Catalog (369)

Signed Late 19th Century Meiji Period Japanese Noh Mask of the jealous female spirit, Hannya. One of the most famous of Noh Masks, sought after by serious collectors. One of the best examples we have offered. It is finely carved and painted, the expression is fantastic, and all the details and patina are wonderful. 10h x 6w inches, 25.5h x 15.5w cm.

Rare 18th Century Japanese Tea Ceremony Screen Painting of a Pine Tree. Exquisite painting on gold leaf. Set in a wood frame with a sumptuous silk brocade border. Featuring two poems on the back. The Japanese tea ceremony, also called the Way of Tea, is a Japanese cultural activity involving the ceremonial preparation and presentation of matcha, powdered green tea. Frame: 26 x 19 inches, 66 x 48.25 cm; Painting: 21 x 13 inches, 52.25 x 33 cm.

Japanese Late Edo Period 19th Century Silver Rimpa Flower Screen, a fine masterpiece. Rimpa School represents the highest standard of decorative painting of all schools of Japanese painting. The flowers and other elements are raised by the use of Gofun (oyster shell lacquer). The flowers seem to jump from the silver field. This finely painted masterpiece features wonderful color on silver leaf. Each Panel: 51h x 24.25w inches, 129.5h x 61.5w cm; Total Dimensions: 51h x 97w inches, 129.5h x 246w cm.

Japanese carved boxwood large Okimono, Mino-Kame turtle. Late 19th Century, Meiji Period. Mino (straw raincoat) Kame (turtle/tortoise) are named as such because Japanese believe the turtle lives such a long time that they grow algae on their on their shells, symbolizing longevity. A magnificent carving made of a single block of fine boxwood, showing amazing details and a beautiful wood grain throughout this masterpiece. 18 x 8.5 x 4 inches, 45.75 x 21.5 x 10 cm.

Extremely rare Japanese Haniwa clay bust of a young wealthy woman with a charming expression and wearing a stylish hair style, large hoop ear jewelry and a neck piece. 3rd Century, Kofun Period. She represents the most prosperous of Japanese society in the Kofun Period. A similar example, a National Treasure, belongs to the Tokyo National Museum and is published in Haniwa by Fumio Miki, published by Weatherhill. Well preserved on a presentation display pedestal. 7h x 5.5w x 6d inches, 17.75h x 14w x 15d cm.

Extremely rare 3rd to 7th Century Kofun Period Haniwa clay sculpture of a Horse, completed with the most fabulous trappings, a fine saddle, etc. Presented on a lacquered stand. The horse is a very important figure in the Samurai society. This figure possibly may have been found near the village of Motomachi, close to the port of Konjō in Musashi Province, in present day Tokyo. Pieces like this are usually found in private collections or museums, and rarely come up for sale. Well preserved. 8.5h x 8w inches, 21.5 x 20 cm.

Set of Six Japanese Meiji Dynasty Imperial Portraits. Each painting is 59h x 24w inches, 150h x 61w cm.

Very Large 19th Century Meiji Period Japanese Ningyo pair of an Oiran Bijin, the highest ranking Kyoto courtesan bijin and her Kamuro (attendant), an elaborately attired pair of the finest quality. The Oiran and her attendant are wearing the most gorgeous, sumptuous brocades and textiles, all hand woven and painted chirimen silk crepe of beautiful shabori designs. The faces are exquisitely carved and covered with many layers of gofun (white oyster shell lacquer). Their expressions are just wonderful. Their fantastic hairstyles have an array of decorative ornaments. Her draping outer kimono (uchigake) is done in a beautiful floral pattern kinran design with a thick padded hem. There are endless exquisite details creating this masterwork. Mounted on a black lacquered stand. Oiran: 28 inches (71cm), Attendant: 20 inches (51 cm).

18th Century Japanese Edo Period pair of Kyoho-Bina Ningyo, an exceedingly rare early 18th century. An exceptional example of this early style. The finest quality in all aspects, featuring rich silk matching brocades in an elegant floral pattern with auspicious treasures on multilayered robes creating a classical form. All accessories and stands are original, very rare for such an early piece. Fine faces of gofun (oyster shell lacquer) aged to a burnished tone, with painted details. They have a museum collection number. Kyoho-Bina are one of the earliest styles, and are the Tiffany of hina display dolls. Emperor: 18 inches (46 cm), Empress: 17 inches (43 cm).

An extremely rare and very large 19th Century Meiji Period Japanese Iki Ningyo (living figure) of a young Bijin. An exquisite Ningyo representing idealized feminine Japanese beauty. She is posing as if for a photograph or for an artist. Every aspect is hyper realistic: the hair, eye lashes, accessories, and the painted kimono. She is holding a silver mirror and hair ornament as part of a collection of hair ornaments featuring a lacquered comb. Her beautiful face changes from different angles. Iki Ningyo in feminine form are rare; most are male forms. 27 inches, 68.5 cm.

Fantastic 18th Century Edo Period Saga Ningyo of a young boy holding a bird. His head bobs while his tongue goes in and out. Carved entirely of wood, his gorgeous robes are built up with pigments in a technique called 'moriage'. He has an outer robe decorated with a foliate scroll with other beautiful designs and geometric patterns raised in relief. This rarest of all Ningyo forms almost never comes up for sale and are almost never seen except in museums or important private collections. Saga Ningyo are considered the "holy grail" of Ningyo. They were first produced in the early 17th Century. Height: 9 inches, 23 cm. Fine condition with original signed box and presentation pillow.

Extremely Rare 18th Century Edo Period (circa 1780) Musha Ningyô (Japanese Boys Day Figures) representing the famed brave warrior, Kato Kiyomasa (1562-1611), who accompanied Hideyoshi on his campaign against Korea. He is gloriously represented here, along with his attendant holding a banner. Kato is wearing sumptuous brocades, a black velvet trim robe with gold trim and is holding a spear with a sword at his side. He is in a kneeling position. Kato Figure: 12 inches (30.5 cm) high x 13 inches (33 cm) wide, Spear: 20 inches (51 cm); Attendant: 9.5 inches (24 cm) wide, Banner: 21 inches (53 cm).

Rare, Spectacular late Edo Period Musha Ningyo of Toyotomi Hideyoshi. A musha ningyo (Boy's Day Ningyo) representing Toyotomi Hideyoshi in sumptuous gold court robes and armor, wearing an Eboshi winged hat and a fantastic sword, holding a gunbai-uchiwa (military fan). This Musha Ningyo of Toyotomi Hideyoshi is the finest quality example from the late Edo Period. Incredibly carved face covered in many layers of gofun (oyster shell lacquer). Seated on a lacquered platform. Placed in front of a screen as part of the presentation. The screen may be original to the piece. Toyotomi Hideyoshi (1537-1598) unified Japan after the Muromachi government lost control. The period of his rule, Momoyama is named after Hideyoshi's castle. 15h x 22w inches, 38h x 56w cm.

A very rare late Edo Period Iki Noh mask of Hannya, the jealous, revengeful demon who was once a beautiful woman. Carved of Poloma wood with many layers of lacquer. Glass eyes and horse hair. 8h x 5w x 3d inches, 20.25h x 12.75w x 7.5 cm.

Spectacular 19th Century Japanese Bamboo Ikebana Basket. A real masterpiece. 39.5 inches (100cm) tall, 11 inches (28cm) wide.

15th Century Japanese Gilt Wood Amida Nyorai Buddha. His hands are held in the vitarka mudra, the gesture of discussion and transmission of Buddhist teaching. Amida is captured here in his welcoming descent from Heaven to greet the soul of a faithful devotee at death. Images of his descent to earth illustrate the nineteenth of forty-eight vows made by Amida in a previous life, in which he promises to appear at the moment of death to all beings who devoutly desire rebirth in his paradise. Painted and sculpted versions of this theme first became popularized in Japan during the 11th century and were placed near the deathbed of a devotee so that he or she could see it. 30 inches, 76 cm.

Japanese Late Edo Period very large rare pair of Musha Ningyo representing Empress Jingū (Jingū Kōgō) and the old minister Takenouchi no Sukune. He is holding the baby Ōjin (a son of the Empress Jingū who later became Emperor Ōjin) and is seated on a camp stool. These are among the largest examples and are of the highest quality and artistic workmanship. The heads and hands are carved of wood, covered with many layers of tinted gofun (oyster shell lacquer), creating exceptionally expressive faces, with glass eyes and silk hair. They are dressed in sumptuous silk brocade costumes. The armor is made of lacquered paper with gilt metal fittings. Empress Jingū is standing regally, hair tied back by a band, holding a fan and a bow, and a quiver with arrows. Both have swords. Altogether an extraordinary presence. According to the Nihonshoki, Jingū was empress from 201 A.D. to 269 A.D. She is known for her invasion of Korea while she was bearing her child. In order to delay her childbirth, a piece of rock was wrapped to her stomach. Jingu 29.5 inches (75cm), Takenouchi 27 inches (68.5cm), Ojin 10 inches (25.5cm).

Japanese Meiji Period Gosho Ningyo of Jimmu, the First Emperor of Japan. This is a wonderful ningyo, in great bright condition. Every aspect is of the highest quality. He has a gorgeous face, beautifully rendered. He is wearing sumptuous silk brocades, stretched on a carved wood body (kimekomi). He holds a bow and arrows. There are arrows in the quiver at his back, and a sword at his side. He is presented on his original lacquered stand. Height: 8.5 inches, 21.5 cm.