Catalog: Antiques: Regional Art (345)

Japanese Ningyo of a Mother and Child or Mary and Child. 13.25 inches (33.5 cm) height.

Japanese Antique Bronze Horse in a classic galloping pose. A solid, strong image with rich patina, finely rendered detail, naturally executed. A fine addition for horse fanciers. Signed, circa 1920. 12 inches (30.5cm) tall x 15.75 inches (40cm) long. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.

Okutani Shuseki (1871-1936) was born in Osaka and lived in Kyoto for most of his life. His artistic lineage is among the very best. He, along with Yamamoto Shunkyo and others, studied under Mori Kansai, who was the pupil and adopted son-in-law of Mori Tetsuzan, who was one of Maruyama Okyo's best pupils. Like all painters of the Mori family school, Shuseki's nature paintings are remarkable for their unsentimental naturalism, showing his keen interest in the essence of nature. He won prizes at numerous exhibitions and founded his own art school. 22 x 8.5 inches, 56 x 21.5 cm. cf. Ekkehard May and Daniel McKee's Haiku & Haiga, Amsterdam, Hotei, 2006.

Okutani Shuseki (1871-1936) was born in Osaka and lived in Kyoto for most of his life. His artistic lineage is among the very best. He, along with Yamamoto Shunkyo and others, studied under Mori Kansai, who was the pupil and adopted son-in-law of Mori Tetsuzan, who was one of Maruyama Okyo's best pupils. Like all painters of the Mori family school, Shuseki's nature paintings are remarkable for their unsentimental naturalism, showing his keen interest in the essence of nature. He won prizes at numerous exhibitions and founded his own art school. 21 x 8.5 inches, 53 x 21.5 cm. cf. Ekkehard May and Daniel McKee's Haiku & Haiga, Amsterdam, Hotei, 2006.

Pair of Inari Foxes of sculptured and fired clay with luminescent powered white glaze. In traditional Japanese art, a pair of foxes typically flank the deity Inari’s shrine image. But in modern times, images of Inari have all but disappeared, replaced instead by images of Oinari’s messenger, the magical shape-shifting fox (kitsune 狐). Here the symbolism is two-fold. First, rice is sacred in Japan, closely associated with fertility (the pregnant earth) and with sustaining life. Inari and Inari’s foxes must therefore be placated -- otherwise it would be disastrous to the livelihood of the nation’s farmers and people. One fox has a jewel (houju) in his mouth, and the other carries in his mouth a letter (makimono), fulfilling his role as a messenger. These striking sculptures will transcend any room with their beauty, charm and elegance. 22 inches, 56cm tall.

Japanese Fukusa Panel Depicting Two Kabuki Actors Performing the Lion Dance. Polychrome and Gilt Threads. A fantastic painting with wonderful movement and lush color on chirimen silk. 26w x 24.5h inches, 66 x 62.25 cm. Framed.

Taisho Period Japanese Ceramic Rabbit Figure, with original artist signed box. A charming studio work of art with wonderful glazes creating a striking image. 6 inches, 15cm.

Okutani Shuseki (1871-1936) was born in Osaka and lived in Kyoto for most of his life. His artistic lineage is among the very best. He, along with Yamamoto Shunkyo and others, studied under Mori Kansai, who was the pupil and adopted son-in-law of Mori Tetsuzan, who was one of Maruyama Okyo's best pupils. Like all painters of the Mori family school, Shuseki's nature paintings are remarkable for their unsentimental naturalism, showing his keen interest in the essence of nature. He won prizes at numerous exhibitions and founded his own art school. 21.5 x 8.5 inches, 54.5 x 21.5 cm. cf. Ekkehard May and Daniel McKee's Haiku & Haiga, Amsterdam, Hotei, 2006.

A rare Meiji Period Isho Ningyo depicting the Tale of the Tongue Cut Sparrow. This pair is brilliantly crafted and attributed to the famous Ningyo artist Mauari, a National Treasure in Japan. His work is highly prized there. 9.5 inches, 24cm tall. Excellent Condition.

A unique Japanese artistic creation of a Geisha Looking in a Mirror. She is set inside of a glass enclosed presentation box The two sides are beveled glass creating an arresting design of multiple images. From the front she catches her reflection in the mirror. This is the only image we see of her face. She is so interesting in her creative style. Height: 12.5 inches, 32 cm.

Old Nepalese Boar Mask. Purchased 40 years ago in Kathmandu by a well-known and widely published collector. 6.5h x 5w x 6d inches, 16.5h x 12.5w x 15d cm.

Antique Japanese Bamboo Steamer with two sections and a large bamboo handle. The lid and top section are removable. 17.5 inches (44.5cm)h x 16 inches (40.5cm) wide.

Kimikomi Ningyo by Jinku-ru. 9.25 inches, 23.5 cm.

Japanese Standing Female Isho Ningyo of a Bijin, Meiji Period. 15.75 inches (40 cm).

Large Meiji Period Bunraku Puppet of Tokagawa Ieyasu. Extremely rare on this grand scale (4 feet high, 122 cm). This fine quality puppet was possibly made at the request of the puppeteer Kiritake Monjuro II, as the hero in Bunraku plays. It has a fantastic dynamic presence, and is carved of Poloma wood covered in gofun (oyster shell lacquer) featuring sumptuous silk brocades with Tokagawa crests and dragons.

Meiji Period (circa 1900) Japanese Satsuma Vase. A very beautiful example of Satsuma ware, featuring a spectacular eagle on a pine tree, both Japanese symbols of dignity, in thick gold and color enamels on a cream field. A classically shaped vase with a rich image. 10 inches, 25.5 cm. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.

Japanese Cloisonne Vase with elaborate flowers on silver wire over red enamel with foil design. A striking, elaborate work of art and a treasure of exquisite beauty and excellent detail. Height: 12.5 inches, 32 cm.

Pair of Japanese Meiji Period Wood Kitchen Gods, Daikoku and Ebisu. 8 inches, 20 cm and 7.5 inches, 19 cm. Daikoku, God of Earth and Agriculture, stands on bales of rice and wields his magic mallet. Ebisu, God of Ocean and Prosperity, holds a large red sea bream tucked under his arm. This fish is an ancient symbol of good luck in Japan. Daikoku and Ebisu often appear together in the Japanese kitchen. This is a fine example of the pair of gods that Japanese have relied on for centuries to bless and protect the kitchen. From the collection of Irwin Hersey, renowned author on Asian and primitive art, and publisher of the Primitive Art Newsletter in the 1970s. Irwin Hersey was an advisor to museums and prominent collectors, and vetted pieces for many of the international tribal art fairs and Asian art fairs.