the best elixirs for vitality, the best remedies for high blood pressure, and the most expedient cures for fever. 17.5 x 41 inches (44.5 x 104 cm). Excellent Condition.
All Items : Antiques : Regional Art : Asian : Japanese : Woodblock Prints : Pre 1900 item #586777 (stock #0112)
Japanese Art Site
SOLD
Yoshitoshi Tsukioka's Very Scarce (only about a dozen known copies) Book with Six Full Oban Size Prints, The Flowers of Japan and the Art of Floral Arrangement (First Edition). This is the best known existing copy of this book. Because the prints are in a book, they have been exposed to almost no light, so the colors are more vivid than anything you will ever see. Because there is no color loss, this is a unique opportunity to see what antique Japanese woodblock prints must have looked like when they were new. All but one of the prints are pristine (one has a small spot and a smudge in the margin). Even the text pages are remarkably white, indicating that very high quality, low-acidity paper was used, and the book has been well conserved. Besides Yoshitoshi's 6 oban size (10.5 x14 inches) prints, there are also 4 beautiful prints of Japanese interiors by Kawanabe Kiosui, daughter of Kiosai (or Kyosai), and 54 more full page plates depicting flower arrangements. In addition to these gorgeous and exceedingly rare prints, you get the much reprinted and still authoritative English text on the art of traditional Japanese floral arrangement. The one other copy of this book that is available on the market today is a water stained copy with an asking price of $1475.00. One of the silk ties is missing from the binding of our copy, but the book is still very solid and stable. The cloth at the head of the spine is slightly worn, and there is wear to the cover, a dark line across the corner of one b & w plate, and a 2 inch tear in the fore edge of the title page, otherwise the contents are fine and tight. A beautiful volume and a major monograph addressing the methods of flower arranging, seasonal arrangements, festive arrangements, flower vessels, ceremonies, etiquette, manipulation of cuttings, how to preserve flowers, practical examples, glossary of Japanese terms, selection of material, the history & theory of flower arrangement, and prohibited flowers. The most important and first flower arrangement monograph done in English in the 19th Century. The front and back covers are also by Yoshitoshi!
All Items : Antiques : Regional Art : Asian : Japanese : Folk Art : Pre 1900 item #587534 (stock #0123)
Japanese Art Site
$100.00
Antique Japanese Carpenter Reel, Sumi Tsubo, Ink Line. 8.25 x 3.5 inches, 21 x 9 cm. It is rare to see sumi tsubo (Japanese carpenter's reel or inkline used for layout) fully intact with all its parts, including line and original stick pin, like this one. The Japanese word for tools is Dogu, which was originally the word for an itinerant monk's belongings. It alludes to the spiritual value which craftsmen put on their tools. Japanese antique carpenter tools are now artifacts with history and beauty and lots of personality, and of course now make great decorative objects. In the West, there were no carpentry tools in which the ink well, marking thread, winding wheel, and stickpin were united into one piece. This tool played a pivotal role in the development of Japanese architecture. They are beautiful hand carved sculpture and works of art in their own right. From the collection of Irwin Hersey, renowned author on Asian and primitive art, and publisher of the Primitive Art Newsletter in the 1970s. Irwin Hersey was an advisor to museums and prominent collectors, and vetted pieces for many of the international tribal art fairs and Asian art fairs.
All Items : Antiques : Regional Art : Asian : Japanese : Folk Art : Pre 1900 item #587535 (stock #0124)
Japanese Art Site
$100.00
Antique Japanese Carpenter Reel, Sumi Tsubo, Ink Line. 9.25 x 3 inches, 23.5 x 8 cm. It is rare to see sumi tsubo (Japanese carpenter's reel or inkline used for layout) fully intact with all its parts, including line and original stick pin, like this one. The Japanese word for tools is Dogu, which was originally the word for an itinerant monk's belongings. It alludes to the spiritual value which craftsmen put on their tools. Japanese antique carpenter tools are now artifacts with history and beauty and lots of personality, and of course now make great decorative objects. In the West, there were no carpentry tools in which the ink well, marking thread, winding wheel, and stickpin were united into one piece. This tool played a pivotal role in the development of Japanese architecture. They are beautiful hand carved sculpture and works of art in their own right. From the collection of Irwin Hersey, renowned author on Asian and primitive art, and publisher of the Primitive Art Newsletter in the 1970s. Irwin Hersey was an advisor to museums and prominent collectors, and vetted pieces for many of the international tribal art fairs and Asian art fairs.
All Items : Antiques : Regional Art : Asian : Japanese : Paintings : Pre 1900 item #589268 (stock #0139)
Japanese Art Site
SOLD
Sessho was a student of the legendary Tani Buncho. His paintings were collected and much appreciated by Emperor Meiji. He painted this gorgeous flower painting in a deliberately straightforward manner in order to take focus away from his superior technique and have you consider only the beauty of the subject. Silk Canvas and Mount. Mount: 72 x 25 inches, 182.5 x 63 cm. Painting: 44 x 20 inches, 112 x 50.5 cm. cf. C.H. Mitchell's The Illustrated Books of the Nanga, Maruyama, Shijo, and other Related Schools of Japan: A Bibliography, Los Angeles: Dawson's Book Shop, 1972; and Laurence P. Roberts' A Dictionary of Japanese Artists, New York, Weatherhill, 1976.
All Items : Antiques : Regional Art : Asian : Japanese : Sculpture : Pre 1800 item #626546 (stock #R69)
Japanese Art Site
$11,500.00
Pair of Important 18th Century Edo Period Cricket Cages of museum quality, made for upper class or royalty. They are exceptional in every way. The Bamboo bars and Mother of Pearl inlay are of the finest Japanese craftsmanship, as are the Wisteria wood cases and red lacquered feet. Work like this is extremely rare and highly treasured in Japan. This is a unique opportunity to own an extraordinary work of Japanese art. 9 inches (23cm) tall x 8.25 inches (21cm) wide x 5.75 inches (14.5cm) deep. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.
All Items : Antiques : Regional Art : Asian : Japanese : Baskets : Pre 1900 item #626548 (stock #R173)
Japanese Art Site
SOLD
A unique early Japanese Ikebana Basket with a rich camel colored bamboo entwined with Wisteria vines with a single, beautifully twisted and gnarled Wisteria branch. Highly sought after by the discriminating basket collectors. Edo Period, circa 1850. 14 inches (35.5cm) tall x 12.5 inches (31.5cm) wide. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.
All Items : Antiques : Regional Art : Asian : Japanese : Lacquer : Pre 1900 item #626553 (stock #R36)
Japanese Art Site
SOLD
Japanese Kamakurabori Lacquered Box by Kasen, with a design of Peony and Shishi, Buddha's Guardian Protector. Gorgeous rich red lacquer intricately carved in high relief. A superb example that is rare for its size, quality, and superior technique. Meiji Period, circa 1890. 13 inches x (33cm) long x 11 inches (28cm) wide x 6 inches (15cm) deep. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.
All Items : Antiques : Regional Art : Asian : Japanese : Earthenware : Pre 1900 item #626772 (stock #R75)
Japanese Art Site
$3500.00
A Splendid Meiji Period Kyo Satsuma Vase with overglaze enamel decoration by the very well known potter, Taizan Yohei IX, and one of the Meiji Period's foremost painters, Kono Bairei. cf. Meiji Ceramics by Giesela Jahn, page 157, figure 81. Taizan was a renowned Kyoto potter who exhibited and won prizes at a number of international events, including the 1893 Chicago World Expo. This is a very good example from a great potter of the Meiji Period, with auspicious symbols of Sparrows, Foliage, and Gourds beautifully composed on a yellow orca field with raised gold accents, the choice of colors and wireless technique enhancing its mystical feeling. 10.5 inches (27cm)h. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.