Catalog (368)

Extremely Rare Edo Period Isho Ningyo Pulling a Wagon with a Crane. Early 18th Century Ningyo like this very rarely come up for sale. This Isho Ningyo is special, as it resembles a Karakui (mechanical) Ningyo. This important Ningyo has a classic face with painted features, sumptuous embroidered textiles, and is pulling a cart that has a crane inside. It stands on a lacquered base. A similar example is in the Homa Museum in Japan. 14.5h x 9.5w inches, 37h x 24w cm.

Edo Period Musha-ningyo of Minister Takenouchi no Sukune and Attendant. Superb large-scale Edo period example (circa 1800) of Musha-ningyo warrior dolls for the Boy's Day display. Takenouchi is depicted kneeling and holding the baby Ojin in his arms. He has an unusually animated and well-rendered face, with fine gofun lacquer and painted features. Both figures have rich silk brocades in near mint condition. Height: 15 inches, 38 cm.

Rare and Spectacular Edo Period Musha Ningyo of Toyotomi Hideyoshi (circa 1780). A musha ningyo (Warrior doll or Boy's Day doll) modeled after the seated Toyotomi Hideyoshi in armor with an eboshi winged hat and a sword, holding a gunbai-uchiwa (military fan). This is the first one found by the same maker as the Hideyoshi in the famed Ayervais collection (cf. "Ningyo, the Art of the Human Figurine " Japan Society 1995 page 34, and "Ningyo, the Art of the Japanese Doll" by Alan Pate published by Tuttle. Exhibitions: Japan Society 1995, Metropolitan Museum 2001, Mingei Museum 2005.) This Musha Ningyo of Toyotomi Hideyoshi is considered the finest quality example from the Edo Period, and is in fine condition. Incredibly carved face covered in many layers of varnished gofun. Wearing sumptuous silk brocades. Toyotomi Hideyoshi (1537-1598) unified Japan after the Muromachi government lost control. The period of his rule, Momoyama is named after Hideyoshi's castle. 14h x 15w inches, 35.5h x 38w cm.

Pair of 18th Century Japanese Carved Stone Sculptures of the Female Buddha Sattva with beautifully polychromed colors. Inscribed on the back. These rare figures are important artifacts of Buddhism and they transmit a wonderful spiritual presence. Heights: 10.5 and 10 inches, 27 and 25.5 cm.

18th Century Japanese Two Panel painted Screen of a Pine Tree and Landscape, set in gold painted clouds floating in the image. An exceptional classic Japanese masterpiece. The presence of this image changes with the light of the room. The painting techniques are sumptuous, giving the image a heightened realistic experience. A similar screen was sold by Liza Hyde to the Rockefeller collection. Height: 74.75 inches, 190 cm; Width: 67.25 inches, 171 cm.

Very rare Japanese comic demon Buaku Kyogen mask dating from the Edo Period, the golden age of Noh Drama. The Buaku mask is a Kyogen version of the Noh Beshimi. Kyogen were short, humorous skits performed between Noh acts to lighten the mood. The heavily knit brows and wide leering grimace are wonderful characteristics of this mask. It is covered in layered colored gofun (oyster shell lacquer), with hair painted with thin lines of ink over the top. It is brilliantly carved, accentuating the depth of his eye sockets, and adding a sense of drama. 8.25 x 6.5 inches, 21 x 16.5 cm.

A powerful and extremely rare Japanese Edo Period Kyogen mask of a Nio Guardian King, ferocious native deities, often associated with the Naga Dragon Kings, who converted to Buddhism and now act as bodyguards for the Buddha. The Edo period was the golden age of Noh Drama. Kyogen theater was performed between Noh acts. This mask is a brilliantly carved work of art, accentuating the dramatic power of this important mythical figure. The mask was covered in layered colored gofun (oyster shell lacquer). 9 x 7 inches, 23 x 18 cm.

Rare and wonderful Kyogen Theater mask dating from the Edo period, the golden age of Noh Drama. Kyogen are short, humorous skits performed between Noh acts to lighten the mood. He has gold eyes with a rich red lacquer finish. Red represents both drunkenness and healing. The large nose gives a striking sense of comic drama. This fine mask is brilliantly carved, accentuating the depth of the mask, and adding a sense of comic theater. 8.25 by 6.5 inches, 21 x 16.5 cm.

A large, rarest of rare Japanese 18th century Bijin Saga Ningyo, depicting a standing female holding her flowing kimono. Saga Ningyo are the most sought after of all Japanese Ningyo. They are almost never seen on the market, and only rarely enter Western collections, public or private. This is a once-in-a -lifetime opportunity for the serious connoisseur of Japanese art. This finely carved and sculpted figure is a masterpiece from all angles. The rich pigmentation of the robes are built up with pigments in a technique called 'moriage'. The many classic patterns are extraordinary. Saga Ningyo are very different from more familiar Japanese Ningyo forms. This Saga Ningyo, an exceptional and magical presence to behold, is of an unusually large size (18.5 inches, 47 cm), significantly larger than most known examples. The exact and detailed treatment of her kosode kimono, the flowing lines of the carving, the elegant arrangement of her comb-secured hairstyle, and the rendering of her gorgeous face, is an artistic achievement on the highest level.

Edo Period Portable Wood Buddhist Shrine with Exquisite Carving. 17h x 12w inches, 43h x 30.5w cm. In Buddhism, portable shrines were made so that devout travelers with nowhere to worship could carry their shrines with them. The shrines were made with closing doors, to preserve the artwork. This shrine features exquisitely carved deities and finely lacquered details.

Japanese Edo Period Wood Carving of a Monkey on a Peach Tree. Originally housed in a Buddhist temple. Carved of poloma wood. Original pigments still exist, which is very unusual for the age. It is a wonderfully carved and captivating work of art. 23 x 9 inches, 58.5 x 23 cm.

Edo Period Japanese Noh Theater Mask of Kawazu, an Oni with a Golden Hair Beard, circa 1700. A very rare early example with a powerful presence. 8 x 6.5 inches, 20.25 x 16.5 cm. Height with the beard is 19 inches (48.25 cm).

Rare 18th Century Japanese Tea Ceremony Screen Painting of a Pine Tree. Exquisite painting on gold leaf. Set in a wood frame with a sumptuous silk brocade border. Featuring two poems on the back. The Japanese tea ceremony, also called the Way of Tea, is a Japanese cultural activity involving the ceremonial preparation and presentation of matcha, powdered green tea. Frame: 26 x 19 inches, 66 x 48.25 cm; Painting: 21 x 13 inches, 52.25 x 33 cm.

18th Century Japanese Edo Period pair of Kyoho-Bina Ningyo, an exceedingly rare early 18th century. An exceptional example of this early style. The finest quality in all aspects, featuring rich silk matching brocades in an elegant floral pattern with auspicious treasures on multilayered robes creating a classical form. All accessories and stands are original, very rare for such an early piece. Fine faces of gofun (oyster shell lacquer) aged to a burnished tone, with painted details. They have a museum collection number. Kyoho-Bina are one of the earliest styles, and are the Tiffany of hina display dolls. Emperor: 18 inches (46 cm), Empress: 17 inches (43 cm).

Fantastic 18th Century Edo Period Saga Ningyo of a young boy holding a bird. His head bobs while his tongue goes in and out. Carved entirely of wood, his gorgeous robes are built up with pigments in a technique called 'moriage'. He has an outer robe decorated with a foliate scroll with other beautiful designs and geometric patterns raised in relief. This rarest of all Ningyo forms almost never comes up for sale and are almost never seen except in museums or important private collections. Saga Ningyo are considered the "holy grail" of Ningyo. They were first produced in the early 17th Century. Height: 9 inches, 23 cm. Fine condition with original signed box and presentation pillow.

Extremely Rare 18th Century Edo Period (circa 1780) Musha Ningyô (Japanese Boys Day Figures) representing the famed brave warrior, Kato Kiyomasa (1562-1611), who accompanied Hideyoshi on his campaign against Korea. He is gloriously represented here, along with his attendant holding a banner. Kato is wearing sumptuous brocades, a black velvet trim robe with gold trim and is holding a spear with a sword at his side. He is in a kneeling position. Kato Figure: 12 inches (30.5 cm) high x 13 inches (33 cm) wide, Spear: 20 inches (51 cm); Attendant: 9.5 inches (24 cm) wide, Banner: 21 inches (53 cm).

17th Century Early Edo Period Spectacular Japanese Temple Sculpture of Baku, a mythical beast loosely representing an Elephant with a combination of other animals, creating an original form. The Baku is the "Dream Catcher" of ancient Japanese Shinto mythology. It is inserted in the ceiling to watch over the temple. This Baku is a masterpiece sculpture of magnificent presence. It will surely be the focal point in any environment. It is carved entirely from solid Keyaki (Zelkova) wood, one the finest woods of Japan, and it takes two men just to lift it. Mounted on a lacquered stand, it rotates easily on the stand. 36 inches (91.5 cm) long x 25 inches (63.5 cm) tall. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.

16th Century Japanese Momoyama Period Wood Sculpture of Nyoirin Kannon, widely worshiped by those who hoped to gain riches and fulfill requests, seated on a lotus flower on rocks. Nyoirin's pose was appealing to devotees: his relaxed pose is inviting and the hand raised against his leaning head, which signifies a meditative state, adds a human touch. The bodhisattva's pose, in fact, indicates that he is resting in his personal paradise on Mt. Potalaka, which traditionally is said to be located in the sea south of India. This remarkable sculpture is exceptional for its age and beauty, and is adorned with a necklace of jewels and has a beautiful patina, retaining much of its gold lacquer. 7.5 inches (19 cm) tall, 5 inches (13 cm) wide, 3.75 inches (9.5 cm) deep. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.