Catalog (64)

Genuine 17th Century Early Edo Period (possibly Momoyama Period) Japanese Floral Rimpa Painting made from Pigments, Silver and Gold. This is not a print or reproduction. Authenticity is absolutely guaranteed. Custom mounted for display. Painting: 12.75 x 2.25 inches, 32.5 x 6 cm, Mounting: 17 x 6.5 inches, 43 x 16.5 cm.

Genuine 17th Century Early Edo Period (possibly Momoyama Period) Japanese Floral Rimpa Painting made from Pigments, Silver and Gold. This is not a print or reproduction. Authenticity is absolutely guaranteed. Custom mounted for display. Painting: 6.5 x 4.75 inches, 16.5 x 12 cm, Mounting: 10.75 x 9 inches, 27.5 x 23 cm.

Genuine 17th Century Early Edo Period (possibly Momoyama Period) Japanese Floral Rimpa Painting made from Pigments, Silver and Gold. This is not a print or reproduction. Authenticity is absolutely guaranteed. Custom mounted for display. Painting: 9 x 8 inches, 22.5 x 20 cm, Mounting: 13 x 12.25 inches, 33 x 31 cm.

Genuine 17th Century Early Edo Period (possibly Momoyama Period) Japanese Floral Rimpa Painting made from Pigments, Silver and Gold. This is not a print or reproduction. Authenticity is absolutely guaranteed. Custom mounted for display. Painting: 9.75 x 4.25 inches, 25 x 11 cm, Mounting: 14 x 8.5 inches, 35.5 x 21.5 cm.

Genuine 17th Century Early Edo Period (possibly Momoyama Period) Japanese Floral Rimpa Painting made from Pigments, Silver and Gold. This is not a print or reproduction. Authenticity is absolutely guaranteed. Custom mounted for display. Painting: 9.5 x 3 inches, 24 x 7.5 cm, Mounting: 13.75 x 7.25 inches, 35 x 18.5 cm.

Genuine 17th Century Early Edo Period (possibly Momoyama Period) Japanese Floral Rimpa Painting made from Pigments, Silver and Gold. This is not a print or reproduction. Authenticity is absolutely guaranteed. Custom mounted for display. Painting: 10.5 x 4.25 inches, 26.5 x 11 cm, Mounting: 14.75 x 8.5 inches, 37.5 x 21.5 cm.

Genuine 17th Century Early Edo Period (possibly Momoyama Period) Japanese Floral Rimpa Painting made from Pigments, Silver and Gold. This is not a print or reproduction. Authenticity is absolutely guaranteed. Custom mounted for display. Painting: 10.75 x 6.25 inches, 27 x 16 cm, Mounting: 15 x 10.5 inches, 38 x 27 cm.

Genuine 17th Century Early Edo Period (possibly Momoyama Period) Japanese Floral Rimpa Painting made from Pigments, Silver and Gold. This is not a print or reproduction. Authenticity is absolutely guaranteed. Custom mounted for display. Painting: 9.75 x 7.75 inches, 25 x20 cm, Mounting: 14 x 12 inches, 35.5 x 30.5 cm.

Genuine 17th Century Early Edo Period (possibly Momoyama Period) Japanese Floral Rimpa Painting made from Pigments, Silver and Gold. This is not a print or reproduction. Authenticity is absolutely guaranteed. Custom mounted for display. Painting: 9.5 x 8 inches, 24 x 20 cm, Mounting: 13.75 x 12.25 inches, 35 x 31 cm.

Genuine 17th Century Early Edo Period (possibly Momoyama Period) Japanese Floral Rimpa Painting made from Pigments, Silver and Gold. This is not a print or reproduction. Authenticity is absolutely guaranteed. Custom mounted for display. Painting: 11.5 x 5.75 inches, 29 x 14.5 cm, Mounting: 15.75 x 10 inches, 40 x 25 cm.

Genuine 17th Century Early Edo Period (possibly Momoyama Period) Japanese Floral Rimpa Painting made from Pigments, Silver and Gold. This is not a print or reproduction. Authenticity is absolutely guaranteed. Custom mounted for display. Painting: 13.5 x 9 inches, 34 x 23 cm, Mounting: 17.75 x 13.25 inches, 45 x 33.5 cm.

Fine Edo Period Sho Bosatsu Kannon in Rare Excellent Condition, gilded wood sculpture seated on a lotus and holding a lotus in the left hand. The Bodhisattva of Compassion has never been more beautifully rendered. Height: 27 inches (68.5 cm), Width: 14 inches (35.5 cm).

Pair of Important 18th Century Edo Period Cricket Cages of museum quality, made for upper class or royalty. They are exceptional in every way. The Bamboo bars and Mother of Pearl inlay are of the finest Japanese craftsmanship, as are the Wisteria wood cases and red lacquered feet. Work like this is extremely rare and highly treasured in Japan. This is a unique opportunity to own an extraordinary work of Japanese art. 9 inches (23cm) tall x 8.25 inches (21cm) wide x 5.75 inches (14.5cm) deep. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.

A important Rare 18th Century Noh Theater Robe. This extraordinary silk embroidered example of a summer production Noh Robe has a design of Wisteria, Fans and Ropes, and exquisitely captures the art of Noh. 63.5 inches (161.5cm) height x 52 inches (132 cm) width. Excellent Condition. From a prominent and widely exhibited collection.

An unusual and important early 19th Century Edo Period Woven Bamboo Tea Ceremony Box. This unique work of art is the only one we have seen like this. Expertly woven bamboo accented with a large bamboo handle. A rare find for the serious Japanese basket collector. Wonderful color and patina. You are not likely to see another on the art market. 17.5 inches (44.5 cm)h x 12 inches (30.5 cm)w x 10 inches (20.5 cm)d. Excellent Condition. From a prominent and widely exhibited collection.

Early 19th Century Edo Period signed Japanese Ikebana flower arranging wall basket made of bamboo woven by the master, Mineko, with wonderful color and design. Wall baskets of this quality are hard to come by. 8.5 inches (21.5 cm)h x 3.5 inches (9 cm)w. Excellent Condition. From a prominent and widely exhibited collection.

Edo Period Japanese Safe. 17d x 13.75h x 12.25w inches, 43d x 35h x 31h cm.

Antique Japanese Carpenter Reel, Sumi Tsubo, Ink Line. 8.25 x 3.5 inches, 21 x 9 cm. It is rare to see sumi tsubo (Japanese carpenter's reel or inkline used for layout) fully intact with all its parts, including line and original stick pin, like this one. The Japanese word for tools is Dogu, which was originally the word for an itinerant monk's belongings. It alludes to the spiritual value which craftsmen put on their tools. Japanese antique carpenter tools are now artifacts with history and beauty and lots of personality, and of course now make great decorative objects. In the West, there were no carpentry tools in which the ink well, marking thread, winding wheel, and stickpin were united into one piece. This tool played a pivotal role in the development of Japanese architecture. They are beautiful hand carved sculpture and works of art in their own right. From the collection of Irwin Hersey, renowned author on Asian and primitive art, and publisher of the Primitive Art Newsletter in the 1970s. Irwin Hersey was an advisor to museums and prominent collectors, and vetted pieces for many of the international tribal art fairs and Asian art fairs.