Catalog: Antiques: Regional Art: Asian: Japanese (332)

Japanese Satsuma Phoenix Vase by Kinkozan V, an important and renowned Satsuma artist. It features a stylized phoenix of under glaze red, yellow, green, and blue on a rich black ground. This kind of design was very influential on Art Deco. 9 inches, 23 cm.

A rare Meiji Period Isho Ningyo depicting the Tale of the Tongue Cut Sparrow. This pair is brilliantly crafted and attributed to the famous Ningyo artist Mauari, a National Treasure in Japan. His work is highly prized there. 9.5 inches, 24cm tall. Excellent Condition.

Japanese Satsuma Phoenix Vase by Kinkozan V, an important and renowned Satsuma artist. It features stylized figures and flowers in under glaze red, yellow, green and blue on a rich black ground. This kind of design was very influential on Art Deco. 9 inches, 23 cm.

A unique Japanese artistic creation of a Geisha Looking in a Mirror. She is set inside of a glass enclosed presentation box The two sides are beveled glass creating an arresting design of multiple images. From the front she catches her reflection in the mirror. This is the only image we see of her face. She is so interesting in her creative style. Height: 12.5 inches, 32 cm.

A set of Three Meiji Period Japanese Isho Ningyo of rich, stylish young ladies viewing a book of leaves. They are created in a very unusual style. We have not seen anything like these before. They are gorgeous in every way. A work of art that transcends the usual. 7 inches (18cm) high. Wood base is 15 x 8.25 inches, 38 x 21 cm. Excellent Condition.

Japanese Fukusa Panel Depicting Two Kabuki Actors Performing the Lion Dance. Polychrome and Gilt Threads. A fantastic painting with wonderful movement and lush color on chirimen silk. 26w x 24.5h inches, 66 x 62.25 cm. Framed.

Japanese Ningyo of a Mother and Child or Mary and Child. 13.25 inches (33.5 cm) height.

Japanese Needle Work Rozashi Technique Embroidery of the Interior of Asakusa Temple. Rozashi is embroidery using silk canvas and silk thread. A picture is created and outlined on the canvas and comes alive with the thread and stitching. The difference between Rozashi and other forms of embroidery is the use of the silk canvas called "Ro". The "Ro" is a special, uniquely woven fabric. Common embroidery stitching technique utilizes threading through holes but Rozashi stitching must always be straight and can never be diagonal. This is an amazing masterwork, inspired by an Eisho Narazaki (1864-1936) wood block print. Frame: 22 x 17 inches, 56 x 43 cm; Embroidered Panel: 17.5 x 12.75 inches, 44.5 x 32.5 cm.

Okutani Shuseki (1871-1936) was born in Osaka and lived in Kyoto for most of his life. His artistic lineage is among the very best. He, along with Yamamoto Shunkyo and others, studied under Mori Kansai, who was the pupil and adopted son-in-law of Mori Tetsuzan, who was one of Maruyama Okyo's best pupils. Like all painters of the Mori family school, Shuseki's nature paintings are remarkable for their unsentimental naturalism, showing his keen interest in the essence of nature. He won prizes at numerous exhibitions and founded his own art school. 22 x 8.5 inches, 56 x 21.5 cm. cf. Ekkehard May and Daniel McKee's Haiku & Haiga, Amsterdam, Hotei, 2006.

Japanese Late Meiji Period Two Panel Owl Screen featuring a solitary owl perched on a wind blown bamboo, entwined by vines with clusters of red berries. Signed by Kouro. Nihonga School - ink and color on paper painting in tarashikomi, a technique that achieves shading through pooling successive layers of partially dried pigment. 68.5 inches (174 cm)h x 67 inches (170 cm)w. Very Good Condition. Minor Repairs. From a prominent and widely exhibited collection.

A most unique pair of Chinese Pig Skin Trunks, obviously painted by a Japanese screen artist who made these wonderful decorative, rare creations, featuring a marvelous crane and flowers painted in the Japanese style. Late 19th to early 20th Century. 22w x 9.5h x 13.5d inches, 56 x 24 x 34 cm.

A signed classic Kakiemon Japanese Porcelain Vase by Meiji Period artist, Ucho, featuring a wonderful flower image with gorgeous, brilliant under glaze red on pure white glaze. This vase has the wonderful global shape of perfection. 8.5 inches (21.5 cm) tall. Excellent Condition. From a prominent and widely exhibited collection.

A prominent Japanese dealer is currently offering a Kawabata Gyokusho painting of similar size for $21,500. You can find this painting online. Kawabata Gyokusho is considered the last great representative of the Shijo school of Japanese painting. His work is quite delicate, making use of Japanese technique in a realistic manner. He had many pupils who later became well known. His paintings are in the permanent collections of many major museums, including Oxford's Ashmolean Museum, New York's Metropolitan Museum, Boston's Museum of Fine Arts, Tokyo's National Museum, and London's Victoria and Albert Museum. This beautiful painting of his will make even the non-Japanese share the feeling that the Japanese have long had for Mount Fuji, that Fuji is a god and her surrounding waters and trees pay tribute to her. Silk Canvas. 48 x 20 inches, 122 x 50.5 cm, unmounted. cf. Nagatake Asano, Yukio Kobayashi, and Moritatsu Hosokawa, eds. Genshoku Meji Hyakunen Bijutsukan (Color Reproductions of Meiji Centennial Exhibition), Tokyo: Asahi Shinbunsha, 1967; Serge Eliseev's La Peinture Contemporaine au Japon, Paris: E. de Boccard, 1923; Mosho Kawabata, ed. Gyokusho-o Iboku-shu (collection of Gyokusho's Paintings), Tokyo: Kogeisha, 1931; Kurashina Zuroku Kindai Nihonga (Catalog of Japanese-Style Paintings Owned by The Tokyo University of Arts), Tokyo: Tokyo Geijutsu Daigaku, 1954; Arthur Morrison's The Painters of Japan, 2 volumes, London and Edinburgh: T.C. and E.C Jack, 1911; C.H. Mitchell's The Illustrated Books of the Nanga, Maruyama, Shijo, and other Related Schools of Japan: A Bibliography, Los Angeles: Dawson's Book Shop, 1972; Laurence P. Roberts' A Dictionary of Japanese Artists, New York, Weatherhill, 1976; and Naoteru Uyeno, ed. Japanese Arts and Crafts in the Meiji Era (English adaption by Richard Lane), Tokyo: Pan-Pacific Press, 1958. See also the following journals and serial publications: Kokka #7 (illustrated monthly journal of Oriental art), Tokyo: Kokkasha; Museum #202 (monthly publication of the Tokyo National Museum); Nihon no Bijutsu #17 (Japanese Art), Tokyo National Museum, Kyoto National Museum, and Nara National Museum, eds., Tokyo: Shibundo; Nihon Bijutsu Zenshu volume 6 (Collection of Japanese Fine Art), 6 volumes, Tsuneo Fujita, ed., Tokyo: Bijutsu Shuppan-sha, 1969.

Japanese Koto Cover featuring a magnificent Phoenix. The Koto is a traditional Japanese stringed musical instrument. This Koto Cover was for an important Koto player. A textile of this quality rarely comes along for sale. Beatifully hand painted with some embroidery on fine silk. Really a work of art. 96 x 13.5 inches, 244 x 34 cm. Excellent Condition. From a prominent and widely exhibited collection.

Extremely Rare Japanese Set of Five Military Band Musicians from the Russo-Japanese War of 1904-5. We knew of this one-of-a-kind complete set 15 years ago, and have finally just now been allowed to purchase it. These rare sets were produced only during the Russo-Japanese War, and you will likely never see another being offered. Japan used these Ningyo for the Boys Day Festival during this time in history. Heights range from 10.5 to 11.5 inches, 26.5 to 29 cm. Excellent Condition.

Kimikomi Ningyo by Jinku-ru. 9.25 inches, 23.5 cm.

Japanese Oshi-e Ningyô of a High-Ranking Oiran Geisha. 12 x 8.75 inches, 30.5 x 22.25 cm. These were very popular during the Meiji Period; over 400 million dollars in sales (in current currency) was recorded in 1888. The characteristics of Matsumoto Oshi-e Ningyô are that the design is stuffed heavily with cotton and the faces are painted in Ukiyo-e (the floating world of Edo period) style. It is very rare to find old Oshi-e Ningyô in this quality and size today. The popularity of Oshi-e Ningyô declined when steam engines spread throughout Japan and made more goods (Hina Ningyô in this case) accessible to the local regions. The production of Matsumoto Oshi-e ended in the late Meiji period (1868-1912).

Meiji Period (circa 1900) Japanese Satsuma Vase. A very beautiful example of Satsuma ware, featuring a spectacular eagle on a pine tree, both Japanese symbols of dignity, in thick gold and color enamels on a cream field. A classically shaped vase with a rich image. 10 inches, 25.5 cm. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.