Catalog (368)

A Japanese Ikebana bleached willow wood flower arranging vase from the Meiji Period. This wonderful natural sculpture has a presence to offset the most traditional Ikebana arrangements. 21 inches (53 cm) high, 33 inches (84 cm) diameter.

A fantastic two-panel painted Japanese screen with a colorful floral design all on silver leaf mounted on wood with wood frame. 50w x 48h inches, 127w x 122h cm.

A very rare Momoyama Period masterpiece Japanese two-panel screen with chrysanthemum and other flowers and foliage. Exquisitely painted on gold leaf, with original sumptuous silk brocade. 72w x 21h inches, 183w x 53h cm.

A beautifully painted Meiji Period Japanese Namban screen depicting a Portuguese Caravel ship. Japanese screens featuring Portuguese are rare. 60h x 56w inches, 152h x 142w cm.

Kaneta Masanao's work is in major museums throughout the world. He is widely recognized as the foremost Hagi ceramic artist, and one look at this wonderful cup and saucer will tell you why. Saucer: 7 inches (18cm); Cup 3h x 4.5w inches (7.5h x 11.5w cm).

Large, Powerful Tengu Mask by the Renowned Artisan Hashimoto Yoshinobu of the Miharu Choshi mingei studio. One of the most fantastic examples of a Tengu that you will ever see. Mid 20th Century. Papier mache on mountain-grown willow wood. 18h x 18d x 8w inches, 46h x 46d x 20w cm. Height with beard: 36 inches, 91.5 cm. From the Lea Sneider Collection.

Large Japanese Okimono Sculpture of Jurōjin, God of Longevity with a turtle, also a symbol of long life, and a young boy representing the beginning of life. Exquisitely carved from one piece of boxwood with a beautiful, rich patina. 15.75 inches, 40 cm. In Japan, Jurōjin is one of the Daoist Seven Gods of Fortune, or Shichifukujin. He is the God of Longevity. Jurōjin originated from the Chinese Daoist god, the Old Man of the South Pole. He may have been and historical figure of the Northern Song Dynasty (960 – 1127). Jurōjin is identified as the personification of the Southern Polar Star. Paintings and sculpture of Jurōjin are considered auspicious.

Spectacular and dramatic Japanese Bunraku Puppet of a Sambaso dancer, rooted in myth, religion, and rituals performed at Shinto shrines and the imperial court, rituals aimed at conjuring up the gods. Has articulated eyes, mouth and arms making an array of wonderful expressions. He is holding his bell rattle, wearing a silk costume and a lacquered hat, presented on a classic Bunraku Puppet stand. 25.5 inches (65cm) tall.

Rare Japanese 7th Century Asuka Period Buddha of Paloma Wood. Beautiful patina and wood grain. The Asuka Period is known for its significant artistic, social, and political transformations, having their origins in the late Kofun period but largely affected by the arrival of Buddhism from China. The introduction of Buddhism marked a change in Japanese society. The Asuka period is also distinguished by the change in the name of the country from Wa to Nihon. 12.75h x 9.5w x 4.25d, 32.5h x 24w x 11d cm.

Beautiful Japanese Daki Ningyo standing at the unusual height of 26 inches (66 cm), making him a very rare and striking figure of the merchant class. He is wearing an Inro with a pair of Kokishiki dolls inside. It is most uncommon to see this type of Ningyô outside of Japan, for they are highly prized by the Japanese. A widely held theory has it that these dolls were commissioned by patrons of Geisha as presentation gifts. This one is outstanding in every way. It has a wonderfully expressive face.

A fantastic, extremely rare and important Edo Period Daki Ningyo, with a fine shibori outer kimono, and a red chirimen silk crepe inner kimono with a fawn-spot pattern. Featuring a beautifully sensitive life-like face. Looks wonderful in a seated or standing pose. All aspects of this Daki Ningyo are of the finest quality. We are confident that you have never before seen one of this age and quality offered for sale. Height: 25 inches, 63.5 cm.

Pair of Japanese Meiji Period Wood Kitchen Gods, Daikoku and Ebisu. 8 inches, 20 cm and 7.5 inches, 19 cm. Daikoku, God of Earth and Agriculture, stands on bales of rice and wields his magic mallet. Ebisu, God of Ocean and Prosperity, holds a large red sea bream tucked under his arm. This fish is an ancient symbol of good luck in Japan. Daikoku and Ebisu often appear together in the Japanese kitchen. This is a fine example of the pair of gods that Japanese have relied on for centuries to bless and protect the kitchen. From the collection of Irwin Hersey, renowned author on Asian and primitive art, and publisher of the Primitive Art Newsletter in the 1970s. Irwin Hersey was an advisor to museums and prominent collectors, and vetted pieces for many of the international tribal art fairs and Asian art fairs.

Japanese Keto Kyomasa Iki Ningyo. 21 inches (with helmet; 27 inches with staff and stand.

Ningyo of Young Lady Looming Textile. 15 inches (38cm) wide x 10 inches (25.5cm) high.

Munga Ningyo of a Samurai in Court Attire by Toyotomi Hideyoshi. Late Edo Period. Height: 10 inches, 25.5 cm.

Japanese Isho Ningyo of a Noh Actor, Meiji Period, late 19th Century. Height: 13.75 inches, 35 cm.

Kimikomi Ningyo by Jinku-ru. 9.25 inches, 23.5 cm.

Japanese Standing Female Isho Ningyo of a Bijin, Meiji Period. 15.75 inches (40 cm).