Catalog: Antiques: Regional Art (345)

Late Edo Period Musha Ningyo of Minamoto no Yoshitsune. This wonderful example of high quality has an extraordinary presence, sumptuous brocades, gold lacquered armor, a spectacular helmet, and many other fine details. His face is gorgeously and masterfully carved with finely burnished gofun. Figure height: 20 inches (51cm), with arrows: 25 inches (63.5 cm). Excellent Condition.

Late 19th Century Japanese signed Noh theater Mask of Okame, the Goddess of Mirth, a very popular image in Japanese culture. A beautiful example of this type of mask done by a master carver, using Cypress wood (Hinoki) and many layers of Gofun, crushed oyster shell lacquer. A very charming and well rendered image. 8.25 inches (21cm) high x 5.25 inches (13.5) wide.

Set of Three Royal Animal-Shaped Currency Weights from Burma, Dated 1800. From the 15th century up to the end of the 19th century, animal-shaped weights functioned as a means to measure currency, such as silver ingots or any other precious material that was a means of exchange. There were three main animal shapes used, one of which were these duck-like bird figures. These weights could also serve in a religious context as Buddhist reminders of the need for honesty (accuracy in weighing) during commercial transactions. These weights were very common throughout Burma, although their production ended before the 20th century. As with coinage, new weight styles and designs were regularly issued, and these three particular bird weights, with their V shaped indentation on the back, can be exactly dated to 1800. See “Earth to Heaven: the Royal Animal-Shaped Weights of the Burmese Empires” (Gear & Gear 1992) for more information as to their form and function. They are made from a copper-lead alloy. Much of the material culture of Burma was destroyed during its many wars and invasions, and these weights are one of the few kinds of artifacts to have survived the periods of metal shortages and looting that so frequently visited Burma. 2 1/8 inch (5.5cm), 1 3/4 inch (4.5cm), 1 1/8 inch (3cm). Very Good Condition.

Huge (36 inches, 91.5 cm across!) Japanese Meiji Period (1868-1912) Cloisonné Charger with Flower and Bird motif. This is one of the most fantastic 19th Century Japanese Cloisonné works we have ever seen. The colors are magnificent and most vivid on a Robin Egg Blue field framed with a gorgeous pattern. The size is amazing and with the stunningly rendered flowers and birds, it makes for a rare, breathtaking exhibitor work of art that will be a spectacular center piece for any home or office. Excellent Condition.

Early Meiji Period (circa 1870) Japanese Musha Ningyô (Boys Day Doll) of Emperor Ojin, Japan's first historically verified emperor. He has been deified as Hachiman Daimyojin, regarded as the guardian of warriors. This boys day figure is gorgeous in every way. The brocades are so sumptuous and the face is magnificent. He is wearing a Kabuto (court hat) and holding a long battle baton complete with a sword. The figure is 14 inches (35.5 cm) tall, and the overall height is 24.5 inches (62cm). From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.

Pair of Exquisite Gilded 18th Century Japanese Angels Wood Sculpture. One angel has her scarf unfurled and caught in a tree. The other is up in the clouds in heaven. Legend has it the angel’s scarf is caught in a tree and did not allow her to heaven. A young man passing heard her and fell in love with her, but was distraught at her sadness and released her scarf so that she could fly back to heaven. Angel with scarf: 5 inches (13cm) long, Angel on clouds: 6 3/4 inches (17cm) long, height of both angels is 4.5 inches. Fine Condition. From a prominent and widely exhibited collection.

Extremely Rare Edo Period late 18th/early 19th Century Buraku Theater Puppet. This very large puppet was operated by three puppet masters, with an operator manipulating the head and face to create a wide variety of expressions. We think this puppet was used to portray Benkie, the 13th century warrior monk of Hieizan and trusted adviser to Yoshitsune. He wears a black velvet robe and sumptuous textiles and fiercely brandishes his nagitana weapon. It is very unusual for a Bunraku puppet of this quality, age, and size to come up for sale. Height: 48 inches, 122 cm.

Rare and Fine Japanese Edo Period Musha Ningyo for the Boy's Day display, depicting the celebrated tea master and political adviser Sen no Rikyu (1522-1591), in a kneeling position wearing rich silk brocades. He is displayed in front of a beautiful and elegant wood and silk screen with four continuing panels of a dragon flying in the clouds and chasing the magic pearl of immortality. The screen is made of black lacquered wood with gilt threads couched and stumpworked onto a dark black silk background. Ningyo depicting Sen no Rikyu became popular in the opening decades of the 19th century when stories, plays, and ningyo connected with the life of Toyotomi Hideyoshi (to whom Rikyu served as an important advisor) dominated many aspects of popular culture. Minor wear to black velvet collar, otherwise fine condition. Screen: 18 x 12.5 inches, 46 x 32 cm. Ningyo height: 8.5 inches, 21.5 cm.

White Rabbit Ceramic Sculpture by Takegawa Chikusai (1809-1882), created in his final year, 1882. Takegawa Chikusai was responsible for putting Banko Yaki, and the Banko-gama kiln (established 1829) and its home of Yokkaichi City in Mie-ken back on its feet and on the map. Banko Yaki had previously been made in the early Edo Period in Kyoto. Takegawa Chikusai's work was bequeathed to the Yokkaichi Museum's permanent collection, so this is an extremely rare opportunity for you to own a masterpiece by this great artist. 11 x 7.5 inches, 28 x 19 cm. Excellent Condition. Signed with original box and inscriptions on the lid of the box.

Japanese pair of very large gold lacquer on carved wood Lotus Flowers, 11 flowers in each pair for 22 all together, of them fully bloomed Lotus Flowers. Edo Period, Early 19th Century. They were likely used on the altar of a Buddhist temple, representing the full cycle of life. They have a rich gold patina. This size and condition are extremely rare and almost never found. Height of the tallest: 41.5 inches, 105.5 cm. Excellent Condition. From a prominent and widely exhibited collection. (Vase is, of course, not included.)

Important pair of very large Late Edo Period (19th Century) Japanese Carved Lacquered Panels. This work of art is of the highest museum quality. Works like these are usefully found in only in major museums and prominent private art collections. We are proud to offer this spectacular masterpiece. They feature four mythological and historical figures in relief, lacquered in the most amazing techniques. Framed with beautiful red lacquer that is part of the panel. 41.5 inches (105.5 cm)h x 33 inches (84 cm)w. Excellent Condition. From a prominent and widely exhibited collection.

Japanese Antique Ajiro Kago (Bamboo Fishing Basket) with an elegant form and design, signed by Kazuhiro. 18 inches (46cm) high x 6 inches (15cm) wide.

Fine Meiji Period (circa 1870) Bunraku Puppet of a Sambaso Dancer. This rare puppet is operated by three Puppet Masters, who make it come to life to present a magical theatrical experience. He is carved of wood and covered with Gofun. He wears a rich blue and red robe with white under robe, and his head is adorned with a gold and black velvet hat. An embroidery Crane graces his back. The bells on his feet sound when he dances. 35 inches (89cm) height.

Edo Period late 18th/early 19th Century Japanese Ningyo of Yamauba, the Forest Goddess, half woman and half spirit. She found Kintaro abandoned in the forest by his father, and saved his life. She raised him, and he became the Hercules of Japan. For sure one of the rarest of all Ningyo. Also the rarest of female images. Only a few of these may actually exist. She bares her breasts to nurse Kintaro, as seen in Japanese woodblock prints as a popular subject by artists such as Utamaro. She is holding a wild peach branch and Kintaro is in a sumptuous silk textile matching her Obi. She is wearing gorgeous textiles and beautiful tied hair of silk. Her face and bust are of the highest quality burnished gofun, creating her beautiful spirit face. She is sitting on a peach silk pillow. Displayed on a fine black velvet display stand. Overall dimensions: 11.5 x 8 x 8 inches, 29 x 20.5 x 20.5 cm; Yumauba: 10 x 7 inches, 25.5 x 18 cm. Fine Condition.

Fine example of a Jomon Period Dogu, the earliest known Japanese figure. This figure was purchased in Japan and belonged to the renowned Japanese art historian, Shirley Day. The Dogu acted as effigies of people. They manifested some kind of sympathetic magic. For example, it may have been believed that illnesses could be transferred into the Dogu, then destroyed, clearing the illness, or any other misfortune. Because of the ritual destruction of Dogu, they are quite rare. This primitive abstract fertility figure has a futuristic look. There are fun theories that state that the Dogu may be linked to extra-terrestrial Ancient Astronauts. The figures resemble 'space suits' complete with rivets and a helmet/face mask and goggles. The large eyes are also reminiscent of the traditional grey alien. 5.5 inches, 14 cm tall.

Fine example of a Jomon Period (13,000-300BC) Dogu, the earliest known Japanese figure. This figure was purchased at a Parke Bernet auction by a renowned author on and collector of Asian art. The Dogu acted as effigies of people. They manifested some kind of sympathetic magic. For example, it may have been believed that illnesses could be transferred into the Dogu, then destroyed, clearing the illness, or any other misfortune. Because of the ritual destruction of Dogu, they are quite rare. This primitive abstract fertility figure has a futuristic look. There are fun theories that state that the Dogu may be linked to extra-terrestrial Ancient Astronauts. The figures resemble 'space suits' complete with rivets and a helmet/face mask and goggles. The large eyes are also reminiscent of the traditional gray alien. 4.75 inches, 12 cm tall. Very Good Condition.

Rare Bamboo and Bamboo Root Antique Japanese Fishing Pole converts to a Cane carved with a playful Monkey and Snake and auspicious symbols. The 35 inch ((89cm) walking stick extends to an 83 inch (211cm) fishing pole! A unique find for the collector of Japanese art.

Pair of Inari Foxes of sculptured and fired clay with luminescent powered white glaze. In traditional Japanese art, a pair of foxes typically flank the deity Inari’s shrine image. But in modern times, images of Inari have all but disappeared, replaced instead by images of Oinari’s messenger, the magical shape-shifting fox (kitsune 狐). Here the symbolism is two-fold. First, rice is sacred in Japan, closely associated with fertility (the pregnant earth) and with sustaining life. Inari and Inari’s foxes must therefore be placated -- otherwise it would be disastrous to the livelihood of the nation’s farmers and people. One fox has a jewel (houju) in his mouth, and the other carries in his mouth a letter (makimono), fulfilling his role as a messenger. These striking sculptures will transcend any room with their beauty, charm and elegance. 22 inches, 56cm tall.